- V-RAPTOR [X] 8K VV Body
- RED Logo Sticker
- V-RAPTOR [X] Information Card (incl. registration and support info)
Trusted & Verified
RED Digital Cinema V-RAPTOR X 8K VV 35.4MP Camera (RF Mount)
- 35.4 MP 8K VV global shutter CMOS sensor
- Captures 8192 x 4320 images with 17+ stops of dynamic range
- Records REDCODE RAW up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1
- Large 40.96 mm x 21.60 mm sensor supports flexible large format and anamorphic acquisition
- Integrated locking RF mount supports electronic communication and adaptable lens workflows
- CFexpress Type B media supports data rates up to 800 MB/s with qualified cards
- Dual 12G-SDI outputs support independent monitoring workflows up to 4096 x 2160 60p
- RED Global Vision adds Extended Highlights and Phantom Track recording capabilities
- Dual band Wi-Fi, USB-C, and Ethernet
- Aluminum alloy body weighs 4.03 lbs or 1.83 kg without the body cap and CFexpress card
Best of Both Worlds
V-RAPTOR [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR [X] leverages the benefits and flexibility of large format, global shutter, high frame rate, 8K acquisition, all inside of a compact and feature rich body weighing just over 4 lbs.
The New Standard
V-RAPTOR [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-RAPTOR, such as 2x 12G SDI’s capable of unique monitoring views, a locking Canon RF style lens mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-RAPTOR legacy.
Global Vision
V-RAPTOR [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.
IP Connected
Additionally, the V-RAPTOR [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4 MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm, diagonal 46.31 mm |
| Dynamic Range | 17+ stops |
| Mount Type | Integrated locking RF mount with electronic communication |
| Lens Support | Supports /i PL lenses with RED RF to PL Adapters, Canon EF Adapter with communication, and other adapters based on the RF mount |
| Autofocus | Phase Detect with Face Detection |
Recording:
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| 8K Maximum Frame Rates | 120 fps at 17:9, 150 fps at 2.4:1 |
| 7K Maximum Frame Rates | 140 fps at 17:9, 175 fps at 2.4:1 |
| 6K Maximum Frame Rates | 160 fps at 17:9, 200 fps at 2.4:1 |
| 5K Maximum Frame Rates | 192 fps at 17:9, 240 fps at 5K 2.4:1 |
| 4K Maximum Frame Rates | 240 fps at 17:9, 300 fps at 2.4:1 |
| 3K Maximum Frame Rates | 320 fps at 17:9, 400 fps at 2.4:1 |
| 2K Maximum Frame Rates | 480 fps at 17:9, 600 fps at 2.4:1 |
| REDCODE Settings at 8K 17 | 9: HQ, MQ, LQ, and ELQ up to 60 fps; LQ and ELQ up to 120 fps |
| REDCODE Settings at 6K 17 | 9: HQ, MQ, LQ, and ELQ up to 96 fps; MQ, LQ, and ELQ up to 160 fps |
| REDCODE Settings at 4K 17 | 9: HQ, MQ, LQ, and ELQ up to 240 fps |
| REDCODE Settings at 2K 17 | 9: HQ, MQ, LQ, and ELQ up to 480 fps |
| 8K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x |
| 7K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1, and Anamorphic 2x, 1.8x, 1.6x |
| 6K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1, and Anamorphic 1.5x, 1.3x, 1.25x |
| 5K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 4K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 3K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| 2K Acquisition Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| Apple ProRes Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 4K 4096 x 2160 120P |
| Proxy Recording | Up to ProRes 422 HQ at 2K 2048 x 1080 up to 60P |
| Media Type | CFexpress Type B |
Construction and Dimensions:
| Construction | Aluminum Alloy |
| Dimensions | 149.63 mm x 115.5 mm x 108 mm, or 5.9 inch x 4.5 inch x 4.3 inch, Length x Width x Height |
| Weight | 4.03 pounds or 1.83 kg without body cap and CFexpress card |
Power:
| Battery Type | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries |
| DC Power Input | 11 to 17 V via 6 Pin DC IN |
Environmental:
| Operating Temperature | 0°C to 40°C (32°F to 104°F) |
| Storage Temperature | –20°C to 50°C (–4°F to 122°F) |
| Storage Relative Humidity | 0% to 85% noncondensing |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Records multiple LED instances as dedicated clips |
Color Management:
| Image Processing | Image Processing Pipeline 2, IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment supported |
Audio:
| Integrated Microphones | Dual channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Dual channel mic, line, and +48V input via 5 Pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
IP Connectivity:
| RED Connect Module Compatibility | Supports live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi at 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow via Frame.io or Amazon S3 |
| Wired Connectivity | USB-C or Gigabit Ethernet using a compatible USB-C to Ethernet adapter |
| Wired Functions | Remote camera control, live preview, Camera to Cloud workflow, and high speed remote media offload |
Monitoring:
| Top Accessory Port | Proprietary port for monitoring and control |
| Monitor Outputs | Integrated dual 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| 12G-SDI Output | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI Output | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI Output | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI Output | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Output Metadata and Audio | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz audio |
| Monitor Option | DSMC3 RED Touch 7.0 inch LCD |
| Monitor Option | RED Compact EVF with DSMC3 Adapter A |
| Wireless Preview | 1080p live preview via 2.4 GHz or 5 GHz Wi-Fi |
| Integrated Display | 2.4 inch LCD for camera control without preview video |
Additional Input and Output:
| Genlock | Tri Level Genlock Input via 9 Pin EXT |
| Timecode | LTC Timecode Input via 9 Pin EXT |
| Control | RS232 CTRL using RCP2 via 9 Pin EXT |
Camera Control:
| RED Control | Full camera controls and live preview from iOS or Android devices |
| RED Control Pro | Supports one or multiple cameras over an IP connection with synchronized settings and centralized control |
| Media Management | Supports local media management and direct upload to Frame.io |
| Look Management | Supports advanced CDL and LUT controls |
| RED Control Availability | Apple App Store and Google Play Store |
| RED Control Pro Availability | Apple App Store with additional purchase required |
| Connection Options | Wireless or wired operation via USB-C |
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
