Atomos Shogun CONNECT 7-Inch Network-Connected HDR Video Monitor and Recorder
Couldn't load pickup availability
Product highlights
Product highlights
In the box
In the box
Free standard shipping
Free standard shipping
*Orders placed before 1 PM EST Mon - Thur will ship the same day. Orders placed beyond these hours will be shipped the next business day. Exclusions apply. See shipping policy
Free Local Pickup
Free Local Pickup
Please call for store stock availability. Requests made before 2:30 PM EST can be available for next-day pickup. Learn more
The Atomos Shogun CONNECT 7-Inch Network-Connected HDR Video Monitor and Recorder combines portable monitoring and professional RAW recording, with support for integrated and cloud-based workflows. It builds on the pedigree of the ground-breaking Shogun product line. Every detail has been redesigned from the ground up to make Shogun CONNECT the most powerful and versatile device Atomos has ever created.
Premium Experience
Featuring a super bright 7-inch 2000nit screen and multiple recording options, Shogun CONNECT provides a premium experience for HDR monitoring and RAW recording. In addition, it includes loop-through and cross-conversion functionality via its 12G SDI-IN and OUT interface. It supports SDI RAW inputs up to 6K at 30fps. It can simultaneously loop out standard YCC video via SDI and HDMI to multiple non-RAW compatible devices. As you would expect from an Atomos device, Shogun CONNECT combines high-quality monitoring and many different industry-standard recording formats. It also transforms digital cinema, mirrorless, and DSLR cameras into devices that support a range of advanced cloud-based workflows.
Redesigned Touchscreen
The new 7-inch, daylight-viewable, highly-responsive SuperAtom IPS touchscreen is perfect for outdoor use, even in direct sunlight. All the controls are there to perform the adjustments necessary to allow Shogun CONNECT to function equally well in darker environments.
Compact and Versatile
From individuals to large-scale cinema productions, CONNECT has been built to fit into any camera rig. It features a versatile mount that can be adapted to suit different industry-standard equipment from a wide range of manufacturers. Once locked in place the mount is highly secure and offers anti-rotation settings, so you can trust it to remain in place at all times.
A Complete Monitoring Toolbox
Shogun CONNECT offers a comprehensive range of monitoring tools including a waveform, focus peaking, false color, and frame guides to help you get the composition and exposure exactly right. The AtomOS software is so easy to use and the control it provides over your images for exposure, framing, or focus.
Powered for the Future
Shogun CONNECT is built around the latest Atomos silicon, the AtomIC3. The processor provides all the performance to handle the demands of the very latest cameras. It can manage higher frame rates and increased resolutions. Currently, the device supports the RAW output of various cameras up to 4K at 120fps via HDMI or SDI, with 8K ProRes RAW recording of up to 30fps exclusive to certain cameras.
Wireless Remote Control
The AtomRemote app for iOS and macOS offers an array of external controls for Shogun CONNECT. The app enables you to perform a range of configuration tasks and operations up to 15 meters away from the device via Bluetooth LE. Input options include the ability to define camera connections, select Gamma/EOTF, and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, choose monitoring modes, apply custom 3D LUTs, or view image analysis tools including exposure and focus. Output controls include options for 4K to HD, LUT preview, and HDR output.
Wireless Timecode
Atomos AirGlu adds wireless timecode, sync, and control technology to Shogun CONNECT. AirGlu locks multiple Atomos devices or compatible cameras, audio recorders, and software applications together so that they share the same frame-accurate timecode. It is also able to relay recording, battery status, and disk capacity information to the server unit.
The Future of Production
Atomos Cloud Studio is a collection of online video production services that represent a radical innovation for all video creators, streamers, and filmmakers. Cloud Studio allows Atomos CONNECT devices to live stream to popular platforms like Facebook Live, Twitch, YouTube, and custom RTMP/S destinations.
