- 1x V-RAPTOR [X] 8K VV RF Mount
- 1x DSMC3 RED Touch 7.0-Inch LCD
- 1x RED RF-PL Adapter with Electronic ND Filter
- 1x V-RAPTOR PL Support Brackets
- 1x DSMC3 RED 5-Pin to Dual XLR Adapter
- 1x V-RAPTOR Quick Release Platform Pack
- 1x V-RAPTOR Expander Blade
- 1x V-RAPTOR Advanced V-Lock Adapter Plus
- 1x V-RAPTOR Top Handle
- 1x V-RAPTOR Tactical Top Plate
- 1x V-RAPTOR Side Ribs
Trusted & Verified
RED Digital Cinema V-RAPTOR [X] 8K VV RF Mount Production Pack Plus (V-Lock)
- 35.4 MP 8K VV global shutter CMOS sensor
- 8192 x 4320 effective pixels with 17+ stops of dynamic range
- REDCODE RAW up to 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1
- Up to 600 fps at 2K 2.4:1
- Integrated locking RF mount with electronic communication
- RED Global Vision with Extended Highlights and Phantom Track
- CFexpress Type B media at up to 800 MB/s
- Dual 12G SDI outputs, Wi-Fi, USB-C, and Ethernet control
- Includes RF-PL Adapter with Electronic ND Filter and 7.0-Inch Touch LCD
The RED Digital Cinema V-RAPTOR [X] 8K VV RF Mount Production Pack Plus (V-Lock) pairs the V-RAPTOR [X] large format global shutter cinema camera with a complete set of monitoring, power, audio, and rigging accessories for professional production. Its 35.4 MP global shutter CMOS sensor captures 8192 x 4320 pixels across a 40.96 mm x 21.60 mm imaging area and delivers 17+ stops of dynamic range. Because the full frame is exposed at once, image geometry stays intact during fast subject and camera movement.
8K REDCODE RAW and High Frame Rate Capture
V-RAPTOR [X] records REDCODE RAW at up to 120 fps in 8K 17:9 and 150 fps in 8K 2.4:1. Lower resolutions extend capture to 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. Qualified CFexpress Type B media supports data rates up to 800 MB/s, and Apple ProRes recording is available at up to 4096 x 2160.
RED Global Vision and IPP2 Color
Extended Highlights captures additional information in extremely bright areas of the frame, and Phantom Track records separate R3D clips from multiple LED volume instances for virtual production. IPP2 supports 33 x 33 x 33 3D LUTs and CDL adjustments from set to finishing.
Locking RF Mount with PL Lens Support
The integrated locking RF mount provides electronic communication with compatible RF lenses and RF based adapters, including camera controlled iris and autofocus. The included RED RF-PL Adapter with Electronic ND Filter and V-RAPTOR PL Support Brackets add support for PL mount cinema lenses, with electronic ND control built into the adapter.
Production Connectivity
Dual 12G SDI outputs, tri-level genlock, LTC timecode, RS-232 control, USB-C, dual-band Wi-Fi, and compatible Ethernet support professional monitoring, synchronization, and remote operation through RED Control. Phase-detect autofocus with face detection works with compatible lenses.
Production Pack Plus (V-Lock)
The Production Pack Plus builds the camera out for crewed productions. It adds the DSMC3 RED Touch 7.0-Inch LCD, V-RAPTOR Top Handle, Tactical Top Plate, Side Ribs, and Quick Release Platform Pack for rigging, the V-RAPTOR Expander Blade for additional connectivity, the DSMC3 RED 5-Pin to Dual XLR Adapter for professional audio, the V-RAPTOR Advanced V-Lock Adapter Plus for full-size V-Lock batteries, and the PL adapter with support brackets. Batteries and media are sold separately.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4 MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm |
| Sensor Diagonal | 46.31 mm |
| Dynamic Range | 17+ stops |
Lens Mount:
| Mount Type | Integrated locking RF mount with electronic communication |
| PL Lens Support | Supports /i PL lenses with RED RF to PL adapters |
| EF Lens Support | Supports Canon EF adapter with communication |
| Additional Lens Support | Compatible with other adapters based on the RF mount |
Recording:
| Maximum Data Rate | Up to 800 MB/s using RED-branded or other qualified CFexpress media cards |
| 8K REDCODE RAW Maximum Frame Rate | 120 fps at 17:9, 150 fps at 2.4:1 |
| 7K REDCODE RAW Maximum Frame Rate | 140 fps at 17:9, 175 fps at 2.4:1 |
| 6K REDCODE RAW Maximum Frame Rate | 160 fps at 17:9, 200 fps at 2.4:1 |
| 5K REDCODE RAW Maximum Frame Rate | 192 fps at 17:9, 240 fps at 2.4:1 |
| 4K REDCODE RAW Maximum Frame Rate | 240 fps at 17:9, 300 fps at 2.4:1 |
| 3K REDCODE RAW Maximum Frame Rate | 320 fps at 17:9, 400 fps at 3K 2.4:1 |
| 2K REDCODE RAW Maximum Frame Rate | 480 fps at 17:9, 600 fps at 2K 2.4:1 |
| 8K 17 | 9 REDCODE Settings: HQ, MQ, LQ, and ELQ up to 60 fps |
