RED Digital Cinema V-RAPTOR 8K S35 Camera Production Pack (Gold Mount)

The RED DIGITAL CINEMA V-RAPTOR 8K S35 Production Pack pairs the 8K Super 35 DSMC3 body with the plates, power, media, and monitoring a crew needs to put it on a shoulder or a tripod the day it arrives. This configuration is built around Gold Mount power and ships with the rigid hinge RED Touch 7.0 inch LCD and the Tactical Top Plate with Battery Adapter Plus.

Super 35 Sensor and 8K Acquisition

The 35.4 megapixel CMOS sensor measures 26.21 x 13.82 mm and records 8192 x 4320 with 16.5+ stops of dynamic range. Because the sensor matches Super 35 coverage, S35 glass frames at full 8K instead of being cropped or downscaled the way it is on a large format body. The shutter is an electronic rolling shutter with a fast scan time, so fast pans hold up better than on earlier RED generations, though it does not freeze motion the way a global shutter does.

Frame Rates, Codecs, and Media

REDCODE RAW reaches 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1, then 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. REDCODE HQ, MQ, and LQ run to 60 fps at 8K 17:9, with LQ reaching 120 fps. Dedicated ProRes recording covers 4444 XQ through 422 LT up to 4096 x 2160, with proxies up to 2K. Anamorphic acquisition runs from 1.25x to 2x at 8K. Data rates reach 800 MB/s on qualified CFexpress media, written to a single CFexpress Type B slot.

What Ships in the Pack

The pack adds two 2TB RED PRO CFexpress cards and a card reader, the DSMC3 RED Touch 7.0 inch LCD with rigid hinge arm and RMI cable, the Tactical Top Plate with front cheese plate, Gold Mount battery adapter and support bracket, four REDVOLT MICRO G 98 Wh Gold Mount batteries, a compact dual battery charger, the top handle with extensions, an expander blade, a quick release platform pack, a 5 pin to dual XLR audio adapter, side ribs, production plates, grips, and the 150 W AC power adapter. The AC power cord and lenses are sold separately.

Mount, Monitoring, and Control

The integrated RF mount takes RF lenses directly and Canon EF glass through a compatible RF to EF adapter, with contrast and phase detect autofocus on supported lenses. Dual 12G SDI outputs carry up to 4096 x 2160 4:2:2 at 60p and drop to 6G, 3G, and 1.5G modes as needed. The 2.4 inch LCD on the body is a control display with no preview image, which is why the included 7.0 inch LCD or the Wi-Fi preview feed handles framing. Wi-Fi, USB C, and Gigabit Ethernet through a compatible adapter cover remote control and media offload, and the 9 pin EXT port carries genlock, timecode in, GPIO, and RS 232. The RED Control and RED Control Pro apps put full camera control and live preview on iOS or Android, and the DSMC3 connectivity stack reaches RED Connect for 8K R3D live streaming and remote record, in camera Frame.io integration, and direct AWS upload.

Power, Audio, and Color

The integrated Gold Mount interface is tuned for Micro Gold Mount packs, with 11 to 17 V DC input through the 6 pin port. Audio records two uncompressed channels at 24 bit, 48 kHz from the internal digital mics or the 5 pin audio port, which accepts mic, line, and 48 V phantom sources. IPP2 color management, 33 x 33 x 33 3D LUT support, and CDL import keep grading decisions consistent from set to post.

At 4.00 lb before media, the aluminum alloy body stays light enough for handheld and gimbal work while this accessory set builds it into a studio or location configuration for narrative, commercial, documentary, wildlife, broadcast, and live production.

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