- Panasonic LUMIX S5II 24.2MP Full Frame Mirrorless Camera Body with Hybrid AF and Active I.S Technology
- Body Cap
- Hot Shoe Cover
- Cover for the Battery Grip Connector
- Shoulder Strap
- Battery Pack
- AC Adaptor
- USB Connection Cable (A-C)
- Limited 3-Year Warranty
- Panasonic LUMIX S 50mm f/1.8 L-Mount Lens (Full-Frame Format)
- Lens cap
- Lens rear cap
- Lens hood
- Panasonic 1-year limited warranty
- DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
- Gimbal
- USB-C Charging Cable (40 cm)
- L-Shaped Multi-Camera C
Panasonic LUMIX S5II 24.2MP Full Frame Mirrorless Camera with S 50mm f/1.8 Lens and RS 3 Mini Gimbal
- 24.2-megapixel 35mm full-frame CMOS sensor
- Fast, accurate phase hybrid autofocus
- 96MP high-resolution mode
- REAL TIME LUT enables photo and video color grading
- Active I.S. technology
- Dynamic range and broad colors with 14+ stops of V-log/V-gamut
- Dual native ISO
- Cooling fan
- Double SD slot
- Unlimited video recording (4:2:2 10-bit C4K/4K 60p/50p)
Panasonic LUMIX S5II 24.2MP Full Frame Mirrorless Camera with Hybrid AF and Active I.S Technology
Offering fast, accurate phase hybrid autofocus, the LUMIX S5II mirrorless camera is designed to deliver excellent performance in both photo and video. The 24.2-megapixel 35mm full-frame CMOS sensor complies with PDAF (Phase Detection Auto-Focus) with 5-axis Dual I.S. 2 image stabilization and an imaging engine that's been developed to achieve high resolution, natural description, and approximately 2x higher-speed signal procession for high bit-rate video recording. With the high dynamic range and broad colors of a 14+ stop V-Log/V-Gamut capture, and an advanced heat dispersion mechanism for unlimited video recording and live streaming, the S5II is developed to meet the demands of ambitious creators with an assertive shooting style.
24.2-Megapixel 35mm Full-Frame CMOS Sensor
Developed to achieve high resolution, natural description, and approximately 2x higher-speed signal processing, powered by L Technology.
Fast, Accurate Phase Hybrid Autofocus
Advanced subject detection and metering technologies capture the target subject in focus even in adverse lighting conditions; once locked on the subject, it keeps tracking even with multiple moving objects.
Powerful Image Stabilization
LUMIX's newly developed Active I.S., which supports walking shots, to further enhance image stabilization in video recording.
Expressive Video Functionality
14+ stop V-Log/V-Gamut capture delivers a high dynamic range and broad colors, plus a REAL TIME LUT function is provided to enable in-camera photo and video color grading, with LUT6K 30p Open Gate unlimited recording.
Unlimited Video Recording
The heat dispersion mechanism combines a small fan and high-efficiency heat sink to achieve unlimited video recording while keeping the camera size compact.
Panasonic LUMIX S 50mm f/1.8 L-Mount Lens (Full-Frame Format)
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. Ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by micro step control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed.
This compact, lightweight, and dust, splash, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors.
The LUMIX S 50mm F1.8 is comprised of nine lens elements in eight groups including three aspherical lenses, one ED (Extra-Low Dispersion) lens, and one UHR (Ultra-High Refractive Index) lens. The use of three aspherical lenses realizes both high descriptive performance and beautiful bokeh, which are common advantages to the series of all F1.8 lenses. It is suitable for snapshots including portrait to landscape.
The ED lens effectively suppresses chromatic aberration. The LUMIX S 50mm F1.8 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography. Together with a micro-step aperture control for smooth exposure change, professional-quality video can be recorded.
With its compact, approximately 300g of lightweight, the LUMIX S 50mm F1.8 features stunning mobility. The rugged dust/splash-resistant* design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.
DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
The first-ever Mini version in the RS series, the DJI RS 3 Mini Gimbal Stabilizer, is a small, lightweight handheld stabilizer with a powerful payload capacity. It supports mainstream mirrorless camera and lens combinations and inherits the excellent stabilization performance of the RS 3 series. With DJI RS 3 Mini, unleash your shooting potential and achieve effortless professional creation.
A Breakthrough in a Compact Body
The DJI RS 3 Mini adopts an innovative redesign that includes a smaller build, integrated battery, and native vertical shooting capability. The compact and portable body can easily fit into a shoulder bag, allowing you to travel light. When in use, the DJI RS 3 Mini is about half the size of the RS 3 Pro, making it more convenient for long-duration use.
