- 1 x RED Digital Cinema V-RAPTOR 8K S35 Camera Body
- 1 x DSMC AC Power Adaptor 150W
- 1 x RED Logo Sticker
- 1 x V-RAPTOR Information Card
- 1 x 2 Year Standard Warranty
Trusted & Verified
RED Digital Cinema V-RAPTOR 8K S35 Cinema Camera (RF Mount)
- 35.4 MP Super 35 CMOS sensor with 8192 x 4320 effective pixels
- 16.5+ stops of dynamic range for demanding highlight and shadow capture
- REDCODE RAW up to 120 fps at 8K 17:9 and 600 fps at 2K 2.4:1
- Apple ProRes recording up to 4K 120P with 2K proxy options up to 60P
- 8K anamorphic acquisition supports 2x through 1.25x formats
- Dual 12G-SDI outputs support up to 4096 x 2160 4:2:2 at 60p
- CFexpress Type B media supports data rates up to 800 MB/s with qualified cards
- Wi-Fi, USB-C, Ethernet, Genlock, Timecode In, GPIO, and RS-232 connectivity
Built around RED's DSMC3 architecture, the V-RAPTOR 8K S35 is a compact cinema camera for productions that want full 8K acquisition while staying inside the established Super 35 lens ecosystem. Its 35.4 MP CMOS sensor records an 8192 x 4320 raster with 16.5+ stops of dynamic range, giving DPs room to manage highlights and shadows, reframe for delivery, and support demanding VFX work. RED positions the S35 platform for traditional cinema, wildlife, broadcast, and live event production, where compact bodies and long range Super 35 optics can be especially useful.
8K120 REDCODE RAW and High Frame Rate Capture
Record 16 bit R3D with REDCODE RAW at up to 120 fps in 8K 17:9 or 150 fps in 8K 2.4:1, then move to 240 fps at 4K 17:9 or as high as 600 fps at 2K 2.4:1 when the shot demands more speed. RED stores key processing choices such as ISO and white balance as metadata, preserving flexibility for post. Lower RAW resolutions use progressively smaller sensor areas rather than downscaling the full 8K image, so crews can plan field of view before switching into high speed modes. Apple ProRes recording is available up to 4K 120P, with 2K proxy options up to 60P for editorial workflows.
RF Mount, Anamorphic Capture, and IPP2 Color
The integrated RF mount supports RF lenses and Canon EF glass through compatible RF to EF adapters, giving productions access to modern and established Super 35 lens inventories. RED also provides 8K acquisition formats including 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic options from 2x through 1.25x. IPP2 color management supports 33 x 33 x 33 3D LUTs and imported CDLs, allowing camera teams to monitor a creative look on set while retaining the grading latitude of R3D for finishing.
Dual 12G-SDI and Connected DSMC3 Production
Dual 12G-SDI outputs support up to 4096 x 2160 4:2:2 at 60p, while Genlock and Timecode In help the camera fit synchronized multi camera and external audio workflows. Wi-Fi, USB-C, and Gigabit Ethernet through a compatible adapter support remote control, live MJPEG preview, and remote media offload. RED also documents RED Connect, in camera Frame.io integration, AWS direct upload, and remote monitoring for DSMC3 connected workflows. The aluminum alloy body measures 6 inches x 4.25 inches x 4.25 inches and weighs 4.0 lb without body cap or media, making it practical for compact studio, handheld, gimbal, vehicle, wildlife, and broadcast builds.
