Panasonic LUMIX S5 4K Mirrorless Full-Frame L-Mount Camera with S 50mm f/1.8 Lens and Gimbal
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Panasonic LUMIX S5 4K Mirrorless Full-Frame L-Mount Camera (Body Only)
The Panasonic LUMIX S5 is a high-quality, high-performance hybrid full-frame mirrorless camera designed especially for content creators, helping you bring your ideas forward in breathtaking clarity and color. Still photos and video come alive using the latest advances in image resolution, image stabilization, and autofocus, all in the lightweight, compact, durable body that is the signature of LUMIX.
Lightweight, Powerful Hybrid Camera
Realize your creative vision with a compact hybrid camera that delivers gorgeous, high-sensitivity still photography and extraordinary 4K 60p 4:2:0 10-bit video recording, offering a FHD 180fps Slow Motion option as well as 4:3 Anamorphic support. The S5 is perfect for use when talking still photos or as a vlog camera.
Detailed Photo
The LUMIX S5 makes it easy and accessible to capture content in impressive high resolution. 96MP High Resolution Recording mode delivers with clarity and precision. Dual Native ISO minimizes noise in high sensitivity. V-Log/V-Gamut compatibility offers a 14+ stop dynamic range to capture every detail.
Autofocus and Powerful Image Stabilization
Improved autofocus includes detection of the head as well as eyes, face and body, to capture subjects with ease and precision. 5-axis Dual I.S. 2 enables 6.5-stop slower shutter speed. Also equipped with Double SD memory card slot (UHS-II/UHS-I) for reliability.
Compact Construction
The S5 has the lightweight portability you expect from LUMIX, and is dust and splash resistant to withstand tough field use. Optimized heat dispersion ensures a stable, continuous video recording without interruption.
Panasonic LUMIX S 50mm f/1.8 L-Mount Lens (Full-Frame Format)
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. Ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by micro step control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed.
This compact, lightweight, and dust, splash, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors.
The LUMIX S 50mm F1.8 is comprised of nine lens elements in eight groups including three aspherical lenses, one ED (Extra-Low Dispersion) lens, and one UHR (Ultra-High Refractive Index) lens. The use of three aspherical lenses realizes both high descriptive performance and beautiful bokeh, which are common advantages to the series of all F1.8 lenses. It is suitable for snapshots including portrait to landscape.
The ED lens effectively suppresses chromatic aberration. The LUMIX S 50mm F1.8 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography. Together with a micro-step aperture control for smooth exposure change, professional-quality video can be recorded.
With its compact, approximately 300g of lightweight, the LUMIX S 50mm F1.8 features stunning mobility. The rugged dust/splash-resistant* design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.
DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
The first-ever Mini version in the RS series, the DJI RS 3 Mini Gimbal Stabilizer, is a small, lightweight handheld stabilizer with a powerful payload capacity. It supports mainstream mirrorless camera and lens combinations and inherits the excellent stabilization performance of the RS 3 series. With DJI RS 3 Mini, unleash your shooting potential and achieve effortless professional creation.
A Breakthrough in a Compact Body
The DJI RS 3 Mini adopts an innovative redesign that includes a smaller build, integrated battery, and native vertical shooting capability. The compact and portable body can easily fit into a shoulder bag, allowing you to travel light. When in use, the DJI RS 3 Mini is about half the size of the RS 3 Pro, making it more convenient for long-duration use.
Super Light, Easy to Control
The DJI RS 3 Mini weighs only 1.75 lb in Portrait mode, approximately 50 percent lighter than DJI RS 3 Pro and 40 percent lighter than DJI RS 3. It weighs only 1.8 lb when shooting with the horizontal plate. Additionally, a concentrated center of balance provides a more stable and ergonomic hand-held experience.
Effortlessly Powerful
The DJI RS 3 Mini has a payload capacity of up to 4.4 lb, making it best-in-category at its weight, letting it easily handle larger setups like a Sony A7S3 plus 24 to 70mm F2.8 GM lens. It supports mainstream full-frame or APS-C mirrorless cameras, enabling a wide range of camera and lens combinations. With high-torque motors, the RS 3 Mini can retain stable shooting when zooming to maximum focal lengths on most lenses without the need for rebalancing.