Super Light, Easy to Control
The DJI RS 3 Mini weighs only 1.75 lb in Portrait mode, approximately 50 percent lighter than DJI RS 3 Pro and 40 percent lighter than DJI RS 3. It weighs only 1.8 lb when shooting with the horizontal plate. Additionally, a concentrated center of balance provides a more stable and ergonomic hand-held experience.
Effortlessly Powerful
The DJI RS 3 Mini has a payload capacity of up to 4.4 lb, making it best-in-category at its weight, letting it easily handle larger setups like a Sony A7S3 plus 24 to 70mm F2.8 GM lens. It supports mainstream full-frame or APS-C mirrorless cameras, enabling a wide range of camera and lens combinations. With high-torque motors, the RS 3 Mini can retain stable shooting when zooming to maximum focal lengths on most lenses without the need for rebalancing.
Professional Stabilization
With the same outstanding 3rd-Gen RS Stabilization algorithm as DJI RS 3 Pro, DJI RS 3 Mini can achieve professional-grade image stabilization. Whether capturing a low-angle shot or shooting in flashlight mode, your shots stay stable.
Rich Camera Movements
The DJI RS 3 Mini's unique size and features provide ample opportunity to achieve rich camera movements and language. It also reduces the need to re-shoot due to camera shake, allowing you to capture every moment and create with more confidence.
New Dual-Layered Quick-Release Plate
An upgraded dual-layered quick-release plate features an upper plate with a curved placement guide that prevents the camera from rotating and loosening. With clear mounting and locking marks, launch and storage efficiency are further enhanced. It also follows the ARCA standard, allowing for convenient switching between tripods.
Native Vertical Shooting
The DJI RS series has made a breakthrough in native vertical shooting on DJI RS 3 Mini. Switch to vertical instantly without additional accessories. Just mount the standard Quick-Release Plate to the gimbal's vertical arm and film content that is optimized for social media platforms. Compared to portrait modes on other gimbals, the gimbal rotation angle of DJI RS 3 Mini in Native Vertical mode is greatly expanded. It even offers the same control experience as horizontal mode. It is also easy to film in Upright, Underslung, Flashlight, and other operation modes.
NATO Expansion Port
The DJI RS 3 Mini is equipped with a NATO port to support the installation of accessories such as briefcase handles, external fill lights, and monitors, allowing for more configurations and greater flexibility.
Bluetooth Shutter Control
The DJI RS 3 Mini comes with the same Bluetooth shutter control that debuted on DJI RS 3 Pro. This function supports mainstream mirrorless camera models and allows the DJI RS 3 Mini to automatically reconnect with a camera after the initial pairing. After Bluetooth pairing, you can directly control the video recording and photo capture functions of your camera via the record button on the gimbal.
Panasonic LUMIX S5II 24.2MP Full Frame Mirrorless Camera with Hybrid AF and Active I.S Technology
Panasonic LUMIX S5II Hybrid Full Frame Mirrorless Camera Body
Type
| Type | Digital single-lens mirrorless camera |
| Lens mount | L-mount |
| Type 35mm full-frame (35.6mm x 23.8mm) CMOS sensor | |
| Camera effective pixels/total pixels | 24.20 megapixels/25.28 megapixels |
| Anti Reflection coating | Yes |
| Aspect ratio/color filter | 3:2/primary color filter |
| Dust reduction system | Image sensor shift type |
Latitude
| Latitude | 14+ stops (V-log) |
Still Image
| Recording file format | JPEG (DCF, Exif 2.31), RAW |
| Aspect ratio | 4:3/3:2/16:9/1:1/65:24/2:1 |
| File size (pixels) |
|
| When using APS-C/super 35mm lenses |
|
| Image quality | RAW/RAW+fine/RAW+standard/fine/standard (high-resolution mode: combined/RAW/RAW+fine/fine) |
| Color space | sRGB, AdobeRGB |
Motion Picture
| Recording file format |
|
| Audio format |
|
| System frequency | 59.94Hz/50.00Hz/24.00Hz |
| Image area of video | Full/APS-C/PIXEL/PIXEL |
| MOV |
|
| 6K 5952 x 3136 (17 | 9) |
|
|
| 5.9K 5888 x 3312 (16 | 9) |
|
|
| C4K 4096 x 2160 |
|
| 4K 3840 x 2160 |
|
| FHD 1920 x 1080 |
|
| APS-C/pixel/pixel |
|
| 4K 3840 x 2160 |
|
| 3.3K 3328 x 2496 (4 | 3) |
|
|
| FHD 1920 x 1080 |
|
Viewfinder
| Type | OLED live viewfinder |
| Pixels | Approx. 3.68 million dots |
| Field of view/magnification | Approx. 100%/Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
| Eye point/diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) |
| Eye sensor | Yes |
| Display speed | 120fps/60fps |
Rear Monitor
| Type | TFT LCD monitor with static touch control |
| Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect |
