- V-RAPTOR XL [X] 8K VV (V-Lock) Body
- V-RAPTOR XL PL Mount
- PL Mount Shim Pack
- AC Power Adaptor 270W
- 3-Pin XLR-to-4-Pin 2B Power Cable (10')
- Logo Sticker
- Information Card
RED Digital Cinema V-RAPTOR XL [X] 8K VV 35.4MP Camera (V-Lock)
- 8K VV sensor delivers global shutter, high frame rates, and lowlight performance
- Production ready XL camera body supports high end motion picture and television workflows
- Built in electronic ND offers 1/4, 1/3, and full stop density increments
- Supports 14 V batteries plus high voltage 26 V V-Lock or Gold Mount options
- 12 V and 24 V auxiliary outputs provide centralized power for production peripherals
- Supports DSMC3 RED Touch 7.0 inch LCD, wireless timecode, genlock, camera control, and 4 SDI outputs
- Frame.io, AWS direct upload, and RED Connect support connected workflows
- RED Connect supports live 8K R3D video over IP and live 4K over SMPTE ST 2110
- Extended Highlights provides additional highlight detail for HDR and subtle highlight roll off for SDR
- Phantom Track supports GhostFrame and Frame Remapping Virtual Production workflows
V-RAPTOR XL [X] 8K VV combines the strengths of RED’s camera families into one powerful all purpose workhorse for high end motion picture and television productions. The newest 8K VV sensor combines the frame rates, lowlight performance, and resolution of the V-RAPTOR line with the global shutter advancements of KOMODO. Large format flexibility, global shutter capture, high frame rate performance, and 8K acquisition come together inside a large scale production ready XL camera body.
Tools of the Trade
Dual voltage battery support provides compatibility with common 14 V batteries as well as high voltage 26 V V-Lock or Gold Mount options. Built in electronic ND gives cinematographers precise density selection in 1/4, 1/3, and full stop increments for detailed exposure and depth of field control. 12 V and 24 V auxiliary power outputs provide centralized power for production peripherals.
Production Ready Connectivity
Front facing 3G-SDI and 2-Pin 12 V power support flexible monitoring setups, while compatibility with the DSMC3 RED Touch 7.0 inch LCD expands viewing options. Wireless timecode, genlock, and camera control work alongside four SDI outputs for streamlined production workflows. Improved in camera audio performance also supports single system audio setups. Advanced DSMC connectivity enables remote control and monitoring, in camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP, and live 4K over SMPTE ST 2110.
RED Global Vision
RED Global Vision expands what the global shutter sensor can deliver throughout production. Extended Highlights captures additional highlight detail for HDR finishes while supporting softer, more subtle highlight roll off for SDR. Phantom Track supports Virtual Production workflows using GhostFrame or Frame Remapping by capturing distinct R3D clips for each sub frame slice and allowing either slice to be monitored live on set over each SDI.
Imaging
| Sensor Type | V-RAPTOR [X] 8K VV 35.4MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm, diagonal 46.31 mm |
| Dynamic Range | 17+ stops |
| Autofocus | Phase Detect with Face Detection |
Built In ND
| Filter | Motorized clear filter and precision controlled electronic ND filter |
| Electronic ND Minimum Density | 2 stops |
| Electronic ND Maximum Density | 7 stops |
| Electronic ND Increments | 1/3 stop, 1/4 stop, and 1 stop |
Lens Mount
| Mount Type | Interchangeable Lens Mount |
| Included Mount | V-RAPTOR XL PL Mount, shimmable |
| Optional Mount | V-RAPTOR XL Locking Canon EF Mount |
| DSMC Lens Mount Compatibility | Physically compatible, but does not provide electronic communication or control |
Recording Media
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
REDCODE RAW Maximum Frame Rates
| 8K 17 | 9: 120 fps |
| 8K 2.4 | 1: 150 fps |
| 7K 17 | 9: 140 fps |
| 7K 2.4 | 1: 175 fps |
| 6K 17 | 9: 160 fps |
| 6K 2.4 | 1: 200 fps |
| 5K 17 | 9: 192 fps |
| 5K 2.4 | 1: 240 fps |
| 4K 17 | 9: 240 fps |
