- V-RAPTOR [X] Z Mount Camera POWER CORD NOT INCLUDED)
- DSMC3 RED Touch 7” LCD
- 2x RED PRO CFexpress v4 Type B 2TB
- RED PRO CFexpress v4 Type B Card Reader
- 4x REDVOLT MICRO-V (V-Lock Variant Only)
- Compact Dual V-Lock Charger POWER CORD NOT INCLUDED)
- V-RAPTOR Tactical Top Plate w/ Battery Adapter Plus (V-Lock)
- V-RAPTOR Top Handle w/ Extensions
- V-RAPTOR Expander Blade
- V-RAPTOR Quick Release Platform Pack
- DSMC3 RED 5-Pin to Dual XLR Adapter
- RED Production Grips (set of 2)
- V-RAPTOR Side Ribs
RED Digital Cinema V-RAPTOR [X] Z Mount 8K VV Camera Production Pack V-Lock
- 35.4 megapixel 8K VV global shutter CMOS sensor with 8192 x 4320 effective pixels
- 17+ stops of dynamic range for detailed large format cinema acquisition
- Records up to 120 fps at 8K 17:9 and 150 fps at 8K 2.4:1
- Integrated locking Nikon Z mount with electronic communication
- CFexpress Type B media with data rates up to 800 MB/s using qualified cards
- RED Global Vision with Extended Highlights and Phantom Track
- Phase detect autofocus with face detection
- Dual 12G SDI outputs plus USB-C, Ethernet, and dual-band Wi-Fi control
- Integrated V-Lock battery interface for Micro V-Lock batteries
The RED Digital Cinema V-RAPTOR X Z Mount 8K VV combines large format 8K acquisition, global shutter capture, high frame rate recording, and native Nikon Z lens support in a compact DSMC3 cinema camera platform. Its 35.4 MP global shutter CMOS sensor captures 8192 x 4320 pixels across a 40.96 mm x 21.60 mm imaging area and delivers 17 plus stops of base dynamic range. By exposing the complete frame simultaneously, the global shutter helps maintain image geometry during fast subject movement and rapid camera motion while preserving the resolution needed for reframing, stabilization, visual effects, and high resolution finishing.
8K REDCODE RAW and High Frame Rate Capture
V-RAPTOR X records REDCODE RAW at up to 120 fps in 8K 17:9 and up to 150 fps in 8K 2.4:1. Lower resolution formats extend capture to 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. REDCODE compression options allow recording requirements to be balanced against resolution, frame rate, and media capacity, while qualified CFexpress Type B media supports data rates up to 800 MB/s. Apple ProRes recording is also available at resolutions up to 4096 x 2160.
Native Nikon Z Mount Control
The locking Nikon Z mount provides electronic communication with compatible Z lenses and supports camera controlled iris, autofocus, image stabilization, control ring functions, and assignable lens buttons. The shallow flange depth also allows additional lens systems to be used through compatible adapters, giving productions access to a broad range of modern and cinema lens options.
Global Vision and Connected Production
RED Global Vision adds Extended Highlights for scenes requiring additional highlight information and Phantom Track for specialized virtual production workflows. RED IPP2 supports 33 x 33 x 33 3D LUTs and CDL workflows for controlled color management from set through finishing. Dual 12G SDI outputs, tri level genlock, LTC timecode, USB C, dual band Wi-Fi, and compatible Ethernet connectivity support monitoring, synchronization, remote control, live preview, media offload, and Camera to Cloud workflows.