| 8K 17 | 9 High Frame Rate REDCODE Settings: LQ and ELQ up to 120 fps |
| 6K 17 | 9 REDCODE Settings: HQ, MQ, LQ, and ELQ up to 96 fps |
| 6K 17 | 9 High Frame Rate REDCODE Settings: MQ, LQ, and ELQ up to 160 fps |
| 4K 17 | 9 REDCODE Settings: HQ, MQ, LQ, and ELQ up to 240 fps |
| 2K 17 | 9 REDCODE Settings: HQ, MQ, LQ, and ELQ up to 480 fps |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes:
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording Resolution | Up to 4K 4096 x 2160 at 120p |
| Proxy Recording | Up to ProRes 422 HQ at 2K 2048 x 1080 up to 60p |
Construction and Physical:
| Construction | Aluminum alloy |
| Dimensions | 149.63 mm x 115.5 mm x 108 mm / 5.9 inch x 4.5 inch x 4.3 inch, L x W x H at largest fixed dimensions |
| Weight | 4.03 pounds / 1.83 kg without body cap and CFexpress card |
Media and Power:
| Media Type | CFexpress Type B |
| Battery Interface | Integrated V-Lock battery interface optimized for Micro V-Lock batteries |
| DC Power Input | 11 to 17 V via 6-pin DC input |
Environmental:
| Operating Temperature | 0 degrees Celsius to 40 degrees Celsius, 32 degrees Fahrenheit to 104 degrees Fahrenheit |
| Storage Temperature | 20 degrees Celsius to 50 degrees Celsius, negative 4 degrees Fahrenheit to 122 degrees Fahrenheit |
| Storage Relative Humidity | 0 percent to 85 percent, noncondensing |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Captures multiple LED instances as dedicated clips |
Color Management:
| Image Processing | Image Processing Pipeline 2, IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment supported |
Audio:
| Integrated Microphones | Dual-channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Dual-channel mic, line, and +48V input through 5-pin 00B audio port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
Autofocus:
| Autofocus System | Phase Detect with Face Detection |
IP Connectivity:
| RED Connect Module Compatibility | Supports live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual-band Wi-Fi at 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow through Frame.io or Amazon S3 |
| Wired Control | USB-C or Gigabit Ethernet with compatible USB-C to Ethernet adapter |
| Wired Functions | Remote camera control, live MJPEG preview, Camera to Cloud workflow, and remote media offload |
Monitor Outputs:
| Accessory Port | Proprietary Top Accessory Port for monitoring and control |
| SDI Outputs | Integrated dual 12G SDI with 6G SDI, 3G SDI, and 1.5G SDI modes |
| 12G SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Output Data | SMPTE timecode, HANC metadata, and 24 bit 48 kHz audio |
Monitor Options:
| Monitor | DSMC3 RED Touch 7.0-inch LCD |
| Viewfinder | RED Compact EVF with DSMC3 Adapter A |
| Wireless Preview | 1080p live preview through 2.4 GHz or 5 GHz Wi-Fi |
| Integrated Display | 2.4-inch LCD for camera control without preview video |
Additional I/O:
| Genlock | Tri-level Genlock input through 9-pin EXT |
| Timecode | LTC timecode input through 9-pin EXT |
| Control | RS232 CTRL using RCP2 through 9 pin EXT |
RED Control:
| Device Support | Access camera controls and live preview from iOS or Android devices |
| RED Control Pro | Supports one or multiple cameras over an IP connection |
| Multi Camera Functions | Synchronize settings, manage media, upload to Frame.io, and control CDL and LUT settings |
| Connection Options | Wireless operation or wired operation through USB-C |
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No Payment TodayYou won't be charged until your order is ready to ship.
Stay InformedWe'll email you with updates if your expected ship date changes.
Priority FulfillmentOrders are fulfilled in the order they're received as inventory becomes available.
Shop with ConfidenceBacked by Focus Camera's customer support and standard return policy after shipment.
Expected Availability November 2026 . Orders begin shipping as inventory arrives.
Reserve Your PlaceReserve your place in line before inventory arrives.
No Payment TodayYou won't be charged until your order is ready to ship.
Stay InformedWe'll email you with updates if your expected ship date changes.
Priority FulfillmentOrders are fulfilled in the order they're received as inventory becomes available.
Shop with ConfidenceBacked by Focus Camera's customer support and standard return policy after shipment.
Expected Availability November 2026 . Orders begin shipping as inventory arrives.
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Shipping Policy
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
