- RED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Camera (V-Mount)2 x RED DIGITAL CINEMA 2TB PRO CFexpress v4 Type B Memory Card
- RED DIGITAL CINEMA PRO CFexpress v4 Type B Card Reader
- RED DIGITAL CINEMA DSMC3 RED Touch 7.0in LCD with Rigid Hinge
- RED DIGITAL CINEMA V-RAPTOR XL Riser Plate (15mm & 19mm Studio)
- RED DIGITAL CINEMA V-RAPTOR XL Top Handle with Extensions
- RED DIGITAL CINEMA DSMC3 5-Pin to Dual XLR 3-Pin Adapter
- RED DIGITAL CINEMA Top 15mm LWS Rod Support Bracket for V-RAPTOR XL
- RED DIGITAL CINEMA Bottom 15mm LWS Rod Support Bracket for V-RAPTOR XL
- RED DIGITAL CINEMA DSMC3 RMI Cable (18in)
- RED DIGITAL CINEMA Hood for DSMC3 RED Touch 7in LCD
RED Digital Cinema V-RAPTOR XL X 8K VV Production Pack without Batteries V-Lock
- 35.4MP 8K VV Global Shutter CMOS with 8192 x 4320 effective pixels
- 17+ stops of documented dynamic range for controlled grading workflows
- REDCODE RAW with 8K 17:9 up to 120 fps
- ProRes 4444 XQ, 4444, 422 HQ, 422, and 422 LT up to 4096 x 2160
- CFexpress Type B media with Up to 800 MB/s maximum data rate
- IPP2 with 33 x 33 x 33 3D LUTs and CDL import/adjustment; RED Global Vision Extended Highlights and Phantom Track
- Three 12G-SDI outputs plus one 3G-SDI EVF output; 10-bit 4:2:2 monitoring
- Tri-Level Genlock, LTC timecode, PTP and Gigabit Ethernet, RCP2 control, ACN wireless genlock/timecode, USB-C, dual-band Wi-Fi
The RED Digital Cinema V-RAPTOR XL X 8K VV combines large format 8K acquisition, a global shutter sensor, high frame rate recording, and production ready connectivity in RED's integrated XL camera platform. Its 35.4 MP CMOS sensor captures 8192 x 4320 pixels across a 40.96 mm x 21.60 mm imaging area and delivers 17 plus stops of dynamic range. The global shutter architecture is particularly valuable for fast subjects, moving cameras, vehicle work, and other shots where maintaining motion geometry is important, while the 8K VV image provides resolution for detailed masters, reframing, stabilization, visual effects, and multiple finishing formats.
8K REDCODE RAW and High Frame Rate Acquisition
REDCODE RAW recording supports up to 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1, giving cinematographers full resolution acquisition alongside high speed capture. Reducing resolution extends the available frame rates to 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. Multiple REDCODE quality settings allow recording requirements to be balanced against frame rate, resolution, media capacity, and post production needs, with qualified CFexpress Type B media supporting data rates up to 800 MB/s. Dedicated Apple ProRes recording is also available in ProRes 4444 XQ, 4444, 422 HQ, 422, and 422 LT at resolutions up to 4096 x 2160.
Large Format Lensing, Electronic ND, and RED Global Vision
The interchangeable lens mount system includes the shimmable V-RAPTOR XL PL Mount and supports the optional locking Canon EF Mount. Integrated electronic ND provides 2 to 7 stops of density adjustment in selectable 1/4, 1/3, or full stop increments, allowing exposure and depth of field to be controlled without adding an external matte box filter. REDCODE RAW supports multiple VV aspect ratios and dedicated anamorphic acquisition formats. RED IPP2 color management provides REDWideGamutRGB and Log3G10 processing with 33 x 33 x 33 3D LUT support and CDL workflows. RED Global Vision adds Extended Highlights for scenes that exceed the camera's base highlight range and Phantom Track recording for compatible virtual production and frame remapping workflows.
Production Ready Monitoring, Sync, and Connectivity
Three 12G SDI connections provide 10 bit 4:2:2 monitoring at resolutions up to 4096 x 2160 at 60p, while a dedicated 3G SDI EVF connection supports an additional operator monitoring path. Camera synchronization options include Genlock, LTC timecode, PTP, and wireless Ambient Communication Network support. Dual band Wi-Fi, USB C, and 9 pin Gigabit Ethernet provide options for camera control, live preview, remote media offload, and connected production workflows. Compatibility with the RED Connect Module expands the platform to live 8K R3D video over IP or live 4K through SMPTE ST 2110, while supported Camera to Cloud workflows include Frame.io and Amazon S3 integration.
Integrated XL Body for V Lock Production Builds
The aluminum alloy XL chassis integrates the connections and accessory power normally required for larger crew operated builds. Regulated 12 V and 24 V outputs can supply compatible camera accessories from the body, while integrated dual channel digital microphones and dual channel mic, line, and 48 V audio input support 24 bit 48 kHz recording. This V Lock configuration uses an integrated dual voltage 14 V and 26 V battery interface and accepts 19.5 to 34 V DC through the 4 pin DC input. With the PL mount installed, the V Lock body weighs approximately 7.99 lb and measures 7.91 inches long by 6.29 inches wide, with a 6.53 inch body height or 7.22 inches including the antenna. This Production Pack configuration is supplied without batteries, allowing professional crews and rental environments to integrate the camera into an established V Lock power ecosystem.
Imaging:
| Sensor Platform | 8K VV Global Shutter |
| Default Sensor Format | 8K 17:9 |
| Default Format Resolution | 8192 x 4320 |
| 8K 17 | 9 Capture Area: 40.96 mm x 21.60 mm |
| 8K 17 | 9 Capture Area Diagonal: 46.31 mm |
| Image Processing | IPP2 |
| Recording Format | R3D RAW |
Frame Rates:
| 8K 17 | 9 Maximum Frame Rate: 120 fps |
| 8K 2.4 | 1 Maximum Frame Rate: 150 fps |
| 6K 17 | 9 Maximum Frame Rate: 160 fps |
| 6K 2.4 | 1 Maximum Frame Rate: 200 fps |
| 4K 17 | 9 Maximum Frame Rate: 240 fps |
| 4K 2.4 | 1 Maximum Frame Rate: 300 fps |
| 2K 17 | 9 Maximum Frame Rate: 480 fps |
| 2K 2.4 | 1 Maximum Frame Rate: 600 fps |
| 4K 8 | 1 Maximum Frame Rate: 1000 fps |
Exposure Control:
| ND System | Built In Electronic ND |
| ND Adjustment Increments | 1/4 Stop, 1/3 Stop, and 1 Stop |
Lens Mount:
| Lens Mount System | Interchangeable |
| Supported RED XL Mount Types | Shimmable Locking PL or Locking EF |
Media and Connectivity:
| Recording Media | CFexpress Type B |
| Wireless Control | 2.4 GHz and 5 GHz Wi-Fi |
| Rear Monitor Connections | 3 x 12G SDI BNC |
| Front EVF Connection | 3G SDI BNC |
| Computer Connection | USB-C |
| Network Connection | Gigabit Ethernet |
| Synchronization | Genlock and Timecode |
Power:
| Battery Mount | V-Lock |
| V-Lock Battery Support | 14 V and 26 V |
| DC Input Range | 19.5 V to 34 V |
| Auxiliary Power | 12 V and 24 V Outputs |
Starting at $2,145.83/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $12,875.00
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.