- V-RAPTOR XL [X] 8K VV Camera System
- DSMC3 RED Touch 7 Inch LCD
- DSMC3 RED Touch 7.0 Inch LCD Hood
- DSMC3 RMI Cable 18 Inch
- 2x RED PRO CFexpress v4 Type B 2TB
- RED PRO CFexpress v4 Type B Card Reader
- 4x REDVOLT XL-V
- Compact Dual V-Lock Charger
- DSMC3 RED 5-Pin to Dual XLR Adapter
- V-RAPTOR XL Top Handle with Extensions
- V-RAPTOR XL Top 15mm LWS Rod Support Bracket
- V-RAPTOR XL Bottom 15mm LWS Rod Support Bracket
- V-RAPTOR XL Riser Plate
NOTE: Power cord not included – must purchase separately.
Trusted & Verified
RED Digital Cinema V-RAPTOR XL X 8K VV 35.4MP Camera Production Pack (V-Lock)
- 35.4 MP 8K VV global shutter CMOS sensor captures 8192 x 4320 effective pixels
- 17+ stops of dynamic range supports detailed capture across demanding lighting conditions
- Records up to 120 fps at 8K 17:9 and up to 150 fps at 8K 2.4:1
- Built in electronic ND provides 2 to 7 stops with 1/4, 1/3, and 1 stop increments
- Interchangeable lens mount system includes a shimmable V-RAPTOR XL PL Mount
- CFexpress Type B recording supports data rates up to 800 MB/s with qualified media
- Dual band Wi-Fi, USB-C, and Gigabit Ethernet support remote control and connected workflows
- RED Global Vision adds Extended Highlights and Phantom Track tools for production flexibility
The RED V RAPTOR XL X 8K VV combines large format global shutter capture with high frame rates and an integrated production body. Its 35.4 Megapixel CMOS sensor records 8192 x 4320 images and supports REDCODE RAW up to 120 fps at 8K 17:9. At the wider 8K 2.4:1 format, the camera reaches 150 fps. This combination gives cinematographers detailed 8K acquisition, controlled motion rendering, and multiple format choices for narrative, commercial, television, live, and virtual production.
Global Shutter 8K VV Imaging
The global shutter architecture captures each frame without the temporal skew associated with a rolling shutter. RED states 17 plus stops of dynamic range. RED Global Vision adds Extended Highlights capability for retaining additional detail and color in extreme dynamic range scenes. Phantom Track can record multiple LED instances as dedicated clips for compatible virtual production environments. Image Processing Pipeline 2 supports 33 x 33 x 33 3D LUTs and the import and adjustment of CDLs, giving production teams a structured path from capture through monitored looks.
Recording Formats and Exposure Control
REDCODE RAW scales from 8K 120 fps at 17:9 through 2K 600 fps at 2.4:1, with intermediate 7K, 6K, 5K, 4K, and 3K options. Supported acquisition formats include standard aspect ratios and multiple anamorphic selections. Apple ProRes recording is available in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K 120P. A motorized clear filter and precision controlled electronic ND system provide 2 to 7 stops of density. Select 1/3, 1/4, or 1 stop increments to adjust exposure while maintaining the intended aperture and shutter settings.
Integrated Crew and Camera Control
The XL body centralizes monitoring, synchronization, remote control, media, and accessory power. Three 12G SDI ports and a dedicated EVF SDI output provide multiple viewing paths. Timecode, genlock, PTP, Gigabit Ethernet, USB C, dual band Wi-Fi, and the Ambient Communication Network support synchronized and remote workflows. Regulated 12 V and 24 V outputs allow compatible accessories to draw power from the camera body. The V-Lock configuration uses an integrated dual voltage 14 V and 26 V interface, while the included shimmable PL Mount supports production lenses. CFexpress Type B media handles data rates up to 800 MB/s when RED branded or qualified cards are used.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4 MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm |
| Sensor Diagonal | 46.31 mm |
| Dynamic Range | 17+ stops |
| Autofocus | Phase Detect with Face Detection |
Built In ND:
| Filter System | Motorized clear filter and precision controlled electronic ND filter |
| Electronic ND Minimum Density | 2 stops |
| Electronic ND Maximum Density | 7 stops |
| Electronic ND Increments | 1/3 stop, 1/4 stop, and 1 stop |
Lens Mount:
| Mount Type | Interchangeable lens mount |
| Included Mount | V-RAPTOR XL PL Mount, shimmable |
| Optional Mount | V-RAPTOR XL Locking Canon EF Mount |
| Mount Compatibility | Physically compatible with DSMC lens mounts without electronic communication or control |
Media and Data:
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
REDCODE RAW Maximum Frame Rates:
| 8K 17 | 9: Up to 120 fps |
| 8K 2.4 | 1: Up to 150 fps |
| 7K 17 | 9: Up to 140 fps |
| 7K 2.4 | 1: Up to 175 fps |
| 6K 17 | 9: Up to 160 fps |