Connectivity
| Ports | 7 |
| External Ports | 3.5 mm Mini-Jack |
| WiFi | Yes |
| Ethernet | LAN |
Electrical
| AC/DC Power Adapter | Included |
Environmental
| Operating Temperature | Up to 40 degrees-C |
Physical
| Weight | 1.6 lb Excluding Batteries |
| Wall Mounting | 1 x 1/4 inch 20 or 3/8 inch |
| Rotation Adjustment | 180° (-90 to 90°) |
| Lock Slot | No |
Display
| Resolution | 1920 x 1280 |
| Brightness | 2000 cd/m² |
| TV Screen Size (Diagonal) | 7" |
| Touch Screen | 42190 |
| Panel Type | IPS-Type LCD |
| Bit Depth / Color Support | 10-Bit (1.07 Billion Colors) |
| Color Gamut | 99% REC709 |
| Backlighting Technology | Edge LED |
- Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
- ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /
- LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
- LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
- JVC JLog1, RED LogFilm / RED Log3G10 / RED Log3G12,
- FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2,
- Olympus OM-Log400 / Flat, Leica L-Log
- BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 /
- SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020,
- Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC
- LS300, Red DragonColor / DragonColor2 / RdColor2 /
- RedColor3 / RedColor4 / RedWideGamut
Atomos Shogun CONNECT 7-Inch Network-Connected HDR Video Monitor and Recorder
Physical Specifications
| Without batteries and media | 1.6 lb (730g) (excluding batteries) |
| Dimensions (W x H x D) | 7.8 x 5.2 x 1.57 inch (198 x 133 x 40mm) |
| Mounting points | |
| Top | 1 x 1/4 inch 20 or 3/8 inch with anti-rotationalanti-rotationalCelsius points |
| Bottom | 1 x 1/4 inch 20 or 3/8 inch with anti-rotational points |
| Right | 1 x 1/4 inch 20 or 3/8 inch with anti rotational points |
Environmental
| Ambient operating temperature | Up to 40 degrees-C |
| Construction and Control | |
| Body | Aluminum alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and heat sink |
| Tally light | Rear and front (Red border on the display indicates record) |
| Multi-function button | Power/lock screen |
Power
| Input voltage | 6.2V to 16.8V |
Battery
| Voltage | 7.2V |
| Compatible batteries | NPF /L series |
| Battery time (based on 7.4V) | 5200mAh - up to 2 hours (monitor and record 4Kp60), 7800mAh -up to 3 hours (monitor and record 4Kp60) |
| DC In connector | Locking DC Jack (5.5mm OD and 2.1mm ID) |
| D-Tap Via optional D-Tap to DC cable |
Display
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 7 inch |
| Resolution | 1920 x 1200 px |
| PPI | 325 |
| Bit depth | 10-bit (8+2 FRC) |
| Backlight type | Edge lit |
| Brightness (cd/m2 /nits) | 2000nits +/- 10% |
| Aspect ratio | 16:9 image display |
| De-interlace | mode I > P and PSF > P |
| Color gamut | Rec. 709 |
| Color | Pipeline |
| AtomHDR | Yes |
| Gamma | |
| Gamut | |
| 3D LUT Display | .Cube Format |
| 3D LUT Down | |
| Stream Loop out | |
| 3DLUT | 50/50 Yes |
| Monitoring modes | Native / Rec.709 / HLG / PQ / 3D LUT |
| HDR output conversion | HLG / PQ |
Color Management
| Calibration | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built-in technical log to HDR EOTF |
| 3D luts | Display, monitor and output, Record, Load via SSD |
| Legalize | Input |
| Video | |
| Input | HDMI 1 x HDMI (2.0a) 4Kp60 |
| HDMI RAW Apples ProRes RAW up to 8Kp30 / 4Kp120 SDI 1 x 12G | |
| SDI | SDI RAW Apple ProRes RAW up to 6Kp60 and 4Kp120p |
| Bit Depth | 8/10-bit Video / RAW up to 12-bit |
| Video Chroma Subsampling | YCbCr 420 and 422 |
| HDCP copy protection | Not supported |
| HDR | Yes with Auto detection |
Metadata
| HDMI | RAW - white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut |
| SDI | File name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| Video Output (Playout) | |
| HDMI | 1 x HDMI (2.0) 4Kp60 |
| SDI Loop Out | 1 x 12G SDI |
| SDI Play Out | 1 x 12G SDI |
| Video Chroma Subsampling | YCbCr 420 and 422 |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| HDR | Yes with Auto detection |
Web Streaming
| RTMP | Yes |
