- V-RAPTOR XL [X] 8K VV (Gold Mount) Body
- V-RAPTOR XL PL Mount
- RED PL Mount Shim Pack
- RED AC Power Adaptor 270W
- 3-Pin XLR-to-4-Pin 2B Power Cable (10')
- RED Logo Sticker
- V-RAPTOR XL [X] Information Card (incl. registration and support info)
- NOTE: Power cord not included – must purchase separately.
RED Digital Cinema V-RAPTOR XL X 8K VV 35.4MP Camera (Gold Mount)
- 35.4MP 8K VV global shutter CMOS sensor captures up to 8192 x 4320 resolution
- 17+ stops of dynamic range supports detailed highlight and shadow capture
- Records REDCODE RAW up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1
- Built in electronic ND provides 2 to 7 stops with precise selectable increments
- CFexpress Type B media supports data rates up to 800 MB/s with qualified cards
- Dual voltage battery support accommodates 14 V and high voltage 26 V on set power
- Integrated 12 V and 24 V outputs provide centralized power for production accessories
- Wi-Fi, Ethernet, USB-C, timecode, genlock, and multiple SDI outputs support connected workflows
The RED V-RAPTOR XL [X] 8K VV pairs large format 8K capture with a global shutter sensor in RED's production oriented XL body. Its 35.4 MP CMOS sensor records up to 8192 x 4320 across a 40.96 x 21.6 mm Vista Vision area, with 17+ stops of dynamic range and up to 20+ stops using Extended Highlights. Because the global shutter exposes the whole frame at once, fast motion and quick pans hold their shape instead of skewing the way a line by line rolling shutter can. Clean motion and Vista Vision framing suit narrative, commercial, action, vehicle, visual effects, and virtual production work.
8K High Frame Rate Acquisition and REDCODE RAW
REDCODE RAW reaches 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1, climbing to 160 fps at 6K, 240 fps at 4K, and 480 fps at 2K, with the sensor cropping in those higher speed modes. REDCODE HQ, MQ, and LQ add compressed options up to 8K at 59.94 fps, and Apple ProRes 4444 XQ, 4444, 422 HQ, 422, and 422 LT record up to 4096 x 2160, so teams can choose maximum finishing latitude or a faster editorial turnaround. A single CFexpress Type B slot handles up to 800 MB/s with RED branded or qualified cards.
Extended Highlights and Intelligent Autofocus
Extended Highlights recovers additional highlight information from the global shutter sensor, pushing dynamic range past 20 stops and giving colorists a finer roll off in HDR or a softer one in SDR. On sensor phase detection autofocus with face detection and in camera processing gives operators a dependable focus option for documentary and single operator setups.
Integrated Electronic ND and Interchangeable PL Mount
A motorized clear filter and electronic ND system cover 2 to 7 stops in 1/4, 1/3, or full stop increments, so operators can follow changing light without touching the aperture or swapping external filters mid shoot. The interchangeable mount ships with the shimmable V-RAPTOR XL ARRI PL Mount, ready for professional PL cinema lenses and established motion picture lens packages.
Gold Mount Power, Audio, and Production I/O
This Gold Mount configuration runs on standard 14 V or high voltage 26 V batteries. With high voltage power connected, regulated 12 V and 24 V auxiliary outputs feed accessories directly from the camera; on a 14 V battery the camera operates normally but those outputs stay disabled. Three 12G SDI outputs, an additional 3G SDI output, a dedicated EVF path, Genlock, LTC timecode, PTP, RCP2 control, and Ambient Communication Network connectivity support synchronized multi camera, studio, and broadcast environments. A rebuilt audio architecture with improved preamps and a 5 pin LEMO mic and line input records two channels at 24 bit, 48 kHz. The DSMC3 RED Touch 7.0 inch LCD is also supported.
Three Stage Cooling and Rugged Construction
Dedicated fans cool the camera electronics and auxiliary power components separately while a thermoelectric heat exchanger holds the sensor at a precise temperature, which means quieter operation, less black shading, and steadier performance. Water and dust resistant materials protect critical areas of the aluminum body.
Connected Production and RED Global Vision
Gigabit Ethernet, USB C, and Wi-Fi handle remote operation and media management, with in camera Frame.io integration and direct AWS upload for Camera to Cloud review. RED Connect adds live 8K R3D video over IP and live 4K through SMPTE ST 2110, and the RED Control and RED Control Pro apps for iOS and Android put monitoring and settings in the operator's hands. Phantom Track captures separate R3D clips for each subframe slice in GhostFrame and frame remapping workflows.