| 6K 2.4 | 1: Up to 200 fps |
| 5K 17 | 9: Up to 192 fps |
| 5K 2.4 | 1: Up to 240 fps |
| 4K 17 | 9: Up to 240 fps |
| 4K 2.4 | 1: Up to 300 fps |
| 3K 17 | 9: Up to 320 fps |
| 3K 2.4 | 1: Up to 400 fps |
| 2K 17 | 9: Up to 480 fps |
| 2K 2.4 | 1: Up to 600 fps |
Playback Frame Rates:
| Project Time Base | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE Settings:
| 8K 17 | 9 Up to 60 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 8K 17 | 9 Up to 120 fps: REDCODE LQ and ELQ |
| 6K 17 | 9 Up to 96 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 6K 17 | 9 Up to 160 fps: REDCODE MQ, LQ, and ELQ |
| 4K 17 | 9 Up to 240 fps: REDCODE HQ, MQ, LQ, and ELQ |
| 2K 17 | 9 Up to 480 fps: REDCODE HQ, MQ, LQ, and ELQ |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes Recording:
| Recording Formats | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Recording Resolution and Frame Rate | Up to 4K 4096 x 2160 at 120p |
| Proxy Recording | Up to ProRes 422 HQ in 2K 2048 x 1080 at 60p |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Records multiple LED instances as dedicated clips |
Color Management:
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment supported |
Audio:
| Integrated Microphones | Dual channel digital mono, uncompressed, 24 bit, 48 kHz |
| Audio Input | Dual channel mic, line, and +48 V input through 5-Pin 00B Audio Port, uncompressed, 24 bit, 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
IP Connectivity:
| RED Connect Module Compatibility | Live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi at 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow through Frame.io or Amazon S3 |
| Wired Connectivity | USB-C or 9-Pin Gigabit Ethernet |
| Wired Functions | Remote camera control, live preview, direct Camera to Cloud workflow, and high speed remote media offload |
Power:
| Battery Interface | Integrated dual voltage 14/26 V V-Lock battery interface |
| DC Power Input | 19.5 to 34 V through 4-Pin 2B DC-IN |
Regulated 12 V Power Outputs:
| P-TAP Connectors | 2, 3 A combined |
| Rear 2-Pin 0B Output | 1, 3 A |
| Rear 2-Pin 0B Output | 1, 1.5 A |
| Front 2-Pin 0B Output | 1, 1 A |
Regulated 24 V Power Outputs:
| Front 3-Pin Fischer Connectors | 2, 3 A combined |
Monitor Outputs:
| Accessory Port | Proprietary Top Accessory Port for monitoring and control |
| SDI Outputs | 3 x 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| EVF Output | 1 x 3G-SDI with 3G-SDI and 1.5G-SDI modes |
| 12G-SDI Output | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI Output | Up to 4096 x 2160 4:2:2 at 30p, 25p, or 24p |
| 3G-SDI Output | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI Output | Up to 2048 x 1080 4:2:2 at 30p, 25p, or 24p |
| Output Metadata and Audio | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz audio |
Monitor Options:
| LCD Monitor | DSMC3 RED Touch 7.0 inch LCD |
| Electronic Viewfinder | RED Compact EVF with DSMC3 Adapter A |
| IP Live Preview | 1080p streamed wirelessly or through USB-C or Ethernet |
| Integrated Camera Display | 2.4 inch LCD for camera control without preview video |
Additional I/O:
| Genlock | Tri-Level Genlock through BNC |
| Timecode | Linear Timecode through 5-Pin 0B |
| PTP and Remote Access | 9-Pin 0B GIG-E |
| Camera Control | RCP2 through 4-Pin 00B CTR |
| Wireless Genlock and Timecode | Integrated Ambient Communication Network |
RED Control and RED Control Pro:
| Device Support | Full camera control and live preview from iOS or Android devices |
| RED Control Pro | Supports operation of one or multiple cameras over an IP connection |
| Multi Camera Functions | Synchronize settings, manage media files locally, upload media directly to Frame.io, and develop custom looks with CDL and LUT controls |
| RED Control Availability | Apple App Store and Google Play Store |
| RED Control Pro Availability | Apple App Store only and requires an additional purchase |
| Connection Options | Wireless or wired through USB-C |
Construction and Dimensions:
| Construction | Aluminum alloy |
| Dimensions | 200.81 mm x 151.38 mm x 165.9 mm / 7.9 inch x 6 inch x 6.5 inch |
| Dimension Order | Length x Width x Height, largest fixed dimensions |
| Weight | 7.99 pounds / 3.62 kg with V-Lock and PL Mount |
Environmental:
| Operating Temperature | 0°C to 40°C / 32°F to 104°F |
| Storage Temperature | -20°C to 50°C / -4°F to 122°F |
| Storage Relative Humidity | 0% to 85%, non-condensing |
Starting at $2,291.45/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $13,748.75
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
Free Local Pickup
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
