- V-RAPTOR XL 8K S35 Body
- V-RAPTOR XL PL Mount
- RED PL Mount Shim Pack
- RED AC Power Adaptor 270W (NOTE: POWER CORD NOT INCLUDED, SOLD SEPARATELY.)
- 3-Pin XLR-to-4-Pin 2B Power Cable (10')
- RED Logo Sticker
- V-RAPTOR XL Information Card (incl. registration and support info)
Trusted & Verified
Red Digital Cinema V-RAPTOR XL 8K S35 35.4MP Professional Cine Camera V-Lock with PL Mount
- 35.4 megapixel 8K S35 CMOS sensor captures 8192 x 4320 imagery
- 16.5+ stops of dynamic range supports demanding cinema and broadcast workflows
- Records up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1
- Electronic ND provides 2 to 7 stops with three selectable adjustment increments
- REDCODE RAW and Apple ProRes recording support flexible production workflows
- Dual voltage 14 and 26 V V-Lock interface supports professional power setups
- Wi-Fi, USB-C, Gigabit Ethernet, timecode, and genlock support remote operation
- CFexpress Type B recording supports data rates up to 800 MB/s with qualified media
V-RAPTOR XL 8K S35 V-Lock is the location oriented counterpart to the Gold Mount XL S35. It keeps the same 35.4 MP Super 35 sensor, 8K120 REDCODE RAW, integrated electronic ND, PL mount workflow, and extensive XL I/O, but the V-Lock configuration makes the power strategy more natural for camera packages that move between location, shoulder, tripod, vehicle, wildlife, and rental use. The product should be positioned around that difference rather than presented as a duplicate of the Gold Mount body.
8K Super 35 Acquisition with XL Crew Oriented Control
V-RAPTOR XL 8K S35 pairs RED's 35.4 MP Super 35 CMOS sensor with the full size XL production body. The 26.21 mm x 13.82 mm sensor records 8192 x 4320 and is rated at 16.5+ stops of dynamic range. REDCODE RAW reaches 120 fps at 8K 17:9, 150 fps at 8K 2.4:1, 240 fps at 4K 17:9, and 600 fps at 2K 2.4:1. This is the S35 choice for crews that want the reach and broad lens availability of Super 35, but need the integrated power, monitoring, filtration, and control infrastructure of an XL camera.
V-Lock Mobility with Full XL Camera Department I O
The XL body is larger than the compact V-RAPTOR, but V-Lock keeps the package familiar to crews that need professional power without committing to a Gold Mount fleet. Built in 2 to 7 stop electronic ND reduces filter changes, while three 12G-SDI outputs, the EVF path, and regulated accessory power support multiple departments. The combination is useful when a camera must remain fully built but still travel between setups throughout the day.
Super 35 Reach Without Giving Up an XL Workflow
For wildlife, documentary, broadcast, live event, narrative, and rental work, the 8K S35 sensor offers lens reach and a broad Super 35 optics ecosystem while retaining 8K master resolution and high speed capture. Genlock, Timecode, PTP and wireless synchronization, Ethernet, RED Control, and RED Connect make the camera suitable for both single camera field work and organized multicamera systems. The V-Lock version should therefore be sold as the more mobile full crew S35 option. The built in electronic ND system provides 2 to 7 stops of density in 1/4, 1/3, or full stop increments, making exposure changes faster when moving between lighting conditions or controlling depth of field.
