- RED V-RAPTOR XL [X] 8K VistaVision Cinema Camera (V-Lock)
- DSMC3 RED Touch 7.0 Inch LCD
- DSMC3 RED 5-Pin To Dual XLR Adapter
- DSMC3 RMI Cable, 18 Inch
- V-RAPTOR XL Riser Plate
- V-RAPTOR XL Top Handle
- V-RAPTOR Top Handle Extensions
- V-RAPTOR XL Top 15 mm LWS Rod Support Bracket
- V-RAPTOR XL Bottom 15 mm Rod Support Bracket
- DSMC3 RED Touch 7.0 Inch LCD Hood
RED V-RAPTOR XL [X] 8K Cinema Camera Production Pack (V-Lock)
- 8K VistaVision global shutter capture supports detailed motion imaging
- REDCODE RAW recording preserves flexibility for post-production
- Up to 120 fps at 8K 17:9 supports high-resolution slow motion
- Electronic ND offers 2 to 7 stops of exposure adjustment
- PL mount supports compatible cinema lenses
- V-Lock interface supports 14 volt and 26 volt batteries
- Four SDI outputs support production monitoring setups
RED V-RAPTOR XL [X] 8K VistaVision Cinema Camera
The RED V-RAPTOR XL [X] Production Pack (V-Lock) pairs large-format 8K capture with monitoring, audio connection, and rigging accessories. Its 35.4 megapixel global shutter CMOS sensor records 8192 x 4320 effective pixels across a 40.96 mm x 21.60 mm VistaVision sensor area, with 17+ stops of dynamic range. The global shutter exposes the whole frame at once, helping fast motion and quick pans retain their shape without rolling shutter skew. The XL body brings power, monitoring, and synchronization connections together for narrative, commercial, action, and virtual production work.
High Frame Rate Acquisition and RAW Workflow
REDCODE RAW reaches 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1. At 17:9, recording reaches 160 fps at 6K, 240 fps at 4K and 480 fps at 2K, with lower resolution sensor windows providing higher frame rates. HQ, MQ, LQ, and ELQ settings offer recording choices according to resolution and frame rate. Dedicated Apple ProRes recording reaches 4096 x 2160 at 120 fps, while CFexpress Type B media supports data rates up to 800 MB per second with qualified cards. IPP2, 3D LUT and CDL support provide tools for managing color from capture through finishing.
Electronic ND, PL Mount and RED Global Vision
A motorized clear filter and electronic ND system provide 2 to 7 stops of filtration in 1/4 stop, 1/3 stop or full stop increments, helping operators follow changing light without changing aperture. The interchangeable, shimmable PL mount supports compatible cinema lenses. RED Global Vision includes Extended Highlights for additional highlight detail and Phantom Track for separate R3D clips in supported LED frame remapping workflows. Phase detection autofocus with face detection depends on compatible lens and mount support.
V-Lock Power and Production Connections
The V-Lock interface accepts compatible 14 volt and 26 volt batteries. Regulated 12 volt and 24 volt auxiliary outputs require a high-voltage power source. Three 12G-SDI outputs and a separate 3G-SDI EVF output support monitoring, while genlock, LTC, PTP, RCP2, and Ambient Communication Network connectivity support synchronized setups. The camera records dual-channel, 24 bit, 48 kHz audio. Gigabit Ethernet, USB-C and Wi-Fi support remote operation and connected workflows, including supported Frame.io and Amazon S3 uploads. Optional RED Connect hardware enables additional live IP workflows and is separate from this pack.
DSMC3 RED Touch LCD and Audio Accessories
The included DSMC3 RED Touch 7.0-inch LCD and LCD hood provide an onboard viewing setup. The 18-inch DSMC3 RMI cable supports the monitor connection, and the DSMC3 RED 5-Pin to Dual XLR Adapter provides audio connection options for the camera system.
V-RAPTOR XL Rigging Accessories
The XL riser plate, XL top handle, top handle extensions, and top and bottom 15 mm rod support brackets supply components for building a production rig around the V-Lock camera. The included monitor, audio, and rigging accessories complement the camera platform in one manufacturer's Production Pack.
