Atomos Sumo19 SE HDR Monitor-Record-Switcher with Sunhood, Transmitter/Receiver
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Atomos Sumo19 SE 19-Inch HDR Pro/Cinema Monitor-Record-Switcher
More than just a monitor, Sumo 19 is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio, and Atomos devices. Sumo 19 is a Monitor-Record-Switcher and highly adaptable to suit various applications. Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor’s new pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD, and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with the Sony FS series, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.
Live Quad-Channel HD Switching and Recording
Take full advantage of 4 x SDI inputs and let Sumo 19 step into the role of a large-format quad view live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Sumo 19 allows users to record a fifth ‘program’ channel of their switched feed. Display the resulting mixed output (via HDMI or SDI) live on set. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras. You can easily output the switched feed for live streaming with a solution as simple as the Atomos Connect 4K. For professional productions, large and small, you save significant space by replacing several boxes in your rack, or decks and monitors on your desk, with a single Sumo 19.
HDR In The Field and In The Studio
HDR comes to life on Sumo 19. Its 19-inch 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or gaming consoles and precisely maps to display 10+ stops of dynamic range in real-time. Use as a director or client monitor in the field, or as an affordable HDR studio monitor.
10-bit ProRes and DNx Up To 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image are preserved with data rates of up to 1.8 Gbps, 220MB/s.
Atomos TX-RX 4K/HD Wireless Video Monitoring Transmitter & Receiver Set
The Atomos TX-RX is a high-performance wireless video transmitter and receiver set built for filmmakers, content creators, and broadcast professionals who need flexibility, reliability, and uncompromised video quality. It transmits up to 4Kp30 over HDMI or 1080p60 over SDI with ultra-low latency and a range of up to 300 meters (985 feet). Supporting up to four receivers per transmitter, it enables multiple monitoring setups for directors, clients, or crew. Designed for versatility, it offers dual HDMI/SDI connectivity, multiple power options (NP-F, USB-C, or DC input), and a compact, lightweight build ideal for handheld rigs or studio setups. The TX-RX eliminates cable clutter, speeds up setup, and provides a scalable, professional-grade wireless video solution for any production environment.
Atomos Sunhood for Sumo 19 Monitor / 19-Inch Products
The Atomos SUMO19/SUMO19M Sunhood is a collapsible, easy-to-install accessory designed for 19-inch Sumo monitors. It securely attaches to the front bezel using 1/4-20-inch screws and doubles as a screen protector when folded. Built with a rugged exterior and soft velvet interior, it effectively blocks reflections and glare, improving HDR viewing by minimizing ambient light. The zippered, collapsible design ensures convenient setup, transport, and protection, making it ideal for on-set or outdoor monitoring.
- 19.8 x 12.2 x 2.5 inch (504 x 310 x 63 mm)(without feet)
- 19.8 x 13 x 7.1 inch (504 x 330 x 180 mm) (with feet)
- 1 x 3G-SDI input
- 1 x HDMI input
- 1 x HDMI loop-through
- 1 x 3G-SDI output
- 2 x HDMI dual output
- 4K30, 4K25
- 1080P60, 1080P50, 1080P30, 1080P25
- 1080i60, 1080i50
- 720P60, 720P50
- 1080P60, 1080P50, 1080P30, 1080P25
- 1080i60, 1080i50
- 720P60, 720P50
Atomos Sumo19 SE 19-Inch HDR Pro/Cinema Monitor-Record-Switcher
Physical Specifications
| Dimensions (W x H x D) | |
| Weight (Monitor Only) | 13.7 lb (6.2 kg) |
| Rack height | Optional 3rd party |
| Mount points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side |
| VESA mount | 100 x 100mm |
Environmental
| Ambient operating temperature | Up to 40-degree-Celcius |
Construction and Control
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
Power
| Input voltage | DC 12-16.8v, Battery 14.4V nominal |
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available), 95Wh or larger recommended. |
| Battery run time (Record) | Battery dependent |
| Continuous power | Dual Battery input via dedicated 4 pin XLR |
| DC in connector | 4 pin XLR |
Display
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 19 inch |
| Resolution | 1920 x 1080 |
| PPI | 120 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight type | Edge lit |
| Brightness (cdm2 / nits) | 1200nit (+/- 10% at center) |
| Aspect ratio | 16:9 |
| De-interlace mode | Yes, Graphic burning protection |
| Color gamut | Rec.709 |
| Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT display | .Cube Format |
| 3D LUT output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring modes | Native / HLG / PQ / 3D LUT |