| RTMP/S | Yes |
Video Signal Conversion
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
Audio In/Out
| Audio quality | 24-Bit/48kHz |
| Audio codec | PCM |
| HDMI | 8ch 24-bit, input dependent |
| SDI | 12ch 24-bit, input dependent |
| Analog audio in | 3.5 mm 2ch - 5v power |
| Analog Audio out | 3.5 mm jack |
| Headphone out | 3.5 mm jack |
Timecode/Sync
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | No BNC input |
| Wireless SYNC | AirGlu SYNC Time code Network Server or Client |
| RF network range | 300m |
| RF frequency | Region dependant |
| Number of channels | 12 RF Channels per Region |
| Number of RF clients | Region dependant |
| Bluetooth network range | 10 to 15m (line of sight) |
Network
| Ethernet | 1GbE RJ45 |
| WiFi | WiFi 6 |
| Wireless RF | AirGlu SYNC Time code Network |
| Cellular | Connect to Hot Spot over WiFi |
| Resolution and Frame Rates (Record, Monitor and Playback) | |
| 8K RAW | up to 8Kp30 Via HDMI |
| 6K RAW | up to 6Kp60 Via HDMI and 6Kp30 SDI |
| 4K RAW | up to 4Kp120 via HDMI/SDI |
| 3.5K Anamorphic RAW | up to 3.5Kp60 via HDMI |
| 2K RAW | up to 2Kp240 via SDI |
| 4K DCI | up to 4Kp60 |
| 4K UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 up to 2Kp60 | |
| FHD 1920 x 1080 Progressive up to 1080p120 | |
| FHD 1920 x 1080 PsF Pull down | |
| FHD 1920 x 1080 Interlaced 1080i50 / 1080i60 1280 x 720p 60p |
Recording Codec
| Apple ProRes RAW, ProRes RAW HQ | up to 12bit 8Kp30 / 4Kp120 (activation required) |
| Apple ProRes HQ / 422 / LT | Up to 4Kp60 Avid DNxHD (220x, 220, up to 1080p60 (activation required) |
| Avid DNxHR (LB, SQ, HQ, HQX) | up to 4Kp60 (activation required) H.265 LQ, MQ, HQ in 8/10 Bit, 4 2 2 and 4 2 0 |
| Pre Roll | Yes (HD 8s, 4K 2s) - Not available in RAW |
| Timelapse | Yes |
| Gang control | SYNC record control |
Playback
| Playlist | Yes, Selected, Favorit,es or Combined |
| Loop playback | Yes, with custom in and out points |
| Apple ProRes RAW | Yes, with linear PCM audio |
| ProRes HQ / 422 / LT | Yes, with Linear PCM audio |
| Avid DNx HD/HR Yes, with Linear PCM audio | |
| H.265 (HEVC) Yes, recorded clips |
Monitoring
| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
Supported media
| Interface | SATA 3 |
| Master Caddy I | Not Compatible |
| Master Caddy II | For 2.5-inch Drives in MasterCaddy II |
| Master Caddy III | For 2.5-inch Drives in MasterCaddy III |
| SSDmini | Yes |
| CFast II | Supported cards via optional AtomX CFast Adapter |
| File System | ExFAT |
File Naming
| Standard | Unit name - Scene, Shot, Take. |
| Via SDI | File name for Arri and RED |
| On Screen Tools | |
| Waveform | Yes, 3 size/position |
| RGB parade | Yes, 3 size/position |
| Vector scope | Yes, 2 size/position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Color selected / threshold setting / color / mono / edges only False color: Yes, with false color scale |
| Zebra | Yes, adjustable |
| Isolate color channel Blue Only | |
| Cine frame guides | 16:9, 2.4:1, 2.35:1, 1.9:1, 1.91:1, 1.85:1, 4:3 |
| Social frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | Action and Graphic |
| Grid markers | 9 grid Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x, 2x 4:3 Display Flip: 180 degree rotation |
Onboard Signal Processing Options
| Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD | Loop out - 4K UHD to FHD |
| DCI Crop | Loop out - 17:9 to 16:9 Crop |
Remote Control
| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony, ATOMOS Open Standard |
| SDI | SDI trigger camera selectable |
| Serial | 2.5mm Jack LANC control and calibration via optional USB to serial cable |
| External Device Control | |
| Serial | 2.5mm Jack Camera control for supported cameras via Optional USB to Serial Cable |
| Wireless RF | To compatible devices |
| Supported Applications | |
| XML | Cut tag EDL in Final Cut Pro XML |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
| Video Codecs | All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV wrapper |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.