Imaging:
| Sensor Type | V-RAPTOR 8K S35 35.4 Megapixel CMOS |
| Effective Pixels | 8192 x 4320 pixels |
| Sensor Size | 26.21 mm x 13.82 mm, diagonal 29.63 mm |
| Dynamic Range | 16.5+ stops |
| Integrated Internal ND | Not listed as an integrated body feature in the official RED V-RAPTOR 8K S35 specification |
Lens Mount and Focus:
| Mount Type | Integrated RF mount with RF lens support |
| EF Lens Support | Compatible through Canon RF to EF mount adapters |
| Other Lens Adapters | Accepts other Canon RF mount based lens adapters |
| Autofocus | Phase detection and contrast |
Recording Media and Data:
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| Playback Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE RAW Maximum Frame Rates:
| 8K 17 | 9: 120 fps at 8192 x 4320 |
| 8K 2.4 | 1: 150 fps at 8192 x 3456 |
| 7K 17 | 9: 140 fps at 7168 x 3780 |
| 7K 2.4 | 1: 175 fps at 7168 x 3024 |
| 6K 17 | 9: 160 fps at 6144 x 3240 |
| 6K 2.4 | 1: 200 fps at 6144 x 2592 |
| 5K 17 | 9: 192 fps at 5120 x 2700 |
| 5K 2.4 | 1: 240 fps at 5120 x 2160 |
| 4K 17 | 9: 240 fps at 4096 x 2160 |
| 4K 2.4 | 1: 300 fps at 4096 x 1728 |
| 3K 17 | 9: 320 fps at 3072 x 1620 |
| 3K 2.4 | 1: 400 fps at 3072 x 1296 |
| 2K 17 | 9: 480 fps at 2048 x 1080 |
| 2K 2.4 | 1: 600 fps at 2048 x 864 |
REDCODE Settings:
| 8K 17 | 9 Up to 60 fps: HQ, MQ, and LQ |
| 8K 17 | 9 Up to 120 fps: LQ |
| 6K 17 | 9 Up to 96 fps: HQ, MQ, and LQ |
| 6K 17 | 9 Up to 160 fps: MQ and LQ |
| 4K 17 | 9 Up to 240 fps: HQ, MQ, and LQ |
| 2K 17 | 9 Up to 480 fps: HQ, MQ, and LQ |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 8K Anamorphic | 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 5K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| Sensor Use at Lower RAW Resolutions | Lower resolutions use progressively smaller sensor areas rather than downscaling the full 8K 17:9 image |
Apple ProRes:
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording | Up to 4K 4096 x 2160 at 120P |
| Proxy Recording | Up to ProRes 422 HQ at 2K 2048 x 1080 at 60P |
Color Management:
| Image Processing | Image Processing Pipeline 2, IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import supported |
| R3D Workflow | 16 bit RAW sensor data with ISO, white balance, and RGB processing choices available as metadata for post processing |
Audio:
| Internal Audio | Integrated dual channel digital mono scratch microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic, line, and +48 V input through the 5-Pin Audio Port, uncompressed, 24 bit 48 kHz |
Monitor Outputs:
| Outputs | Integrated dual 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes, 10 bit 4:2:2 |
| 12G-SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Embedded Data | SMPTE Timecode, HANC metadata, and 24 bit 48 kHz audio |
Monitoring:
| Optional Top Monitor | DSMC3 RED Touch 7.0 inch LCD |
| Wireless Preview | 1080p through 2.4 GHz or 5 GHz Wi-Fi for framing |
| Integrated Camera Display | 2.4 inch LCD for camera control, no preview video |
Control and IP Connectivity:
| Wireless Control | Wi-Fi through an interchangeable dual band 2.4 GHz and 5 GHz antenna |
| Wired Control | USB-C |
| Ethernet | Gigabit Ethernet through a compatible USB-C to Ethernet adapter |
| Network Functions | Remote camera control, live MJPEG preview video feed, and remote media offload |
| RED Control | Camera control and live preview from compatible iOS or Android devices, wired or wireless |
| RED Control Pro | Professional camera control and live preview from supported Apple devices, additional purchase required |
Synchronization and EXT Port:
| 9-Pin EXT Functions | Genlock, Timecode In, GPIO, and Ctrl through RS-232 |
| Genlock Input | Tri-Level Genlock In through the 9-Pin EXT Port |
| Timecode Input | SMPTE Timecode In through the 9-Pin EXT Port |
| Auxiliary Power | 5 V output, 500 mA maximum sustained current, through the 9-Pin EXT Port |
| Record Trigger | GPI contact closure support through the 9-Pin EXT Port |
Power:
| Battery Interface | Integrated V-Lock interface optimized for Micro V-Lock batteries |
| DC Power | 11 to 17 V DC through the integrated 6-Pin DC-IN port |
Physical:
| Construction | Aluminum Alloy |
| Dimensions | 6 inches long x 4.25 inches wide x 4.25 inches high |
| Weight | 4.0 lb without body cap and CFexpress card |
Environment:
| Operating Temperature | 32 degrees F to 104 degrees F, 0 degrees C to 40 degrees C |
| Storage Temperature | Negative 4 degrees F to 122 degrees F, negative 20 degrees C to 50 degrees C |
| Relative Humidity | 0% to 85% non condensing |
Firmware and Resources:
| Current Firmware Listed by RED as of August 31, 2026 | Version 2.2.4, released May 18, 2026 |
| Current V-RAPTOR 8K S35 Operation Guide Listed by RED | Version 1.7 Rev B |
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