Imaging:
| Sensor Type | V-RAPTOR 8K S35 35.4 Megapixel CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 26.21 mm x 13.82 mm, diagonal 29.63 mm |
| Dynamic Range | 16.5+ stops |
| Sensor Scan Time | 2x faster than any previous RED camera |
| Built In ND | Motorized clear filter and precision controlled electronic ND filter |
| Electronic ND Density | Minimum 2 stops, maximum 7 stops |
| Electronic ND Increments | 1/3 stop, 1/4 stop, and 1 stop |
| Autofocus | Phase detect and contrast |
Lens Mount:
| Mount Type | Interchangeable lens mount |
| Included Mount | V-RAPTOR XL PL Mount, shimmable |
| Optional Mount | V-RAPTOR XL Locking Canon EF Mount |
| DSMC Lens Mount Compatibility | Physically compatible with DSMC lens mounts without electronic communication or control |
Recording and Media:
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| RAW Codec | REDCODE RAW |
| RAW Bit Depth | 16 bit |
| Maximum Frame Rate at 8K | 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456) |
| Maximum Frame Rate at 7K | 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) |
| Maximum Frame Rate at 6K | 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) |
| Maximum Frame Rate at 5K | 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) |
| Maximum Frame Rate at 4K | 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) |
| Maximum Frame Rate at 3K | 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) |
| Maximum Frame Rate at 2K | 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864) |
| Playback Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE Settings:
| 8K 17 | 9: REDCODE HQ, MQ, and LQ at 8192 x 4320 up to 60 fps |
| 8K 17 | 9 High Frame Rate: REDCODE LQ at 8192 x 4320 up to 120 fps |
| 6K 17 | 9: REDCODE HQ, MQ, and LQ at 6144 x 3240 up to 96 fps |
| 6K 17 | 9 High Frame Rate: REDCODE MQ and LQ at 6144 x 3240 up to 160 fps |
| 4K 17 | 9: REDCODE HQ, MQ, and LQ at 4096 x 2160 up to 240 fps |
| 2K 17 | 9: REDCODE HQ, MQ, and LQ at 2048 x 1080 up to 480 fps |
REDCODE RAW Acquisition Formats:
| 8K | 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1, and anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, and 1:1 |
| 6K | 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, and 1:1 |
| 5K | 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes Recording:
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096 x 2160) 120P |
| Proxy Recording | Up to ProRes 422 HQ at 2K (2048 x 1080) up to 60P |
Construction and Dimensions:
| Construction | Aluminum Alloy |
| Dimensions | 7.91 inches long x 6.29 inches wide x 7.22 inches high without a lens mount |
| Weight with V-Lock and PL Mount | 7.99 pounds / 3.624 kilograms |
| Weight with Gold Mount and PL Mount | 8.08 pounds / 3.665 kilograms |
Power:
| Battery Type | Integrated dual voltage 14/26 V V-Lock battery interface |
| DC Power Input | 19.5 to 34 V through 4 pin 2B DC-IN |
| Regulated 12 V Outputs | 2 P-TAP connectors, 3 amp combined |
| Rear 12 V Output | 1 rear 2 pin 0B connector rated at 3 amp |
| Rear 12 V Output | 1 rear 2 pin 0B connector rated at 1.5 amp |
| Front 12 V Output | 1 front 2 pin 0B connector rated at 1 amp |
| Regulated 24 V Outputs | 2 front 3 pin Fischer connectors, 3 amp combined |
Environmental:
| Operating Temperature | 0 degrees C to 40 degrees C (32 degrees F to 104 degrees F) |
| Storage Temperature | 20 degrees C below zero to 50 degrees C (4 degrees F below zero to 122 degrees F) |
| Storage Relative Humidity | 0% to 85% noncondensing |
Color Management:
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 3D LUTs |
| CDL Support | Supports import of CDLs |
Audio:
| Integrated Microphones | Dual channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic/line/+48 V input through 5 pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
Remote Control and Connectivity:
| Wireless Control | Wi-Fi through an interchangeable dual band 2.4 GHz and 5 GHz antenna mounted to a female RP-SMA connector |
| Wired Control | USB-C with a compatible USB-C to Ethernet adapter or Gigabit Ethernet |
| Wired Functions | Remote camera control, live MJPEG preview video feed, and remote media offload |
| Gigabit Ethernet | 9 pin 0B GIG-E, 1000BASE-T |
| Control Port | 4 pin 00B CTRL with RS-232 |
| Advanced Connectivity | Supports RED Connect for 8K R3D cinematic live streaming and remote record, remote control and monitoring, in camera Frame.io integration, and AWS direct upload |
Monitor Outputs:
| Top Accessory Port | Proprietary Top Accessory Port for monitoring and control |
| Primary SDI Outputs | 3 x 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| EVF Output | 1 x 3G-SDI with 3G-SDI and 1.5G-SDI modes |
| 12G-SDI Output | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI Output | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI Output | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI Output | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Output Metadata and Audio | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz audio |
Monitor Options:
| External Monitor | DSMC3 RED Touch 7.0 inch LCD |
| Live Preview | IP streamed 1080p live preview wirelessly or wired through USB-C or Ethernet |
| Integrated Display | 2.4 inch LCD for camera control without preview video |
Camera Synchronization:
| Genlock | Tri Level Genlock through BNC |
| Linear Timecode | LTC through 5 pin 0B |
| PTP | Through 9 pin 0B GIG-E |
| Wireless Synchronization | Genlock and timecode through the integrated Ambient Communication Network |
RED Control and RED Control Pro:
| RED Control | Full camera controls and live preview from compatible iOS or Android devices |
| RED Control Connectivity | Wireless operation or wired operation through USB-C |
| RED Control Pro | Control one or multiple cameras over an IP connection |
| RED Control Pro Functions | Synchronize settings, manage media files locally, upload directly to Frame.io, and develop custom looks using CDL and LUT controls |
| RED Control Availability | Available through the Apple App Store and Google Play Store |
| RED Control Pro Availability | Available through the Apple App Store and requires an additional purchase |
Starting at $1,458.12/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $8,748.75
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
Free Local Pickup
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