V-Lock Production Pack Configuration
The aluminum alloy body measures 5.9 x 4.5 x 4.3 inches and weighs approximately 4.03 lb without the body cap and CFexpress card. The camera includes an integrated V-Lock interface optimized for Micro V-Lock batteries, while the Production Pack expands the platform with production oriented rigging and power support. A compatible V-Lock battery adapter allows larger V-Lock batteries to be integrated into the build while adding accessory mounting and power options for crew operated narrative, commercial, studio, and virtual production configurations.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4 Megapixel Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 mm x 21.60 mm, diagonal 46.31 mm |
| Dynamic Range | 17+ stops |
| Mount Type | Integrated locking Nikon Z Mount with electronic communication |
| Autofocus | Phase detect with Face Detection |
Recording:
| Maximum Data Rate | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| Maximum 8K Frame Rate | 120 fps at 8K 17:9, 150 fps at 8K 2.4:1 |
| Maximum 7K Frame Rate | 140 fps at 7K 17:9, 175 fps at 7K 2.4:1 |
| Maximum 6K Frame Rate | 160 fps at 6K 17:9, 200 fps at 6K 2.4:1 |
| Maximum 5K Frame Rate | 192 fps at 5K 17:9, 240 fps at 5K 2.4:1 |
| Maximum 4K Frame Rate | 240 fps at 4K 17:9, 300 fps at 4K 2.4:1 |
| Maximum 3K Frame Rate | 320 fps at 3K 17:9, 400 fps at 3K 2.4:1 |
| Maximum 2K Frame Rate | 480 fps at 2K 17:9, 600 fps at 2K 2.4:1 |
| Playback Frame Rates | 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps at all resolutions |
| Media Type | CFexpress Type B |
| ProRes Recording | ProRes 4444 XQ, 4444, 422 HQ, 422, and 422 LT at resolutions up to 4K |
| Proxy Recording | Up to ProRes 422 HQ in 2K up to 60P |
REDCODE RAW Acquisition Formats:
| 8K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic formats |
| 7K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic formats |
| 6K | 17:9, 2:1, 2.4:1, 16:9, 1:1, and anamorphic formats |
| 5K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 4K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 3K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
| 2K | 17:9, 2:1, 2.4:1, 16:9, and 1:1 |
Construction and Size:
| Construction | Aluminum Alloy |
| Dimensions | 5.9 inches long x 4.5 inches wide x 4.3 inches high, 149.63 mm x 115.5 mm x 108 mm |
| Weight | 4.03 lb without body cap and CFexpress card |
Power:
| Battery Type | Integrated V-Lock battery interface optimized for Micro V-Lock batteries |
| DC Power | +11 to +17 volts DC using integrated 6 Pin DC IN port |
Environmental:
| Operating Temperature | 0 degrees C to 40 degrees C, 32 degrees F to 104 degrees F |
| Storage Temperature | minus 20 degrees C to 50 degrees C, minus 4 degrees F to 122 degrees F |
| Relative Humidity | 0% to 85% noncondensing |
RED Global Vision:
| Extended Highlights | Captures additional detail and color in extreme dynamic range scenarios |
| Phantom Track | Records multiple LED instances as dedicated clips |
Color Management:
| Image Processing | Image Processing Pipeline 2 |
| LUT Support | 33 x 33 x 33 3D LUTs |
| CDL Support | Import and adjustment |
Audio:
| Integrated Audio | Dual channel digital mono microphones, uncompressed 24 bit 48 kHz |
| Audio Input | Dual channel mic, line, and +48V input through 5 Pin 00B Audio Port, uncompressed 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
Network and Control:
| Wireless | Dual band Wi-Fi at 2.4 GHz or 5 GHz |
| Wireless Functions | Camera control, live preview, and direct Camera to Cloud workflow |
| Wired Control | USB-C or Ethernet with compatible adapter |
| Software | RED Control and RED Control Pro |
Monitoring:
| Monitor Outputs | Integrated dual 12G SDI with 6G SDI, 3G SDI, and 1.5G SDI modes |
| 12G SDI | Up to 4096 x 2160 4:2:2 at 60p |
| 6G SDI | Up to 4096 x 2160 4:2:2 at 30p, 25p, and 24p |
| 3G SDI | Up to 2048 x 1080 4:2:2 at 60p |
| 1.5G SDI | Up to 2048 x 1080 4:2:2 at 30p, 25p, and 24p |
| Wireless Preview | 1080p live preview using 2.4 GHz or 5 GHz Wi-Fi |
| Integrated Display | 2.4 inch LCD for camera control without preview video |
Additional I/O:
| Genlock | Tri Level Genlock input using 9 Pin EXT |
| Timecode | LTC Timecode input using 9 Pin EXT |
| Control | RS 232 CTRL with RCP2 using 9 Pin EXT |
Starting at $1,687.50/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $10,125.00
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
Free Local Pickup
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Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.