Shogun AV-19 19-Inch Rack Mountable 4K HDR DCI-P3 Monitor-Recorder-Switcher
Expected around July 2026. Join the preorder waitlist for first access when it drops.
First come, first served — limited availability.
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Product highlights
Product highlights
In the box
In the box
Free standard shipping
Free standard shipping
*Orders placed before 1 PM EST Mon - Thur will ship the same day. Orders placed beyond these hours will be shipped the next business day. Exclusions apply. See shipping policy
Free Local Pickup
Free Local Pickup
Please call for store stock availability. Requests made before 2:30 PM EST can be available for next-day pickup. Learn more
The Shogun AV-19 is a 19-inch rack-mounted 4K HDR monitor, recorder, and switcher built for live production and multi-camera workflows. It supports professional codecs, real-time switching, technical monitoring tools, and network streaming, making it a central hub for broadcast, studio, and event setups.
19-Inch 4K HDR Rack-Mounted Display
The large 4K UHD touchscreen fits standard 7RU racks and delivers high brightness with wide color coverage, allowing accurate monitoring in studio and control room environments.
Multi-Camera Recording and Switching
Record up to four isolated camera feeds plus a switched program output while viewing all sources live, simplifying multi-camera production without external switchers.
Professional Codecs and Storage Options
Capture in ProRes, ProRes RAW, Avid DNx, and H.265 directly to CFexpress cards or USB-C drives for flexible post-production workflows.
Advanced Monitoring Tools
Built-in waveform, vectorscope, false color, focus peaking, zebras, and frame guides help maintain exposure, focus, and framing accuracy.
Broad Connectivity for Production Setups
Features 12G-SDI, 3G-SDI, HDMI input/output, XLR audio, USB-C storage, Ethernet, and signal conversion for seamless integration with cameras and audio gear.
NDI HX3 Network Streaming
Send and receive NDI HX3 video over Ethernet to support IP-based workflows for live streaming and remote production.
LUT and Log Viewing Support
View footage using 3D LUTs and popular log profiles to preview final looks while recording.
Environmental
| Ambient operating temperature | Up to 40 degrees Celsius |
Construction
| Body | Aluminium with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
| Touchscreen | Capacitive touch |
| Tally light | LED on front only |
| Multi-function buttons | Power + 6 assignable |
Power
| Input voltage | DC 12V to 16.8V DC |
| Operating power | 75W |
| Compatible batteries | Connect to either/both DC 4-pin XLR input |
| Battery voltage | 14.4V nominal |
| Battery power | Single battery input via dedicated 4-pin XLR |
| DC-In connector | 1 x 4-pin XLR for included DC power supply |
| D-Tap | Via third-party D-Tap to 4-pin XLR cable |
Display
| Size | 19-inch |
| Rack height | 7 RU |
| VESA mount | No |
| Resolution | 3840 x 2160 4K UHD |
| Bit depth | 10-bit (8+2 FRC) |
| Backlight type | Double Edge-Lit |
| Brightness (cdm2 / Nits) | 1200 |
| Aspect ratio | 16:9 |
| Color gamut | 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
Color Pipeline
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format (17 & 33 points supported) |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
Video Input
| HDMI | 1 x HDMI (2.0) up to 4K60P |
| Locking port | No |
| SDI | 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI |
| Wi-Fi | No |
| Bit depth | 8/10-bit for video / up to 12-bit for RAW |
| Video chroma subsampling | YCbCr 4:2:0 & 4:2:2 |
| HDR Output Conversion | HDMI auto detection |
Video Output
| HDMI | 1 x HDMI (2.0) up to 4K60P |
| Locking port | No |
| SDI loop through | 1 x 12G-SDI |
| Wi-Fi | No |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:02:02 |
Metadata
| SDI | File name – ARRI & RED.RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut |
| File naming - standard | Scene/shot/take & rolling scene/shot/take |
| File naming - over SDI | Auto-matched filenames from supported ARRI & RED Cameras |
Network
| Ethernet | 1 x RJ45 |
Connectivity
| USB | 2 x USB-C 2.0/3.0 |
| Bluetooth | No |
| LANC | Yes |
Video Signal Conversion
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
Audio In/Out
| Audio quality | 24-bit / 48kHz |
| Audio codec | PCM |
| HDMI | 8-channel, 24-bit (input dependent) |
| SDI | 12-channel, 24-bit (input dependent) |
| Analogue audio in | 2 x 3-pin XLR (female) |
| Analogue audio out | 2 x 3-pin XLR (male) |
| Speakers | Mono confidence up to 1.5W |
| Headphone Out | 3.5mm headphone jack, 2-channel |
Timecode
| Embedded | HDMI and SDI |
| Time of day | Yes |
| Reference / Genlock input | Yes (playback mode only) |
| LTC | LTC via dedicated BNC input (record mode only) |
| Wireless AirGlu RF Server and Client | No |
| Wireless AirGlu BT Server | No |
Resolution and Frame Rates (Record, Monitor and Playback)
| 6K RAW | Up to 6Kp30 via SDI |
| 4K RAW | Up to 4Kp60 via SDI |
| 2K RAW | Up to 2Kp240 via SDI |
| 4K DCI | Up to 4Kp60 |
| 4K UHD | Up to UHDp60 |
| 2K DCI 2048 x 1080 | Up to 2Kp60 |
| 1080p | Up to 1080p120 |
| 1080 PsF | Only via pulldown to progressive |
| 1080i | 1080i50 / 1080i60 |
| 720p | Up to 720p60 |
Supported Media
| CF Express | Atomos certified CF Express Type B media |
| USB | Atomos certified USB 3.0 media |
| File System | ExFAT |
Codecs
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| H.264 | Not supported |
Playback
| Playlist | Yes - create customer playlists from full or sub-clips |
| Loop | Yes, with user-customizable in/out markers |
| AppleProRes RAW | Yes - recorded clips |
| Apple ProRes | HQ, 422, LT (linear PCM audio only) |
| Avid DNx | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) |
| H.265 | Yes |
Recording
| Pre-roll | 8s HD / 2s 4K - ProRes, DNxHD only |
| Timelapse | Yes |
| ISO recording | 4 x ISO up to 1080p60 (3G SDI Level A & B) |
| Switched program record | Yes |
Multi-input Switching
| Dual input display | Via multi ISO input mode |
| Multiple SDI input | Up to 4 x 1080p60 (3G SDI Level A & B) |
| Multiview display | Via multi ISO input mode |
| Input switching | Yes |
On-screen Monitoring Tools
| Waveform | 3 sizes – adjustable opacity & brightness |
| RGB parade | 3 sizes – adjustable opacity & brightness |
| Vectorscope | 2 sizes – adjustable opacity & brightness |
| 1 x Zoom | Yes. 1:1 pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Color | Yes, with scale |
| ARRI False Color | Yes |
| EL Zone False Colour | Yes |
| Zebra | Yes, adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
Onboard Signal Processing
| 4K UHD downscale for HD | Loop out - 4K UHD to FHD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
Remote Control
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm jack | Calibration via optional USB to serial cable |
Accessories
| AC to DC Power Adaptor | Yes, sold separately (ATOMPWR024) |
| Sun Hood | No |
Camera to Cloud
| ATOMOSphere | Direct progressive upload supported (20GB free storage) over Ethernet |
| Adobe Frame.io | Direct progressive upload supported (separate purchase) over Ethernet |
| Dropbox | Direct progressive upload supported (separate purchase) over Ethernet |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.






