- V-RAPTOR XL [X] 8K VV Camera System
- DSMC3 RED Touch 7 Inch LCD
- DSMC3 RED Touch 7.0 Inch LCD Hood
- DSMC3 RMI Cable 18 Inch
- 2x RED PRO CFexpress v4 Type B 2TB
- RED PRO CFexpress v4 Type B Card Reader
- 4x REDVOLT XL-V
- Compact Dual V-Lock Charger
- DSMC3 RED 5-Pin to Dual XLR Adapter
- V-RAPTOR XL Top Handle with Extensions
- V-RAPTOR XL Top 15mm LWS Rod Support Bracket
- V-RAPTOR XL Bottom 15mm LWS Rod Support Bracket
- V-RAPTOR XL Riser Plate
NOTE: Power cord not included – must purchase separately.
Trusted & Verified
RED Digital Cinema V-RAPTOR XL X 8K VV 35.4MP Camera Production Pack (V-Lock)
- 35.4 MP 8K VV global shutter CMOS sensor captures 8192 x 4320 effective pixels
- 17+ stops of dynamic range supports detailed capture across demanding lighting conditions
- Records up to 120 fps at 8K 17:9 and up to 150 fps at 8K 2.4:1
- Built in electronic ND provides 2 to 7 stops with 1/4, 1/3, and 1 stop increments
- Interchangeable lens mount system includes a shimmable V-RAPTOR XL PL Mount
- CFexpress Type B recording supports data rates up to 800 MB/s with qualified media
- Dual band Wi-Fi, USB-C, and Gigabit Ethernet support remote control and connected workflows
- RED Global Vision adds Extended Highlights and Phantom Track tools for production flexibility
Amazing Image, Enhanced On-Set Experience
V-RAPTOR XL [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR XL [X] leverages the benefits and flexibility of large format, global shutter, high frame rate, 8K acquisition, all inside of a large-scale-production ready XL camera body.
Tools of The Trade
V-RAPTOR XL [X] is designed to support high-end motion picture and television productions as well as any filmmaker who would benefit an all-in-one solution.
- Dual voltage battery support offers compatibility with a wide range of common batteries found on set today, both 14 V batteries and high voltage 26 V V-Lock or Gold Mount options.
- Built-in electronic ND allows cinematographers to precisely select their density in 1/4, 1/3, and full stop increments, providing never before seen exposure and depth of field control inside a cinema camera of this level.
- 12 V and 24 V auxiliary power outputs allows camera assistants to power all the peripherals needed to do their job from one centralized place.
- Front facing 3G-SDI and 2-Pin 12 V power, as well as compatibility with the DSMC3 RED Touch 7.0 inch LCD, supports any camera operators viewing preference.
- Wireless timecode, genlock, and camera control, as well as four SDI outputs support the DIT, giving them access to everything they need at their cart.
- Improved in-camera audio performance for run and gun single system audio setups.
Additionally, the V-RAPTOR XL [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.
Global Vision
V-RAPTOR XL [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4 MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm, diagonal 46.31 mm |
| Dynamic Range | 17+ stops |
Built In ND:
| Filter System | Motorized clear filter and precision controlled electronic ND filter |
| Electronic ND Minimum Density | 2 stops |
| Electronic ND Maximum Density | 7 stops |
| Electronic ND Increments | 1/4 stop, 1/3 stop, and 1 stop |
Lens Mount:
| Mount Type | Interchangeable lens mount |
| Included Mount | V-RAPTOR XL PL Mount, shimmable |
| Optional Mount | V-RAPTOR XL Locking Canon EF Mount |
| DSMC Lens Mount Compatibility | Physically compatible without electronic communication or control |
Recording Media:
| Media Type | CFexpress Type B |
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
REDCODE RAW Maximum Frame Rates:
| 8K | 120 fps at 17:9, 150 fps at 2.4:1 |
| 7K | 140 fps at 17:9, 175 fps at 2.4:1 |
| 6K | 160 fps at 17:9, 200 fps at 2.4:1 |
| 5K | 192 fps at 17:9, 240 fps at 2.4:1 |
| 4K | 240 fps at 17:9, 300 fps at 2.4:1 |
| 3K | 320 fps at 17:9, 400 fps at 3K 2.4:1 |
| 2K | 480 fps at 17:9, 600 fps at 2K 2.4:1 |
Playback Frame Rates:
| Project Time Base | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE Settings:
| 8K 17 | 9 Up to 60 fps: HQ, MQ, LQ, and ELQ |
| 8K 17 | 9 Up to 120 fps: LQ and ELQ |