Professional Stabilization
With the same outstanding 3rd-Gen RS Stabilization algorithm as DJI RS 3 Pro, DJI RS 3 Mini can achieve professional-grade image stabilization. Whether capturing a low-angle shot or shooting in flashlight mode, your shots stay stable.
Rich Camera Movements
The DJI RS 3 Mini's unique size and features provide ample opportunity to achieve rich camera movements and language. It also reduces the need to re-shoot due to camera shake, allowing you to capture every moment and create with more confidence.
New Dual-Layered Quick-Release Plate
An upgraded dual-layered quick-release plate features an upper plate with a curved placement guide that prevents the camera from rotating and loosening. With clear mounting and locking marks, launch and storage efficiency are further enhanced. It also follows the ARCA standard, allowing for convenient switching between tripods.
Native Vertical Shooting
The DJI RS series has made a breakthrough in native vertical shooting on DJI RS 3 Mini. Switch to vertical instantly without additional accessories. Just mount the standard Quick-Release Plate to the gimbal's vertical arm and film content that is optimized for social media platforms. Compared to portrait modes on other gimbals, the gimbal rotation angle of DJI RS 3 Mini in Native Vertical mode is greatly expanded. It even offers the same control experience as horizontal mode. It is also easy to film in Upright, Underslung, Flashlight, and other operation modes.
NATO Expansion Port
The DJI RS 3 Mini is equipped with a NATO port to support the installation of accessories such as briefcase handles, external fill lights, and monitors, allowing for more configurations and greater flexibility.
Bluetooth Shutter Control
The DJI RS 3 Mini comes with the same Bluetooth shutter control that debuted on DJI RS 3 Pro. This function supports mainstream mirrorless camera models and allows the DJI RS 3 Mini to automatically reconnect with a camera after the initial pairing. After Bluetooth pairing, you can directly control the video recording and photo capture functions of your camera via the record button on the gimbal.
Imaging
| Sensor Resolution | 24.2 Megapixels |
| Image Stabilization | Yes |
| Sensor Type | CMOS |
| Sensor Size | FullFrame |
| Megapixels | 24.20 |
Exposure Control
| Shutter Speed | 6.5-stop slower shutter speed. |
| ISO Sensitivity | Dual native ISO Technology to realize ISO51200 |
Video
| Video Resolution | Ultra HD 4K |
Interface
| Memory Card Slot | SDXC |
Physical
| Camera Series | Lumix S |
| Camera Model | Panasonic LUMIX S5 |
Lens
| Optical Design | 17 Elements in 11 Groups |
- SD Memory Card / SDHC Memory Card / SDXC Memory Card
- Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
- Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards.
- Still image: JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072)
- 6K PHOTO / 4K PHOTO:
- 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
- 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
- Extracted still images: JPEG (DCF, Exif 2.31)
- Aspect ratio: 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
- File size (Pixels):
- When using full-frame lenses
- 3:2:
- 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution Mode.
- 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) / 5984x4000(HLG PHOTO, Full-Res.) / 3232x2160(HLG PHOTO, 4K-Res.)
- 4:3:
- 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution Mode.
- 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) / 5312x3984(HLG PHOTO, Full-Res.) / 2880x2160(HLG PHOTO, 4K-Res.)
- 16:9:
- 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution Mode.
- 3840x2160(4K PHOTO) / 5888x3312(HLG PHOTO, Full-Res.) / 3840x2160(HLG PHOTO, 4K-Res.)
- 1:1:
- 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution Mode.
- 2880x2880(4K PHOTO) / 4000x4000(HLG PHOTO, Full-Res.) / 2144x2144(HLG PHOTO, 4K-Res.)