Sensor and Lens Mount:
| Sensor | 35.4 megapixel VistaVision global shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Dimensions | 40.96 mm x 21.60 mm; 46.31 mm diagonal |
| Dynamic Range | 17+ stops |
| ND System | Motorized clear filter; electronic ND from 2 to 7 stops in 1/4 stop, 1/3 stop or 1 stop increments |
| Lens Mount | Interchangeable, shimmable V-RAPTOR XL PL mount |
| Optional Lens Mount | V-RAPTOR XL Locking Canon EF Mount, separate |
| DSMC Mount Compatibility | Physical compatibility without electronic communication or control |
| Autofocus | Phase detection with face detection; operation depends on lens and mount support |
Recording:
| Media | CFexpress Type B |
| Maximum Data Rate | 800 MB per second with qualified media |
| Maximum RAW Frame Rates, 17 | 9: 8K: 120 fps; 7K: 140 fps; 6K: 160 fps; 5K: 192 fps; 4K: 240 fps; 3K: 320 fps; 2K: 480 fps |
| Maximum RAW Frame Rates, 2.4 | 1: 8K: 150 fps; 7K: 175 fps; 6K: 200 fps; 5K: 240 fps; 4K: 300 fps; 3K: 400 fps; 2K: 600 fps |
| Project Time Bases | 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps |
| REDCODE Settings | HQ, MQ, LQ and ELQ at 8K 17:9 through 60 fps; LQ and ELQ at 8K 17:9 through 120 fps; HQ, MQ, LQ and ELQ at 6K 17:9 through 96 fps; MQ, LQ and ELQ at 6K 17:9 through 160 fps; HQ, MQ, LQ and ELQ at 4K 17:9 through 240 fps and 2K 17:9 through 480 fps |
| RAW Aspect Ratios | 8K through 2K: 17:9, 2:1, 2.4:1, 16:9 and 1:1 |
| Anamorphic Formats | 8K: 2x, 1.8x, 1.6x, 1.5x, 1.3x and 1.25x; 7K: 2x, 1.8x and 1.6x; 6K: 1.5x, 1.3x and 1.25x |
| ProRes Recording | 4444 XQ, 4444, 422 HQ, 422 and 422 LT; up to 4096 x 2160 at 120 fps |
| ProRes Proxy | Up to 422 HQ, 2048 x 1080 at 60 fps |
| Color Management | IPP2; 33 x 33 x 33 3D LUTs; CDL import and adjustment |
| RED Global Vision | Extended Highlights and Phantom Track modes |
Audio and Monitoring:
| Audio | Integrated dual channel digital mono microphones; dual channel microphone, line and 48 volt phantom power input through 5-Pin 00B audio port; uncompressed 24 bit, 48 kHz |
| Headphone Output | 3.5 mm stereo |
| Monitor Outputs | Three 12G-SDI outputs and one 3G-SDI EVF output; proprietary top accessory port |
| SDI Formats | 12G: up to 4096 x 2160 at 60p; 6G: up to 4096 x 2160 at 30p, 25p or 24p; 3G: up to 2048 x 1080 at 60p; 1.5G: up to 2048 x 1080 at 30p, 25p or 24p; 4:2:2 |
| SDI Metadata and Audio | SMPTE timecode, HANC metadata and 24 bit, 48 kHz audio |
| Integrated Control Display | 2.4 inch LCD for camera control, without video preview |
| Compatible Optional EVF | RED Compact EVF with DSMC3 Adapter A, separate |
| Live Preview | 1080p IP streaming via supported wired or wireless connections |
Connectivity and Power:
| Battery Interface | Integrated dual voltage 14 volt and 26 volt V-Lock |
| DC Input | 19.5 to 34 volts through 4-Pin 2B DC-IN |
| 12 Volt Outputs | Two P-TAP connectors, 3 amps combined; rear 2-Pin 0B outputs rated 3 amps and 1.5 amps; front 2-Pin 0B rated 1 amp |
| 24 Volt Outputs | Two front 3-Pin Fischer connectors, 3 amps combined |
| Auxiliary Power Requirement | High voltage power source required for specified auxiliary outputs |
| Wireless | 2.4 GHz and 5 GHz Wi-Fi; integrated Ambient Communication Network synchronization |
| Wired Connections | USB-C and 9-Pin Gigabit Ethernet |
| Synchronization and Control | BNC genlock; 5-Pin 0B LTC; 9-Pin 0B PTP and Ethernet control; 4-Pin 00B RCP2; wireless genlock and timecode |
| Cloud Workflow | Direct Camera to Cloud workflow via Frame.io or Amazon S3, subject to applicable setup and service requirements |
| Optional IP Expansion | RED Connect Module supports live 8K R3D over IP or live 4K over SMPTE ST 2110; module is separate |
| Remote Control | RED Control for compatible iOS or Android devices; optional RED Control Pro for supported Apple devices, purchased separately |
Physical:
| Construction | Aluminum alloy |
| Dimensions, Length x Width x Height | 200.81 mm x 151.38 mm x 165.9 mm, largest fixed dimensions |
| Camera Weight | 7.99 pounds with PL mount and V-Lock interface |
| Operating Temperature | 32 to 104 degrees Fahrenheit |
| Storage Temperature | Minus 4 to 122 degrees Fahrenheit |
| Storage Relative Humidity | 0 to 85 percent, noncondensing |
DSMC3 RED Touch LCD and Pack Accessories:
| LCD Size | 7.0 inches |
| LCD Type | Touch LCD |
| Audio Adapter | DSMC3 RED 5-Pin to Dual XLR |
| RMI Cable Length | 18 inches |
| Rigging Components | Riser plate, XL top handle, top handle extensions, top and bottom 15 mm rod support brackets |
| Monitor Accessory | DSMC3 RED Touch 7.0 inch LCD hood |
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Expected Availability November 2026 . Orders begin shipping as inventory arrives.
Reserve Your PlaceReserve your place in line before inventory arrives.
No Payment TodayYou won't be charged until your order is ready to ship.
Stay InformedWe'll email you with updates if your expected ship date changes.
Priority FulfillmentOrders are fulfilled in the order they're received as inventory becomes available.
Shop with ConfidenceBacked by Focus Camera's customer support and standard return policy after shipment.
Expected Availability November 2026 . Orders begin shipping as inventory arrives.
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
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Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
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Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
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If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
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Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.