- V-RAPTOR [X] Z Mount Camera
- DSMC AC Power Adaptor 150W
- RED Logo Sticker
- Information Card
RED Digital Cinema V-RAPTOR [X] 8K VV 35.4MP Camera (Nikon Z Mount)
- 8K VV sensor delivers global shutter, high frame rates, and lowlight performance
- Native locking Nikon Z mount supports cinema style lens control and flexible lens selection
- Supports smooth iris control, customizable lens response, and adjustable auto focus speeds
- CFexpress Type B media supports formats up to 800MB/s, including 8K 120P
- 2 x 12G SDI connections support unique monitoring views
- RED Global Vision includes Extended Highlights and Phantom Track production tools
- Improved in camera audio preamps support production sound workflows
- Redesigned sensor cavity helps mitigate stray light and improve contrast performance
- Supports remote monitoring, Frame.io integration, AWS direct upload, and RED Connect
- Supports live 8K R3D video over IP and live 4K over SMPTE ST 2110
The RED V-RAPTOR [X] Z Mount 8K VV combines the frame rates, lowlight performance, and resolution of the V-RAPTOR line with the global shutter advancements of KOMODO. Its 8K VV global shutter sensor brings large format flexibility, high framerate 8K acquisition, and advanced digital cinema image making into a compact, feature rich camera body weighing just over 4 lbs.
Native Locking Nikon Z Mount
As part of the Z CINEMA Series, V-RAPTOR [X] Z Mount features a native locking Nikon Z mount that brings Nikon optical innovations into cinema style shooting. Supported features include smooth iris control, customizable lens response, and adjustable auto focus speeds. The shallow flange depth also expands lens flexibility by supporting additional lens systems through third party adapters.
Large Format Global Shutter Performance
V-RAPTOR [X] is the first large format global shutter camera available. It builds on core V-RAPTOR features with 2 x 12G SDI connections capable of unique monitoring views, CFexpress Type B media supporting up to 800MB/s formats such as 8K 120P, improved in camera audio preamps, and a redesigned sensor cavity that helps mitigate stray light and improve contrast performance.
RED Global Vision and IP Connectivity
RED Global Vision adds production tools built around the global shutter sensor. Extended Highlights reaches further into highlight detail for HDR finishes or softer, more subtle highlight roll off for SDR. Phantom Track supports Virtual Production workflows using GhostFrame or Frame Remapping by capturing distinct R3D clips for each subframe slice while allowing either slice to be monitored live on set over each SDI. The DSMC3 platform also supports remote control and monitoring, in camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP, and live 4K over SMPTE ST 2110.
Imaging
| Sensor Type | V-RAPTOR [X] 8K VV 35.4MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm |
| Sensor Diagonal | 46.31 mm |
| Dynamic Range | 17+ stops |
Lens Mount
| Mount Type | Integrated locking Nikon Z mount with electronic communication |
| Lens Support | Supports /i PL lenses with RED Z to PL Adapters |
| Adapter Support | Supports Nikon FTZ II Adapter with communication and other adapters based on the Nikon Z mount |
Recording
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| Media Type | CFexpress Type B |
| REDCODE RAW Maximum Frame Rate at 8K 17 | 9: 120 fps |
| REDCODE RAW Maximum Frame Rate at 8K 2.4 | 1: 150 fps |
| REDCODE RAW Maximum Frame Rate at 7K 17 | 9: 140 fps |
| REDCODE RAW Maximum Frame Rate at 7K 2.4 | 1: 175 fps |
| REDCODE RAW Maximum Frame Rate at 6K 17 | 9: 160 fps |
| REDCODE RAW Maximum Frame Rate at 6K 2.4 | 1: 200 fps |
| REDCODE RAW Maximum Frame Rate at 5K 17 | 9: 192 fps |
| REDCODE RAW Maximum Frame Rate at 5K 2.4 | 1: 240 fps |
| REDCODE RAW Maximum Frame Rate at 4K 17 | 9: 240 fps |
| REDCODE RAW Maximum Frame Rate at 4K 2.4 | 1: 300 fps |
| REDCODE RAW Maximum Frame Rate at 3K 17 | 9: 320 fps |
| REDCODE RAW Maximum Frame Rate at 3K 2.4 | 1: 400 fps |