| Pixels | Approx. 1.84 million dots |
| Field of view | Approx. 100% |
Status LCD
| Status LCD | - |
Focus *3
| Type | Phase detection AF system/Contrast AF system |
| DFD technology Yes | |
| Focus mode | AFS (Single)/AFC (Continuous)/MF |
| AF mode | Tracking/Full Area AF/Zone (Horizontal/Vertical)/Zone/1-Area+/ 1-Area/Pinpoint. *Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set. |
| AF detective range | EV -6 - 18 (F1.4, ISO100 equivalent, AFS) |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
| AF assist light | Yes |
| AF lock | Set the Fn button in the custom menu to AF lock |
| Focus ring control | Nonlinear/Linear (90-degree/ 120-degree/ 150-degree/180-degree/210-degree/240-degree/270-degree/300-degree/330-degree/360-degree/720-degree/1080-degree/maximum) |
| Others | AF-ON, AF-ON: near shift, AF-ON: far shift, focus limiter, focus peaking, 1-area AF moving speed, AF micro adjustment, continuous AF (during motion picture recording), focus/shutter priority, focus switching for vert/hor, AF/AE lock hold, AF+MF, MF assist, MF guide, focus ring lock, show/hide AF mode, shutter AF, half press shutter, quick AF, eye sensor AF, loop focus frame, enlarged live display (video), touch shutter, touch AF/AE function, touchpad AF, lens focus resume |
Exposure Control
| Light metering system | 1,728-zone multi-pattern sensing system |
| Light metering mode | Multiple/center weighted/Spot/Highlight |
| Weighted metering range | EV0-18 (F2.0 lens, ISO100 equivalent) |
| Mode dial | Program AE (P)/aperture priority AE (A)/shutter priority AE (S)/manual exposure (M)/creative video(P/A/S/M)*/slow and quick/custom 1, 2, 3/intelligent auto *The same exposure operations as P/A/S/M mode is available. |
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
| ISO sensitivity (Standard output sensitivity) Normal | |
|
|
| Dual native ISO |
|
| V-Log | |
|
|
| HLG | |
|
|
| Cinelike D2/Cinelike V2 | |
|
|
| AE lock | Set the Fn button in the custom menu to AE lock |
Image Stabilization System
| Image stabilization system |
|
White Balance
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
| White balance adjustment | Blue/amber bias, magenta/green bias |
| Color temperature setting | 2500-10000K in 100K |
Shutter
| Type | Focal-plane shutter |
| Shutter speed |
|
| Self timer | 10sec, 3 images/2sec/10sec/custom time |
| Remote control | Remote control by DMW-RS2 (sold separately) |
| Silent mode/shutter type | Yes/Yes (Auto/mechanical/electronic front curtain/electronic/electronic+NR) |
Bracket
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
| Aperture bracket | 3, 5 or all positions |
| Focus bracket | 1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst Shooting
| Burst speed |
|
| Electronic shutter |
|
| Number of recordable images |
|
Flash
| Flash type | TTL External Flash (sold separately) |
| Synchronization speed | Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
| Flash output adjustment | 1/3EV step ±3EV |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), wireless channel: 1ch/2ch/3ch/4ch |
Extra Tele Conversion
| Extra tele conversion | L 2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording. |
Color Setting
| Photo style |
|
| Picture adjustment | Contrast/Highlight/Shadow/Saturation/Color Tone/Hue/Filter Effect/Grain Effect/Color Noise/Sharpness/Noise Reduction/ISO/WB/LUT |
|
|
| Filter | Expressive/Retro/Old Days/High Key/Low Key/Sepia / Cross Process / Bleach Bypass |
| LUT library | Vlog_709 / Set 1-10 *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings. |
Motion Picture Function
| Time lapse shot | Yes |
| Stop motion animation | Yes |
| Live cropping | Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes) |
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
| Luminance level | 8-bit: 0-255 / 16-235 / 16-25510-bit: 0‒1023 / 64‒940 / 64‒1023 |
| Synchro scan | Yes Master pedestal level 31 steps Color bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes |
| LUT view assist | Supported file types- .vlt, .cube |
| Monitor / HDMI | |
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
| Anamorphic de-squeeze display | 2.0x/1.8x/1.5x/1.33x/1.30x/OFF Waveform monitor / Vectorscope Selectable |
| Knee control | Yes (in Like709 mode) |
| Red REC frame indicator | ON / OFF |
Vertical Position Information
| Vertical position information | Still image/motion picture (ON/OFF) |
Level Gauge
| Level gauge | Yes |
Function Button
| REC | Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow and Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default |