Netflix approved and built around the global shutter, 20+ stops, high frame rate REDCODE RAW, and integrated ND, the V-RAPTOR XL [X] 8K VV is ready for demanding cinema, studio, virtual production, and live production work.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm |
| Sensor Diagonal | 46.31 millimeters |
| Dynamic Range | 17+ stops |
| Autofocus | Phase Detect with Face Detection |
Built In ND:
| Filter System | Motorized clear filter and precision controlled electronic ND filter |
| Electronic ND Minimum Density | 2 stops |
| Electronic ND Maximum Density | 7 stops |
| Electronic ND Selectable Increments | 1/3 stop, 1/4 stop, and 1 stop |
Lens Mount:
| Mount Type | Interchangeable Lens Mount |
| Included Mount | V-RAPTOR XL PL Mount, shimmable |
| Optional Mount | V-RAPTOR XL Locking Canon EF Mount |
| DSMC Lens Mount Compatibility | Physically compatible without electronic communication or control |
Recording Media and Data:
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
REDCODE RAW Maximum Frame Rates:
| 8K 17 | 9: Up to 120 fps |
| 8K 2.4 | 1: Up to 150 fps |
| 7K 17 | 9: Up to 140 fps |
| 7K 2.4 | 1: Up to 175 fps |
| 6K 17 | 9: Up to 160 fps |
| 6K 2.4 | 1: Up to 200 fps |
| 5K 17 | 9: Up to 192 fps |
| 5K 2.4 | 1: Up to 240 fps |
| 4K 17 | 9: Up to 240 fps |
| 4K 2.4 | 1: Up to 300 fps |
| 3K 17 | 9: Up to 320 fps |
| 3K 2.4 | 1: Up to 400 fps |
| 2K 17 | 9: Up to 480 fps |
| 2K 2.4 | 1: Up to 600 fps |
Playback Frame Rates:
| Project Time Base | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE Settings:
| 8K 17 | 9 Up to 60 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 8K 17 | 9 Up to 120 fps: REDCODE LQ and ELQ |
| 6K 17 | 9 Up to 96 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 6K 17 | 9 Up to 160 fps: REDCODE MQ, LQ, and ELQ |
| 4K 17 | 9 Up to 240 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 2K 17 | 9 Up to 480 fps: REDCODE HQ, MQ, LQ, and ELQ |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes:
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording Resolution | Up to 4K 4096 x 2160 at 120P |
| Proxy Recording | Up to ProRes 422 HQ at 2K 2048 x 1080 up to 60P |
Construction and Dimensions:
| Construction | Aluminum Alloy |
| Dimensions (LxWxH) | 200.81 mm x 151.38 mm x 165.9 mm |
| Dimensions in Inches | 7.9 inches x 6 inches x 6.5 inches |
| Weight | 8.08 lbs / 3.67 kg, Gold Mount with PL Mount |
Power:
| Battery Type | Integrated Dual Voltage 14/26 V Gold Mount Battery Interface |
| DC Power Input | 19.5 to 34 V via 4-Pin 2B DC-IN |
| Regulated 12 V Outputs | 2 x P-TAP connectors, 3 AMP combined |
| Rear 12 V Output | 1 x 2-Pin 0B, 3 AMP |
| Rear 12 V Output | 1 x 2-Pin 0B, 1.5 AMP |
| Front 12 V Output | 1 x 2-Pin 0B, 1 AMP |
| Regulated 24 V Outputs | 2 x Front 3-Pin Fischer connectors, 3 AMP combined |
| 24 V Output Requirement | High voltage power source required |
Operating Environment:
| Operating Temperature | 0°C to 40°C (32°F to 104°F) |
| Storage Temperature | –20°C to 50°C (–4°F to 122°F) |
| Storage Relative Humidity | 0% to 85% noncondensing |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Records multiple LED instances as dedicated clips |
Color Management:
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment |
Audio:
| Integrated Microphones | Dual channel digital mono, uncompressed, 24-bit 48 kHz |
| Audio Input | Dual channel mic, line, and +48 V via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz |
| Headphone Output | 3.5 mm stereo port |
IP Connectivity:
| RED Connect Module Support | Live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi at 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, Frame.io Camera to Cloud, and Amazon S3 direct upload workflows |
| Wired Connectivity | USB-C or 9-Pin Gigabit Ethernet |
| Wired Functions | Remote camera control, live preview, Camera to Cloud workflow, and high speed remote media offload |
Monitor Outputs:
| Accessory Port | Proprietary Top Accessory Port for monitoring and control |
| Primary SDI Outputs | 3 x 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| EVF Output | 1 x 3G-SDI with 3G-SDI and 1.5G-SDI modes |
| 12G-SDI Output | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI Output | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI Output | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI Output | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| SDI Data Support | SMPTE Timecode, HANC Metadata, and 24-bit 48 kHz Audio |
Monitor Options:
| Compatible Monitor | DSMC3 RED Touch 7.0 inch LCD |
| Compatible EVF | RED Compact EVF with DSMC3 Adapter A |
| Live Preview | IP streamed 1080p wirelessly or through USB-C or Ethernet |
| Integrated Display | 2.4 inch LCD for camera control without preview video |
Additional Input and Output:
| Genlock | Tri Level Genlock via BNC |
| Timecode | Linear Timecode through 5-Pin 0B |
| Remote Access | PTP and remote camera access via 9-Pin 0B GIG-E |
| Camera Control | RCP2 via 4-Pin 00B CTR |
| Wireless Genlock and Timecode | Integrated Ambient Communication Network |
RED Control:
| RED Control | Full camera controls and live preview from compatible iOS or Android devices |
| RED Control Pro | Supports control of one or multiple cameras over an IP connection |
| Control Functions | Synchronize settings, manage media, upload media, and adjust CDL and LUT settings |
| Connection Methods | Wireless or wired through USB-C |
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.