- RED DIGITAL CINEMA V-RAPTOR 8K S35 Camera
- RED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card
- RED DIGITAL CINEMA CFexpress Card Reader
- 2 x RED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)
- RED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)
- RED DIGITAL CINEMA DSMC3 RED Touch 7.0in LCD with Rigid Hinge
- RED DIGITAL CINEMA EXT-to-Timecode Cable (3')
- 2 x RED DIGITAL CINEMA V-RAPTOR Wing Grip
RED Digital Cinema V-RAPTOR 8K S35 Camera Starter Pack
- 35.4 MP CMOS sensor provides full 8192 x 4320 Super 35 acquisition
- Records REDCODE RAW at up to 120 fps in 8K 17:9
- Supports up to 150 fps recording in the 8K 2.4:1 format
- 16.5 plus stops of dynamic range supports demanding capture conditions
- Integrated RF mount supports RF lenses and compatible RF to EF adapters
- Qualified CFexpress media supports data rates up to 800 MB per second
- Dual 12G SDI connections support professional monitoring workflows
- Wi-Fi and wired control provide flexible remote camera operation
- Compact aluminum alloy body weighs 4.0 lb without body cap and media
The RED Digital Cinema V-RAPTOR 8K S35 brings full 8K acquisition to the Super 35 format in the compact DSMC3 camera platform. Its 35.4 MP CMOS sensor captures 8192 x 4320 pixels and delivers 16.5 plus stops of dynamic range, giving cinematographers high resolution capture while preserving the lens choices, framing characteristics, and production flexibility associated with Super 35. The combination is suited to narrative, documentary, wildlife, broadcast, live production, and other workflows where resolution, frame rate flexibility, and compact camera builds are important.
8K Super 35 Capture and High Frame Rates
Capture REDCODE RAW at up to 120 fps in full 8K 17:9 or increase the frame rate to 150 fps when recording 8K 2.4:1. Lower resolution formats extend slow motion options to 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. The sensor records the full 35.4 MP image at 8K, giving productions using Super 35 lenses greater resolution for detailed masters, reframing, stabilization, visual effects, and other post production requirements. Dedicated Apple ProRes recording is also available in resolutions up to 4096 x 2160 for workflows that call for an alternative to REDCODE RAW.
REDCODE RAW and IPP2 Color Workflow
REDCODE RAW preserves 16 bit RAW sensor information for greater control over image development in post production. ISO, white balance, color, and other processing choices can be managed within a flexible RAW workflow instead of defining the final image during acquisition. RED Image Processing Pipeline 2 color management supports 33 x 33 x 33 3D LUTs and CDL import, providing a consistent path between camera monitoring, editorial, color grading, and finishing. REDCODE HQ, MQ, and LQ settings provide additional control over recording quality and media requirements across supported resolutions and frame rates.
RF Mount and Professional Production Integration
The integrated RF mount supports compatible RF lenses and Canon EF lenses through compatible RF to EF adapters. Qualified CFexpress media supports recording data rates up to 800 MB/s. Dual 12G SDI outputs provide 10 bit 4:2:2 monitoring at resolutions up to 4096 x 2160 at 60p, while the integrated EXT connection supports genlock, timecode input, GPIO, and RS 232 control. USB C and compatible Gigabit Ethernet connections enable wired camera control, live MJPEG preview, and remote media offload, while Wi-Fi supports wireless control and 1080p live preview through compatible RED software.
Compact DSMC3 Body and Starter Pack Configuration
The aluminum alloy camera body weighs 4.0 lb without the body cap and CFexpress card and measures 6 inches long by 4.25 inches wide by 4.25 inches high. Its integrated V Lock interface is optimized for REDVOLT MICRO V and compatible Micro V Lock batteries, while the 6 pin DC input accepts 11 to 17 V DC. An integrated 2.4 inch LCD provides direct camera control without requiring an external display for menu operation, while compatible DSMC3 monitoring can be added for image preview and on set operation. The Starter Pack configuration provides a streamlined entry point into the V-RAPTOR 8K S35 system for operators who need the camera platform and essential production support without moving to the more extensive Production Pack configuration.