- 65:24: 6000x2208(L)
- 2:1: 6000x3000(L)
- When using APS-C/Super 35mm lenses
- 3:2: 3984x2656(L) / 2880x1920(M) / 2064x1376(S) / 3504x2336(4K PHOTO)
- 4:3: 3536x2656(L) / 2560x1920(M) / 1840x1376(S) / 3328x2496(4K PHOTO)
- 16:9: 3984x2240(L) / 2880x1624(M) / 1920x1080(S) / 3840x2160(4K PHOTO)
- 1:1: 2656x2656(L) / 1920x1920(M) / 1376x1376(S) / 2880x2880(4K PHOTO)
- Image quality: RAW / RAW+Fine / RAW+Standard / Fine / Standard
- Color space: sRGB, AdobeRGB
- MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit))
- MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))
- NTSC (59.94Hz):
- Full-frame:
- [4K] 3840x2160:
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [FHD] 1920x1080
- 59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- APS-C / Pixel by Pixel:
- [4K] 3840x2160:
- 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
- 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [Anamorphic 4K] 3328x2496 (4:3):
- 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [FHD] 1920x1080:
- 59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- PAL (50.00Hz)
- Full-frame:
- [4K] 3840x2160:
- 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [FHD] 1920x1080:
- 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- APS-C / Pixel by Pixel:
- [4K] 3840x2160:
- 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
- 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [Anamorphic 4K] 3328x2496 (4:3):
- 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
- 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
- 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- [FHD] 1920x1080:
- 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
- NTS (59.94Hz):
- Full-frame:
- [4K] 3840x2160:
- 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080:
- 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- APS-C / Pixel by Pixel
- [4K] 3840x2160:
- 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080:
- 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- PAL (50.00Hz):
- Full-frame:
- [4K] 3840x2160:
- 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080:
- 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- APS-C / Pixel by Pixel
- [4K] 3840x2160:
- 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
- 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080:
- 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- NTSC (59.94Hz)
- Full-frame:
- [FHD] 1920x1080:
- 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps
- *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more.
- APS-C / Pixel by Pixel
- [4K] 3840x2160:
- 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 1, 2, 5, 10, 15, 30, 60 fps
- PAL (50.00Hz)
- Full-frame:
- [FHD] 1920x1080:
- 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps
- *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more.
- APS-C / Pixel by Pixel :
- [4K] 3840x2160:
- 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- 1, 2, 5, 10, 15, 30, 60 fps
- Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
- Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
- Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
- Approx. 714g / 1.58 lb (SD Memory Card x 1, Battery, Body)
- Approx. 630g / 1.39 lb (Body only)
- 1/4 inch 20 Mounting Hole
- RSS camera control port (USB-C)
- NATO expansion port
- Model: HB7-2450mAh-7.2
- Type: 18650 Li-ion 2S
- Capacity: 2450 mAh
- Energy: 17.64 Wh
- Operating time: 10 hour
- Charging specification: 5 V/2 A
- Charging time: Approx. 2.5 hour
- Suggested charging temperature: 5 to 40 degree C (41 to 104 degree F)
- Bluetooth 5.1
- USB-C charging port
- iOS 11.0 or above
- Android 7.0 or above
- English, Simplified Chinese, Traditional Chinese, German, French, Korean, Japanese, Spanish, Portuguese (Brazil), Russian, Thai
- Pan: 360 degree/s
- Tilt: 360 degree/s
- Roll: 360 degree/s
- Pan Axis: 360 degree continuous rotation
- Roll Axis: -95 to +240 degree
- Tilt Axis: -110 to +210 degree
- Gimbal: 1.75 lb (795g) in portrait mode and 1.8 lb (50 g) in horizontal shooting mode (both including the quick-release Plate and excluding the extended grip/tripod)
- Extended grip/tripod: Approx. 0.2 lb (128 g)
- Folded (L x W x H): 323 x 195 x 98 mm, height excludes the extended grip/tripod)
- Unfolded (L x W x H): 180 x 159 x 296 mm, excluding camera and the extended grip/tripod)
- Measured with the equipment in a level and stationary state and the gimbal balanced. When the gimbal is in motion, the operating time will be reduced
- Tested in a 25 degree C (77 degree F) environment while using a 10 watt charger
Panasonic LUMIX S5 4K Mirrorless Full-Frame L-Mount Camera (Body Only)
Panasonic LUMIX S5 4K Mirrorless Full-Frame L-Mount Camera
Type
| Type | Digital Single Lens Mirrorless camera |
| Recording media | |
| Lens mount | L-Mount |
Image Sensor