| Play | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic De-squeeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default |
OSD Language
| OSD language | P: Refer to the OSD sheet |
Interface
| USB | USB type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) |
| HDMI*2 | |
| HDMI |
|
| Monitor-through | 4:2:2 10bit (When Rec Quality) is set to 4:2:2 10bit) or 4:2:0 10bit.) |
| 4 | 2:2 8bit (When Rec Quality) is set to 4:2:0 8bit.) |
| Playback |
|
| Remote input | 2.5mm |
| Audio |
|
| External microphone/External audio device input | 3.5mm for external microphone / external audio device |
| MIC (Plug-in Power) / MIC / LINE | |
| Wind Cut | OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately). |
| Special Mic | Stereo / Shotgun *When attaching DMW-MS2 (sold separately). |
| XLR microphone | Yes with DMW-XLR1 (sold separately) |
| 4ch mic input | Yes with DMW-XLR1 (sold separately) |
| Speaker | Monaural |
| Headphone output | 3.5mm |
| SD card slot | Slot 1, Slot 2 SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
TC IN /OUT
| Count up | Rec run/free run |
| Time code mode | Drop frame/non-drop frame (When system frequency 59.94Hz is selected.) |
| HDMI time code output | ON / OFF |
Fan
| Fan | Auto1 / Auto2 / Fast / Normal / Slow* / OFF***Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p. **OFF can be set when in iA/P/A/S/M mode. |
Wireless
| Wi-Fi | |
| 2.4GHz bands (STA/AP) (IEEE802.11b/g/n) | |
| 5GHz bands (STA) (IEEE 802.11a/n/ac) | |
| Security | WPA/WPA2/WPA3 Please refer to Wi-Fi sheet |
| Bluetooth | Bluetooth v5.0 (Bluetooth Low Energy (BLE)) |
Dust and Splash Resistant
| Dust and splash resistant | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
Power
| Battery |
|
| Battery life (CIPA standard) | Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060 |
| Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50 | |
| *Under the test conditions specified by Panasonic based on CIPA standards. When the time to get in the sleep mode is set to 1 sec. | |
| Continuous recordable time (Motion picture) (*1) MP4 4K/60p | Approx. 90 min (APS-C), MP4 FHD/60p: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Actual recordable time (Motion picture) (*1) MP4 4K/60p | Approx. 45 min (APS-C), MP4 FHD/60p: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged. |
| Battery grip DMW-BGS5 (sold separately) |
Dimensions and Weight
| Dimensions |
|
| Weight |
|
Operating Environment
| Operating temperature | 0 to 40-degree-C (32 to 104-degree-F) |
| Operating humidity | 10%RH to 80%RH |
Standard Accessories
| Software | |
|
*Note: (*1) About motion picture recording
- Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard.
- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes
- A new file will be created to continue recording if the file size exceeds the following conditions.
(MP4) in (FHD): 4GB
(MP4) in (4K): 96GB
(MOV): 192GB
(*2) High-res audio is selectable only when attaching 3.5mm microphone or DMW-XLR1 (sold separately).
Panasonic LUMIX S 50mm f/1.8 L-Mount Lens (Full-Frame Format)
| Lens Construction | 9 elements in 8 groups (3 aspherical lenses, 1 ED lens, 1 UHR lens) |
| Mount | L-Mount |
| Optical Image Stabilizer | No |
| Focal Length | f=50mm |
| Aperture Type | 9 diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture | F1.8 |
| Minimum Aperture | F22 |
| Closest Focusing Distance | 0.45m/1.48ft |
| Maximum Magnification | 0.14x |
| Diagonal Angle of View | 47° |
| Dust and Splash Resistant | Yes* |
| Recommended Operating Temperature | -10℃ to 40℃ (14℉ to 104℉) |
| Filter Size | φ67mm |
| Max. Diameter | φ73.6mm / 2.90inch |
| Overall Length | Approx. 82.0mm / 3.23inch (from the tip of the lens to the base side of the lens mount) |
| Weight | Approx. 300g / 0.66lb (excluding lens cap, lens rear cap and lens hood) |
| Standard Accessories | Lens cap, Lens rear cap, Lens hood |
DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
DJI RS 3 Mini 1.75Lb 1.4-Inch Color Touchscreen Gimbal Stabilizer with Bluetooth Shutter Control
Peripheral
| Accessory port |
|
| Battery |
|
| Connections |
|
| Ronin app requirements |
|
| Languages supported by the touchscreen |
|
Working Performance
| Tested payload | 0.8 to 4.4 lb (0.4 to 2 kg) |
| Maximum controlled rotation speed |
|
| Mechanical range |
|
Mechanical and Electrical Properties
| Operating frequency | 2.4000 to 2.4835 GHz |
| Bluetooth transmitter power | <4 dBm |
| Operating temperature | -10 to 45 degree C (14 to 113 degree F) |
| Weight |
|
| Dimensions |
|
Other
| Footnotes |
|
Starting at $101.20/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $607.25
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.