| 4K 2.4 | 1: 300 fps |
| 3K 17 | 9: 320 fps |
| 3K 2.4 | 1: 400 fps |
| 2K 17 | 9: 480 fps |
| 2K 2.4 | 1: 600 fps |
Playback Frame Rates
| Project Time Base | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE Settings
| 8K 17 | 9 up to 60 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 8K 17 | 9 up to 120 fps: REDCODE LQ and ELQ |
| 6K 17 | 9 up to 96 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 6K 17 | 9 up to 160 fps: REDCODE MQ, LQ, and ELQ |
| 4K 17 | 9 up to 240 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 2K 17 | 9 up to 480 fps: REDCODE HQ, MQ, LQ, and ELQ |
REDCODE RAW Acquisition Formats
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K 4096 x 2160 120P |
| Proxy Recording | Up to ProRes 422 HQ in 2K 2048 x 1080 up to 60P |
Construction and Dimensions
| Construction | Aluminum Alloy |
| Dimensions | 200.81 mm x 151.38 mm x 165.9 mm, 7.9 inch x 6 inch x 6.5 inch, L x W x H at largest fixed dimensions |
| Weight | 7.99 lb, 3.62 kg with V-Lock and PL Mount |
Power
| Battery Type | Integrated Dual Voltage 14 V and 26 V V-Lock battery interface |
| DC Power Input | 19.5 V to 34 V via 4-Pin 2B DC-IN |
Regulated 12 V Power Outputs
| 2 x P-TAP Connectors | 3 AMP combined |
| 1 x Rear 2-Pin 0B | 3 AMP |
| 1 x Rear 2-Pin 0B | 1.5 AMP |
| 1 x Front 2-Pin 0B | 1 AMP |
Regulated 24 V Power Outputs
| 2 x Front 3-Pin Fischer Connectors | 3 AMP combined |
Operating Environment
| Operating Temperature | 0°C to 40°C, 32°F to 104°F |
| Storage Temperature | -0°C to 50°C, -4°F to 122°F |
| Storage Relative Humidity | 0% to 85% noncondensing |
RED Global Vision
| Extended Highlights | Captures more detail and color in extreme dynamic range scenarios |
| Phantom Track | Recording mode captures multiple LED instances as dedicated clips |
Color Management
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment |
Audio
| Integrated Microphones | Dual channel digital mono, uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic, line, and +48 V input via 5-Pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
IP Connectivity
| RED Connect Module Compatibility | Live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi, 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow via Frame.io or Amazon S3 |
| Wired Control | USB-C or 9-Pin Gigabit Ethernet |
| Wired Functions | Remote camera control, live preview, direct Camera to Cloud workflow, and high speed remote media offload |
Monitor Outputs
| Accessory Port | Proprietary Top Accessory Port for monitoring and control |
| SDI Outputs | 3 x 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| EVF Output | 1 x 3G-SDI with 3G-SDI and 1.5G-SDI modes |
| 12G-SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Additional Output Data | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz Audio |
Monitor Options
| Display Option | DSMC3 RED Touch 7.0 inch LCD |
| EVF Option | RED Compact EVF with DSMC3 Adapter A |
| Live Preview | IP streamed 1080p live preview wirelessly or wired through USB-C or Ethernet |
| Integrated Display | Integrated 2.4 inch LCD for camera control, no preview video |
Additional I/O
| Genlock | Tri-Level Genlock via BNC |
| Timecode | Linear Timecode through 5-Pin 0B |
| Network Access | PTP and remote camera access via 9-Pin 0B GIG-E |
| Camera Control | RCP2 Camera Control via 4-Pin 00B CTR |
| Wireless Synchronization | Wireless Genlock and Timecode via integrated Ambient Communication Network, ACN |
RED Control and RED Control Pro
| Device Support | Access full camera controls and live preview from iOS or Android devices |
| RED Control Pro | Controls one or multiple cameras over an IP connection, synchronizes settings, manages media files, supports direct Frame.io uploads, and provides CDL and LUT controls |
| Standard App Availability | Apple App Store and Google Play Store |
| RED Control Pro Availability | Apple App Store only and requires additional purchase |
| Connection | Wireless or wired through USB-C |
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