| HDR output conversion | Log / HDR to HLG / PQ |
Video Input
| HDMI | 1 x HDMI (2.0) 4k p60 |
| HDMI RAW | No - HDMI Video only |
| SDI | 2 x 12G and 2 x 3G |
| SDI RAW | Apple ProRes RAW up to 6k |
| Bit depth | 8/10Bit Video / RAW up to 12Bit |
| Video chroma subsampling | 4:2:2 |
| HDCP copy protection | Not supported |
Metadata
| SDI | File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4k p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible Autodetection level A and B selectable |
| SDI play out | 1 x 12G SDI Backwards compatible Autodetection level A and B selectable |
| Video chroma subsampling | 4:2:2 |
| Bit depth | 10Bit Video / 12Bit RAW |
Web Streaming
| USB UVC | Optional via Connect 4k |
| Video Signal Conversion | |
| HDMI to SDI | Yes - Video and RAW |
| SDI to HDMI | Yes - Video and RAW |
Audio In/Out
| Audio quality | 24/48kHz |
| Audio codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue audio in | 2 x XLR |
| Analogue audio out | 2 x XLR |
| Speakers | 2 x 5w |
| Headphone out | 3.5mm 2ch. |
Timecode / Sync
| Embedded | HDMI and SDI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | GenLock in Playback mode |
| Resolution and Frame Rates (Record, Monitor and Playback) | |
| 6k | RAW Only up to 30p via SDI Only |
| 4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
| FHD 1920 x 1080 progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
| FHD 1920 x 1080 interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
| 1280 x 720p | 50/59.94/60p |
Recording CODEC
| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, HQ |
| Apple ProRes | LT, 422, 422HQ |
| Avid DNxHD | 220x,220,145,36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
Playback
| Playlist | Yes, Create customer playlists from full or sub clips |
| Loop | Yes, with user-customizable in / out markers |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | Yes, with Linear PCM audio |
| Avid DNx | Yes, with Linear PCM audio |
Recording Functions
| Pre-roll record | Yes (HD 8s, 4K 2s) - Not available in RAW |
| ISO record | Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched program record | Yes Up to 1080p 60 |
Multi-Input / Switching
| SDI A/B toggle | Yes, Up support up to 12G SDI per input |
| Dual input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Input transitions | Auto or manual XML transition |
Supported Media
| Master Caddy I | Not compatible |
| SSDmini | Yes BUT ONLY with optional SSDmini handle |
| File naming | Unit Name - Scene/Shot/Take, Arri and RED via SDI |
| File system | ExFAT |
On Screen Tools
| Waveform | Yes, 3 size / Position |
| RGB parade | Yes, 3 size / Position |
| Vector scope | Yes, 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
| 2 x Zoom | Yes |
| Focus peaking | Color selected / threshold setting / colour/ Mono / edges only |
| False color | Yes, with Scale |
| Zebra | Yes, Adjustable |
| Isolate color channel | Blue Only |
| Cine frame guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Safe areas | Action and Graphic |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x ,1.8x, 2x |
| Display flip | Vertical Only |
Onboard Signal Processing
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD | Loop out - 4K UHD to FHD |
| DCI crop | Loop out - 17:9 to 16:9 Crop |
Remote Control
| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Supported Applications | |
| XML | Cut tag EDL and Multicam with transitions in FCP XML |
| Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light |
| Video codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
Target Use / User
| Mirrorless cameras | On-set, In-Studio, Directors' Monitor |
Atomos TX-RX 4K/HD Wireless Video Monitoring Transmitter & Receiver Set
Physical
| Dimensions (W x H x D) | 42mm x 67mm x 120mm (TX & RX) |
| Weight | 231g (TX & RX) |
| Mount Points | 1 x 1/4-inch 20 screw mount on bottom of device |
Environmental
| Ambient Operating Temperature | Up to 50°C |
Construction & Control
| Body Material | Aluminium alloy |
| Rotary Control | For channel selection |
| Power Switch | On/Off |
Power
| Input Voltage | 9–16V |
| Operating Power | 4W (TX & RX) |
| Compatible Batteries | NP-F970 / NP-F750 / NP-F550 (not included) |
| Built-in Battery | No |
Display
| Resolution | 128 x 64 pixels |
| Display Size | 21.8mm x 10.8mm |
Video Input/Output
| Transmitter (TX) | |
| Receiver (RX) |
Wi-Fi
| Frequency | 5GHz |
| Channels | 9 (CH0–CH08) |
| Latency | 60ms |
| Transmission Distance (Line of Sight) | Up to 300m (985ft) |
Audio
| Audio Format | PCM dual channel |
Resolution & Frame Rates Supported
| HDMI | |
| 3G-SDI |
Warranty
| Standard | 1 year |
| Extended | 2 years with product registration |
Atomos Sunhood for Sumo 19 Monitor / 19” Products
| Screw size | 1/4-20-inch |
| Collapsible | Yes |
| Closure | Zipper |
| Color | Black |
| Brand | Atomos |
| Product Code | ATOM19SUN1 |
Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.








