- V-RAPTOR [X] Z Mount Camera
- DSMC3 RED Touch 7 Inch LCD
- 2x RED PRO CFexpress v4 Type B 2TB
- RED PRO CFexpress v4 Type B Card Reader
- 4x REDVOLT MICRO-G (Gold Mount Variant Only)
- RED Compact Dual Gold Mount Charger
- V-RAPTOR Tactical Top Plate w/ Battery Adapter Plus (Gold Mount)
- V-RAPTOR Top Handle w/ Extensions
- V-RAPTOR Expander Blade
- V-RAPTOR Quick Release Platform Pack
- DSMC3 RED 5-Pin to Dual XLR Adapter
- RED Production Grips (set of 2)
- V-RAPTOR Side Ribs
- V-RAPTOR Production Plates
- NOTE: POWER CORD NOT INCLUDED, SOLD SEPARATELY.
Red Digital Cinema V-RAPTOR X Z Mount Production Pack Cine Camera (Gold Mount)
- 35.4MP 8K VV global shutter CMOS sensor with 8192 x 4320 effective pixels
- 17+ stops of dynamic range for demanding highlight and shadow detail
- Records REDCODE RAW up to 8K 120 fps at 17:9
- Integrated locking Nikon Z mount with electronic communication
- CFexpress Type B media supports data rates up to 800 MB/s
- RED Global Vision includes Extended Highlights and Phantom Track
- Dual 12G-SDI outputs plus Wi-Fi, USB-C, and Ethernet connectivity
Best of Both Worlds
V-RAPTOR [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 4lbs.
Now with Nikon Z Mount
The V-RAPTOR [X] Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikon’s latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customizable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.
The New Standard
V-RAPTOR [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-RAPTOR, such as 2x 12G SDI’s capable of unique monitoring views, a locking Nikon Z mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-RAPTOR legacy.
Global Vision
V-RAPTOR [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.
IP Connected
Additionally, the V-RAPTOR [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 millimeters x 21.60 millimeters, diagonal 46.31 millimeters |
| Dynamic Range | 17+ stops |
| Mount Type | Integrated locking Nikon Z mount with electronic communication; supports /i PL lenses with RED Z to PL Adapters; supports Nikon FTZ II Adapter with communication and other adapters based on the Nikon Z mount |
| Autofocus | Phase Detect with Face Detection |
Recording:
| Max Data Rates | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| Media Type | CFexpress Type B |
| REDCODE RAW Max Frame Rates | 120 fps at 8K 17:9; 150 fps at 8K 2.4:1; 140 fps at 7K 17:9; 175 fps at 7K 2.4:1; 160 fps at 6K 17:9; 200 fps at 6K 2.4:1; 192 fps at 5K 17:9; 240 fps at 5K 2.4:1; 240 fps at 4K 17:9; 300 fps at 4K 2.4:1; 320 fps at 3K 17:9; 400 fps at 3K 2.4:1; 480 fps at 2K 17:9; 600 fps at 2K 2.4:1 |
| Best Available REDCODE Settings | REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps; REDCODE LQ and ELQ at 8K 17:9 up to 120 fps; REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps; REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps; REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps; REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps |
| REDCODE RAW Acquisition Formats | 8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x; 7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x; 6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x; 5K 17:9, 2:1, 2.4:1, 16:9, 1:1; 4K 17:9, 2:1, 2.4:1, 16:9, 1:1; 3K 17:9, 2:1, 2.4:1, 16:9, 1:1; 2K 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| Apple ProRes | Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096 x 2160) 120P; proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P |
Construction and Physical:
| Construction | Aluminum Alloy |
| Dimensions | 149.63 millimeters x 115.5 millimeters x 108 millimeters / 5.9 inches x 4.5 inches x 4.3 inches, L x W x H, largest fixed dimensions |
| Weight | 4.03 pounds / 1.83 kilograms, without body cap and CFexpress card |
Power and Environment:
| Battery Type | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries |
| DC Power Input | 11 to 17 V via 6 Pin DC IN |
| Operating Temperature | 0 degrees C to 40 degrees C (32 degrees F to 104 degrees F) |
| Storage Temperature | minus 20 degrees C to 50 degrees C (minus 4 degrees F to 122 degrees F) |
| Storage Relative Humidity | 0% to 85% noncondensing |
Global Vision and Color:
| RED Global Vision | Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios; Phantom Track recording mode to capture multiple LED instances as dedicated clips |
| Color Management | Image Processing Pipeline 2 (IPP2); supports 33 x 33 x 33 3D LUTs; supports import and adjustment of CDLs |
Audio:
| Integrated Audio | Dual channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic, line, and +48V input via 5 Pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
IP Connectivity:
| RED Connect | Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless | Dual band Wi-Fi at 2.4 GHz or 5 GHz for wireless camera control, live preview, and direct Camera to Cloud workflow via Frame.io or Amazon S3 |
| Wired Control | USB-C or Gigabit Ethernet with a compatible USB-C to Ethernet adapter for remote camera control, live MJPEG preview, and remote media offload |
| Wired Camera to Cloud | USB-C or Ethernet with a compatible USB-C to Ethernet adapter for remote camera control, live preview, direct Camera to Cloud workflow, and high speed remote media offload |
Monitoring:
| Top Accessory Port | Proprietary port for monitoring and control |
| Monitor Outputs | Integrated dual 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| 12G-SDI | Up to 4096 x 2160 4:2:2 for 60p |
| 6G-SDI | Up to 4096 x 2160 4:2:2 for 30p, 25p, and 24p |
| 3G-SDI | Up to 2048 x 1080 4:2:2 for 60p |
| 1.5G-SDI | Up to 2048 x 1080 4:2:2 for 30p, 25p, and 24p |
| Monitor Output Metadata and Audio | SMPTE Timecode, HANC Metadata, 24 bit 48 kHz Audio |
| Monitor Options | DSMC3 RED Touch 7.0 inch LCD; RED Compact EVF with DSMC3 Adapter A; wireless 1080p live preview via 2.4 GHz or 5 GHz Wi-Fi for framing; integrated 2.4 inch LCD for camera control with no preview video |
Additional I/O:
| Genlock | Tri-Level Genlock Input via 9 Pin EXT |
| Timecode | LTC Timecode Input via 9 Pin EXT |
| Control | RS232 CTRL using RCP2 via 9 Pin EXT |
RED Control and RED Control Pro:
| Camera Control | Access full camera controls and live preview from iOS or Android devices |
| RED Control Pro | Operate one or multiple cameras over an IP connection, synchronize settings, manage media files locally or upload directly to Frame.io, and develop custom looks with advanced CDL and LUT controls |
| Multiple Camera Workflows | Supports centralized control for camera arrays, multicamera shoots, and live events |
| App Availability | RED Control is available from the Apple App Store and Google Play Store; RED Control Pro is available via the Apple App Store only and requires additional purchase |
| Connection | RED Control works wirelessly or wired via USB-C |
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