RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z)
- 19.9 MP Super 35 global shutter sensor captures 6K up to 80 fps
- 4K capture reaches 120 fps, while 2K REDCODE RAW reaches 240 fps
- Locking Nikon Z Mount supports electronic lens communication
- Dynamic range reaches 16.5 stops or more for flexible exposure control
- CFexpress Type B recording supports data rates up to 560 MB/s with qualified media
- Integrated 2.9 inch 1440 x 1440 touchscreen provides preview and camera control
- Wi-Fi and Ethernet over USB Type C support control, preview, and media offload
- PTP and trilevel genlock support frame accurate synchronization
The RED Digital Cinema KOMODO-X Z Mount combines a 19.9 MP Super 35 global shutter sensor, native Nikon Z lens control, REDCODE RAW recording, and connected production tools in a compact cinema body. Its 6144 x 3240 sensor delivers 16.5 plus stops of dynamic range, while global shutter capture exposes the full frame simultaneously to help preserve image geometry during fast subject movement, camera motion, visual effects work, and synchronized multi camera production.
6K REDCODE RAW and ProRes Recording
KOMODO-X records REDCODE RAW at up to 80 fps in 6K 17:9, 96 fps in 5K 17:9, 120 fps in 4K 17:9, and 240 fps in 2K 17:9. Qualified CFexpress Type B media supports data rates up to 560 MB/s. Dedicated Apple ProRes recording is also available in 4K, including ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, 422, and 422 LT up to 120 fps. IPP2 color management supports 33 x 33 x 33 3D LUTs and CDL adjustments for controlled monitoring and post production workflows.
Locking Nikon Z Mount and Electronic Lens Control
The integrated locking Nikon Z Mount supports all Z Mount lenses and electronic communication with compatible optics. Camera controlled functions include iris, autofocus, image stabilization, and control ring operation where supported by the lens. Adjustable autofocus behavior and assignable lens controls help tailor the camera to cinema use, while compatible RED Z to PL adapters extend the platform to supported /i PL lenses.
Monitoring, Audio, and Connected Production
An integrated 12G SDI output supports monitoring up to 4096 x 2160 4:2:2 at 60p, while the 2.9 inch 1440 x 1440 touchscreen provides onboard preview and camera control. Dual band Wi-Fi and Ethernet over USB Type C support camera control, video preview, media offload, and a 1080p MJPEG live stream. PTP synchronization, tri level genlock, LTC timecode, and RS 232 control support coordinated multi camera and virtual production systems. A locking 5 pin audio input supports mic, line, and 48 V phantom power, alongside integrated dual channel microphones and a 3.5 mm headphone output.
Compact DSMC3 Body and Flexible Power
The aluminum alloy body measures 5.1 inches long by 4 inches wide by 3.8 inches high and weighs approximately 2.62 lb without the body cap and CFexpress card. An integrated V-Lock interface is optimized for Micro V-Lock batteries, while the 6 pin DC input accepts 11 to 17 V DC for studio and rig based power. The compact body, locking Z Mount, global shutter sensor, high frame rate recording, and IP connectivity make KOMODO-X adaptable to handheld, gimbal, studio, remote, and multi camera configurations.
Imaging:
| Sensor Type | KOMODO-X 19.9 MP Super 35 mm Global Shutter CMOS |
| Effective Pixels | 6144 x 3240 |
| Sensor Size | 27.03 x 14.26 mm, 30.56 mm diagonal |
| Dynamic Range | 16.5 stops or more |
| Mount Type | Integrated locking Nikon Z Mount with electronic communication, support for /i PL lenses with RED PL adapters, and support for other adapters based on Nikon Z Mount |
Recording:
| Maximum Data Rate | Up to 560 MB/s using RED branded or other qualified CFexpress media cards |
| REDCODE RAW Maximum Frame Rates | 80 fps at 6K 17:9 (6144 x 3240), 96 fps at 5K 17:9 (5120 x 2700), 120 fps at 4K 17:9 (4096 x 2160), 240 fps at 2K 17:9 (2048 x 1080) |
| Playback Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
| Best Available REDCODE Settings | HQ, MQ, LQ, and ELQ at 6K 17:9 up to 80 fps, 4K 17:9 up to 120 fps, and 2K 17:9 up to 240 fps |
| REDCODE RAW Acquisition Formats | 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x; 5K 17:9 (5120 x 2700) and 16:9; 4K 17:9 (4096 x 2160) and 16:9; 2K 17:9 (2048 x 1080) |
| Apple ProRes | Dedicated recording in 4K (4096 x 2160), ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps |
| Media Type | CFexpress Type B |
Body and Power:
| Construction | Aluminum Alloy |
| Dimensions | 5.1 x 4 x 3.8 inches (129.37 x 101.26 x 95.26 mm), largest fixed dimensions |
| Weight | 2.62 pounds without body cap and CFexpress card |
| Battery Type | Integrated V Lock battery interface optimized for Micro V Lock batteries |
| DC Power | 11 V to 17 V through a 6 pin DC IN |
| Operating Temperature | 0 degrees C to 40 degrees C (32 degrees F to 104 degrees F) |
| Storage Temperature | minus 20 degrees C to 50 degrees C (minus 4 degrees F to 122 degrees F) |
| Relative Humidity | 0 percent to 85 percent, noncondensing |
Image Processing:
| Color Management | Image Processing Pipeline 2 (IPP2), 33 x 33 x 33 3D LUT support, import and adjustment of CDLs |
Audio:
| Integrated Audio | Dual channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Dual channel mic, line, plus 48 V input through a 5 pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
Focus:
| Autofocus | Phase Detect and Contrast |
Monitoring and I/O:
| Monitor Options | Proprietary Top Accessory Port for monitoring and control, integrated 2.9 inch 1440 x 1440 touchscreen LCD with preview and camera control |
| SDI Modes | Integrated 12G SDI with 6G SDI, 3G SDI, and 1.5G SDI modes |
| 12G SDI Output | Up to 4096 x 2160 4:2:2 at 60p |
| 6G SDI Output | Up to 4096 x 2160 4:2:2 at 30p |
| 3G SDI Output | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G SDI Output | Up to 2048 x 1080 4:2:2 at 30p and 24p |
| SDI Metadata and Audio | SMPTE timecode, HANC metadata, 24-bit 48 kHz audio |
| Additional I/O | Tri-level genlock input through 9-pin EXT, LTC timecode input through 9-pin EXT, RS232 CTRL using RCP2 through the 9-pin EXT port |
IP Connectivity:
| Wi-Fi | 2.4 GHz and 5 GHz for camera control, video preview, and media offloading |
| Ethernet | Ethernet over USB Type C for camera control, video preview, and media offloading |
| Live Stream | MJPEG 1080p through Wi-Fi and USB Type C |
| Synchronization | PTP for frame-level synchronization |
| R3D Live Broadcasting | Available with RED Connect license and 5 Gbps Ethernet adapter |
Software:
| RED Control App | Camera controls and live preview from supported iOS or Android devices |
| RED Control Pro App | Supports multiple cameras over IP, synchronized settings, media management, uploads, and advanced CDL and LUT controls |
| RED Control Connection | Wireless or wired over USB Type-C |
| RED Control Pro Availability | Apple App Store only, separate purchase required |
Starting at $291.45/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $1,748.75
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
Free Local Pickup
Please call for store stock availability. Requests made before 2:30 PM EST can be available for next-day pickup. Learn more
Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.