Imaging:
| Sensor Type | V-RAPTOR 8K S35 35.4 Megapixel CMOS |
| Effective Pixels | 8192 x 4320 pixels |
| Sensor Size | 26.21 mm x 13.82 mm, diagonal 29.63 mm |
| Dynamic Range | 16.5 plus stops |
Lens Mount:
| Mount Type | Integrated RF mount with RF lens support |
| Adapter Support | Supports Canon EF lenses using compatible Canon RF to EF mount adapters |
| Additional Adapter Support | Accepts other Canon RF mount based lens adapters |
Recording:
| Maximum Data Rate | Up to 800 MB per second using RED branded or other qualified CFexpress media cards |
| 8K 17 | 9 Maximum Frame Rate: 120 fps at 8192 x 4320 |
| 8K 2.4 | 1 Maximum Frame Rate: 150 fps at 8192 x 3456 |
| 7K 17 | 9 Maximum Frame Rate: 140 fps at 7168 x 3780 |
| 7K 2.4 | 1 Maximum Frame Rate: 175 fps at 7168 x 3024 |
| 6K 17 | 9 Maximum Frame Rate: 160 fps at 6144 x 3240 |
| 6K 2.4 | 1 Maximum Frame Rate: 200 fps at 6144 x 2592 |
| 5K 17 | 9 Maximum Frame Rate: 192 fps at 5120 x 2700 |
| 5K 2.4 | 1 Maximum Frame Rate: 240 fps at 5120 x 2160 |
| 4K 17 | 9 Maximum Frame Rate: 240 fps at 4096 x 2160 |
| 4K 2.4 | 1 Maximum Frame Rate: 300 fps at 4096 x 1728 |
| 3K 17 | 9 Maximum Frame Rate: 320 fps at 3072 x 1620 |
| 3K 2.4 | 1 Maximum Frame Rate: 400 fps at 3072 x 1296 |
| 2K 17 | 9 Maximum Frame Rate: 480 fps at 2048 x 1080 |
| 2K 2.4 | 1 Maximum Frame Rate: 600 fps at 2048 x 864 |
| Playback Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
REDCODE RAW Acquisition:
| 8K Formats | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic formats |
| 7K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 6K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 5K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K Formats | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
ProRes Recording:
| Formats | ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT |
| Maximum Dedicated Recording Resolution | Up to 4096 x 2160 at 120P |
| Proxy Recording | Up to ProRes 422 HQ at 2048 x 1080 up to 60P |
Physical:
| Construction | Aluminum Alloy |
| Weight | 4.0 lb without body cap and CFexpress card |
| Dimensions | 6 inches long x 4.25 inches wide x 4.25 inches high |
Power:
| Battery Type | Integrated V Lock battery interface optimized for Micro V batteries and other Micro V Lock batteries |
| DC Power | 11 to 17 volts DC using the integrated 6 pin DC input |
Environment:
| Operating Temperature | 32 degrees F to 104 degrees F, 0 degrees C to 40 degrees C |
| Storage Temperature | Negative 4 degrees F to 122 degrees F, negative 20 degrees C to 50 degrees C |
| Relative Humidity | 0 percent to 85 percent noncondensing |
Color Management:
| Color Management | Image Processing Pipeline 2 |
| 3D LUT Support | 33 x 33 x 33 |
| CDL Support | Import supported |
Audio:
| Integrated Audio | Dual channel digital mono scratch microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Dual channel microphone, line, and 48 V input through the 5 pin Audio Port, uncompressed, 24 bit 48 kHz |
Focus:
| Autofocus | Phase detection and contrast |
Remote Control:
| Wireless Control | Wi-Fi camera control |
| External Control | Genlock, timecode input, GPIO, and RS 232 through the integrated 9 pin EXT Port |
| Wired Control | USB Type C or Gigabit Ethernet with compatible adapter |
| Remote Functions | Camera control, live MJPEG preview, and remote media offload |
Monitoring:
| Monitor Outputs | Integrated dual 12G SDI with 6G SDI, 3G SDI, and 1.5G SDI modes |
| Output Bit Depth | 10 bit 4:2:2 |
| 12G SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Integrated LCD | 2.4 inch camera control display without preview video |
| Wireless Preview | 1080p through 2.4 GHz or 5 GHz Wi-Fi |
Starting at $927.08/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
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Starting at $5,562.50
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.