| 6K 17 | 9 Up to 96 fps: HQ, MQ, LQ, and ELQ |
| 6K 17 | 9 Up to 160 fps: MQ, LQ, and ELQ |
| 4K 17 | 9 Up to 240 fps: HQ, MQ, LQ, and ELQ |
| 2K 17 | 9 Up to 480 fps: HQ, MQ, LQ, and ELQ |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, and 1.25x |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 2x, 1.8x, and 1.6x |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, Anamorphic 1.5x, 1.3x, and 1.25x |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Apple ProRes Recording:
| Dedicated Recording | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording Resolution | Up to 4K, 4096 x 2160, at 120P |
| Proxy Recording | Up to ProRes 422 HQ in 2K, 2048 x 1080, at up to 60P |
Construction and Dimensions:
| Construction | Aluminum alloy |
| Dimensions | 200.81 mm x 151.38 mm x 165.9 mm / 7.9 inch x 6 inch x 6.5 inch |
| Weight | 7.99 pounds / 3.62 kg with V-Lock and PL Mount |
Power:
| Battery Type | Integrated dual voltage 14/26 V V-Lock battery interface |
| DC Power Input | 19.5 to 34 V via 4-Pin 2B DC IN |
| Regulated 12 V Output | 2 x P-TAP connectors, 3 A combined |
| Regulated 12 V Output | 1 x rear 2-Pin 0B, 3 A |
| Regulated 12 V Output | 1 x rear 2-Pin 0B, 1.5 A |
| Regulated 12 V Output | 1 x front 2-Pin 0B, 1 A |
| Regulated 24 V Output | 2 x front 3-Pin Fischer connectors, 3 A combined |
Environmental:
| Operating Temperature | 0°C to 40°C, 32°F to 104°F |
| Storage Temperature | -20°C to 50°C, -4°F to 122°F |
| Storage Relative Humidity | 0% to 85% noncondensing |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Captures multiple LED instances as dedicated clips |
Color Management:
| Image Processing Pipeline | IPP2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import and adjustment supported |
Audio:
| Integrated Microphones | Dual channel digital mono, uncompressed, 24 bit 48 kHz |
| Audio Input | Dual channel mic, line, and +48 V through 5-Pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
Autofocus:
| Autofocus System | Phase Detect with Face Detection |
IP Connectivity:
| RED Connect Module Compatibility | Live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless Connectivity | Dual band Wi-Fi, 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow through Frame.io or Amazon S3 |
| Wired Connectivity | USB-C or 9-Pin Gigabit Ethernet |
| Wired Functions | Remote camera control, live preview, Camera to Cloud workflow, and high speed remote media offload |
Monitor Outputs:
| Top Accessory Port | Proprietary port for monitoring and control |
| Primary SDI Outputs | 3 x 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| EVF Output | 1 x 3G-SDI with 3G-SDI and 1.5G-SDI modes |
| 12G-SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G-SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G-SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G-SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Embedded Data | SMPTE Timecode, HANC Metadata, and 24 bit 48 kHz audio |
Monitor Options:
| DSMC3 RED Touch 7.0 inch LCD | |
| RED Compact EVF with DSMC3 Adapter A | |
| IP streamed 1080p live preview through wireless, USB-C, or Ethernet connections | |
| Integrated 2.4 inch LCD for camera control without preview video |
Additional I/O:
| Genlock | Tri Level Genlock through BNC |
| Timecode | Linear Timecode through 5-Pin 0B |
| PTP and Remote Camera Access | 9-Pin 0B Gigabit Ethernet |
| Camera Control | RCP2 through 4-Pin 00B CTR |
| Wireless Genlock and Timecode | Integrated Ambient Communication Network |
RED Control:
| Device Support | Full camera controls and live preview from compatible iOS or Android devices |
| RED Control Pro | Supports one or multiple cameras over an IP connection |
| Pro Functions | Synchronize settings, manage media files, Camera to Cloud uploads, and advanced CDL and LUT controls |
| Standard App Availability | Apple App Store and Google Play Store |
| RED Control Pro Availability | Apple App Store only with additional purchase required |
| Connection Options | Wireless or wired through USB-C |
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