| REDCODE RAW Maximum Frame Rate at 2K 17 | 9: 480 fps |
| REDCODE RAW Maximum Frame Rate at 2K 2.4 | 1: 600 fps |
REDCODE Settings
| 8K 17 | 9 up to 60 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 8K 17 | 9 up to 120 fps: REDCODE LQ and ELQ |
| 6K 17 | 9 up to 96 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 6K 17 | 9 up to 160 fps: REDCODE MQ, LQ, and ELQ |
| 4K 17 | 9 up to 240 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 2K 17 | 9 up to 480 fps: REDCODE HQ, MQ, LQ, and ELQ |
REDCODE RAW Acquisition Formats
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording Resolution | Up to 4K 4096 x 2160 at 120P |
| Proxy Recording | Up to ProRes 422 HQ in 2K 2048 x 1080 at up to 60P |
Construction and Dimensions
| Construction | Aluminum Alloy |
| Dimensions | 149.63 mm x 115.5 mm x 108 mm |
| Dimensions | 5.9 inch x 4.5 inch x 4.3 inch |
| Dimension Order | Length x Width x Height, largest fixed dimensions |
| Weight | 4.03 lbs / 1.83 kg without body cap and CFexpress card |
Power
| Battery Type | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries |
| DC Power Input | 11 to 17 V via 6 Pin DC IN |
Environmental
| Operating Temperature | 0°C to 40°C, 32°F to 104°F |
| Storage Temperature | -20°C to 50°C, -4°F to 122°F |
| Storage Relative Humidity | 0% to 85% non condensing |
RED Global Vision
| Extended Highlights | Captures more detail and color in extreme dynamic range scenarios |
| Phantom Track | Recording mode captures multiple LED instances as dedicated clips |
Color Management
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment supported |
Audio
| Integrated Microphones | Dual channel digital mono microphones |
| Microphone Recording | Uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic, line, and +48V input via 5 Pin 00B Audio Port |
| Audio Input Recording | Uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
Autofocus
| Autofocus Type | Phase Detect with Face Detection |
IP Connectivity
| RED Connect Module Compatibility | Live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi, 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow via FrameIO or Amazon S3 |
| Wired Connectivity | USB-C or Gigabit Ethernet using a compatible USB-C to Ethernet adapter |
| Wired Functions | Remote camera control, live MJPEG preview, direct Camera to Cloud workflow, and high speed remote media offload |
Monitor Outputs
| Accessory Port | Proprietary Top Accessory Port for Monitoring and Control |
| SDI Outputs | Integrated dual 12G SDI with 6G SDI, 3G SDI, and 1.5G SDI modes |
| 12G SDI | Up to 4096 x 2160 4:2:2 for 60p |
| 6G SDI | Up to 4096 x 2160 4:2:2 for 30p, 25p, and 24p |
| 3G SDI | Up to 2048 x 1080 4:2:2 for 60p |
| 1.5G SDI | Up to 2048 x 1080 4:2:2 for 30p, 25p, and 24p |
| Output Support | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz Audio |
Monitor Options
| Monitor | DSMC3 RED Touch 7.0 inch LCD |
| Viewfinder | RED Compact EVF with DSMC3 Adapter A |
| Wireless Preview | 1080p live preview via 2.4 GHz or 5 GHz Wi-Fi for framing |
| Integrated Display | 2.4 inch LCD for camera control without preview video |
Additional I/O
| Tri Level Genlock Input | Via 9 Pin EXT |
| LTC Timecode Input | Via 9 Pin EXT |
| RS232 CTRL using RCP2 | Via 9 Pin EXT |
RED Control and RED Control Pro
| Device Support | Full camera controls and live preview from iOS or Android devices |
| Multi Camera Control | Supports one or multiple cameras over an IP connection |
| Functions | Synchronize settings, manage media files locally, upload directly to FrameIO, and develop custom looks with advanced CDL and LUT controls |
| Use Cases | Multi camera arrays, multi camera shoots, and live events from one central location |
| RED Control Availability | Apple App Store and Google Play Store |
| RED Control Pro Availability | Apple App Store only and requires additional purchase |
| RED Control Connection | Wireless or wired via USB-C |
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