| Type | 35mm full-frame (35.6mm x 23.8mm) CMOS sensor |
| Camera effective pixels / Total pixels | 24.20 megapixels / 25.28 megapixels |
| Aspect ratio / Color filter | 3:2 / Primary color filter |
| Dust reduction system | Image sensor shift type |
Latitude
| 14+ stops (V-Log) |
Still Image
| Recording File Format | |
Motion Picture
| Recording file format | |
| Switch NTSC / PAL | Yes (NTSC (59.94Hz) / PAL(50.00Hz)) |
| MOV | |
| MP4 |
Slow and Quick
| MP4 | |
Viewfinder
| Type | OLED Live View Finder |
| Pixels | Approx. 2.36 million dots |
| Field of view / Magnification | Approx. 100% / Approx. 0.74x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
| Eye point / Diopter adjustment | Approx. 20 mm at infinity; -1.0 m-1 / -4.0 - +4.0 (dpt) |
| Eye sensor | Yes |
| Display speed | 120fps / 60fps |
| Display time lag | Approx. 0.005sec |
Rear Monitor
| Type | TFT LCD monitor with static touch control |
| Monitor size | Free-angle, 3.0-inch (7.5cm), 3:2 aspect |
| Pixels | Approx. 1.84 million dots |
| Field of view | Approx. 100% |
Focus
| Type | Contrast AF system |
| DFD technology | Yes |
| Focus mode | AFS (Single) / AFC (Continuous) / MF |
| AF mode | Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position) |
| AF detective range | EV -6 - 20 (F1.4, ISO100 equivalent, AFS) |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
| AF assist lamp | Yes |
| AF lock | Set the Fn button in custom menu to AF lock |
| Post focus / Focus stacking | Yes / Yes |
| Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode, 1-Area AF Moving Speed, Loop Movement Focus Frame, AFC Start Point (225-Area), Lens Focus Resume, Focus Ring Control |
Exposure Control
| Light metering system | 1,728-zone multi-pattern sensing system |
| Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Exposure mode | Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure |
| ISO sensitivity (Standard output sensitivity) | Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO |
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| AE lock | Set the Fn button in custom menu to AE lock |
Image Stabalization System
| Image sensor shift type (5-axis / 5.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction | focusing distance f=60mm when S-R2060 is used.] |
| Dual I.S. (6.5-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction | focusing distance f=200mm when S-E70200 is used.] |
White Balance
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias |
| Color temperature setting | 2500-10000K in 100K |
Shutter
| Type | Focal-plane shutter |
| Shutter speed | |
| Motion picture | 1/16,000 - 1/25 |
| Creative Video M mode / MF mode | 1/16,000 - 1/2 inch |
| Self timer | 10sec, 3 images / 2sec / 10sec |
| Remote control | Remote control by DMW-RS2 (sold separately) |
| Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
Bracket
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
| Aperture bracket | 3, 5 or all positions in 1 EV step |
| Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Flash
| Flash type | TTL External Flash (sold separately) |
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
| Flash output adjustment | 1/3EV step ±3EV |
| Synchronization speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
Dimension and Weight
| Dimensions (W x H x D) | Approx. 132.6 x 97.1 x 81.9 mm / 5.22 x 3.82 x 3.22 inch (excluding protrusions) |
| Weight | |
| Lens Construction | 9 elements in 8 groups (3 aspherical lenses, 1 ED lens, 1 UHR lens) |
| Mount | L-Mount |
| Optical Image Stabilizer | No |
| Focal Length | f=50mm |
| Aperture Type | 9 diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture | F1.8 |
| Minimum Aperture | F22 |
| Closest Focusing Distance | 0.45m/1.48ft |
| Maximum Magnification | 0.14x |
| Diagonal Angle of View | 47° |
| Dust and Splash Resistant | Yes* |
| Recommended Operating Temperature | -10℃ to 40℃ (14℉ to 104℉) |
| Filter Size | φ67mm |
| Max. Diameter | φ73.6mm / 2.90inch |
| Overall Length | Approx. 82.0mm / 3.23inch (from the tip of the lens to the base side of the lens mount) |
| Weight | Approx. 300g / 0.66lb (excluding lens cap, lens rear cap and lens hood) |
| Standard Accessories | Lens cap, Lens rear cap, Lens hood |
DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
Peripheral
| Accessory port | |
| Battery | |
| Connections | |
| Ronin app requirements | |
| Languages supported by the touchscreen |
Working Performance
| Tested payload | 0.8 to 4.4 lb (0.4 to 2 kg) |
| Maximum controlled rotation speed | |
| Mechanical range |
Mechanical and Electrical Properties
| Operating frequency | 2.4000 to 2.4835 GHz |
| Bluetooth transmitter power | <4 dBm |
| Operating temperature | -10 to 45 degree C (14 to 113 degree F) |
| Weight | |
| Dimensions |
Other
| Footnotes |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.






