- V-RAPTOR [X] Z Mount Camera
- DSMC3 RED Touch 7 Inch LCD
- 2x RED PRO CFexpress v4 Type B 2TB
- RED PRO CFexpress v4 Type B Card Reader
- 4x REDVOLT MICRO-G (Gold Mount Variant Only)
- RED Compact Dual Gold Mount Charger
- V-RAPTOR Tactical Top Plate w/ Battery Adapter Plus (Gold Mount)
- V-RAPTOR Top Handle w/ Extensions
- V-RAPTOR Expander Blade
- V-RAPTOR Quick Release Platform Pack
- DSMC3 RED 5-Pin to Dual XLR Adapter
- RED Production Grips (set of 2)
- V-RAPTOR Side Ribs
- V-RAPTOR Production Plates
- NOTE: POWER CORD NOT INCLUDED, SOLD SEPARATELY.
Trusted & Verified
Red Digital Cinema V-RAPTOR X Z Mount Production Pack Cine Camera (Gold Mount)
- 35.4MP 8K VV global shutter CMOS sensor with 8192 x 4320 effective pixels
- 17+ stops of dynamic range for demanding highlight and shadow detail
- Records REDCODE RAW up to 8K 120 fps at 17:9
- Integrated locking Nikon Z mount with electronic communication
- CFexpress Type B media supports data rates up to 800 MB/s
- RED Global Vision includes Extended Highlights and Phantom Track
- Dual 12G-SDI outputs plus Wi-Fi, USB-C, and Ethernet connectivity
The RED Digital Cinema V-RAPTOR X Z Mount 8K VV combines large format 8K acquisition, global shutter capture, high frame rate recording, and native Nikon Z lens support in a compact DSMC3 cinema camera platform. Its 35.4 MP global shutter CMOS sensor captures 8192 x 4320 pixels across a 40.96 mm x 21.60 mm imaging area and delivers 17 plus stops of base dynamic range. The global shutter exposes the complete frame simultaneously, helping maintain image geometry during fast motion while preserving the resolution needed for reframing, stabilization, visual effects, and high resolution finishing.
8K REDCODE RAW and High Frame Rate Capture
V-RAPTOR X records REDCODE RAW at up to 120 fps in 8K 17:9 and up to 150 fps in 8K 2.4:1. Lower resolution formats extend capture to 240 fps at 4K 17:9, 320 fps at 3K 17:9, and 600 fps at 2K 2.4:1. REDCODE compression options allow recording requirements to be balanced against resolution, frame rate, and media capacity, while qualified CFexpress Type B media supports data rates up to 800 MB/s. Apple ProRes recording is also available at resolutions up to 4096 x 2160.
Native Nikon Z Mount Control
The integrated locking Nikon Z mount supports Z Mount lenses with electronic communication and access to camera controlled lens functions on compatible optics. Supported controls include iris adjustment, autofocus, vibration reduction, lens button assignment, and configurable focus and control ring response. Smooth Iris provides gradual exposure transitions, while adjustable autofocus speed helps tune focus transitions for different shooting styles. The shallow flange depth also supports additional lens systems through compatible adapters.
Global Vision and Connected Production
RED Global Vision adds Extended Highlights for scenes requiring additional highlight information and Phantom Track for specialized virtual production workflows. RED IPP2 supports 33 x 33 x 33 3D LUTs and CDL workflows for controlled color management from set through finishing. Dual 12G SDI outputs, tri level genlock, LTC timecode, USB C, dual band Wi-Fi, and compatible Ethernet connectivity support professional monitoring, synchronization, remote control, live preview, media offload, and Camera to Cloud workflows.
Gold Mount Production Pack Configuration
The aluminum alloy body measures 5.9 x 4.5 x 4.3 inches and weighs approximately 4.03 lb without the body cap and CFexpress card. The camera body uses an integrated V-Lock interface optimized for Micro V-Lock batteries, while this Gold Mount Production Pack adds the battery adapter architecture required for full size Gold Mount power. The production setup also provides expanded accessory mounting and power integration for crew operated narrative, commercial, studio, and virtual production builds.
Imaging:
| Sensor Type | V-RAPTOR [X] 8K VV 35.4MP Global Shutter CMOS |
| Effective Pixels | 8192 x 4320 |
| Sensor Size | 40.96 millimeters x 21.60 millimeters, diagonal 46.31 millimeters |
| Dynamic Range | 17+ stops |
| Mount Type | Integrated locking Nikon Z mount with electronic communication; supports /i PL lenses with RED Z to PL Adapters; supports Nikon FTZ II Adapter with communication and other adapters based on the Nikon Z mount |
| Autofocus | Phase Detect with Face Detection |
Recording:
| Max Data Rates | Up to 800 MB/s using RED branded or other qualified CFexpress media cards |
| Media Type | CFexpress Type B |
| REDCODE RAW Max Frame Rates | 120 fps at 8K 17:9; 150 fps at 8K 2.4:1; 140 fps at 7K 17:9; 175 fps at 7K 2.4:1; 160 fps at 6K 17:9; 200 fps at 6K 2.4:1; 192 fps at 5K 17:9; 240 fps at 5K 2.4:1; 240 fps at 4K 17:9; 300 fps at 4K 2.4:1; 320 fps at 3K 17:9; 400 fps at 3K 2.4:1; 480 fps at 2K 17:9; 600 fps at 2K 2.4:1 |
| Best Available REDCODE Settings | REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps; REDCODE LQ and ELQ at 8K 17:9 up to 120 fps; REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps; REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps; REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps; REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps |
| REDCODE RAW Acquisition Formats | 8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x; 7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x; 6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x; 5K 17:9, 2:1, 2.4:1, 16:9, 1:1; 4K 17:9, 2:1, 2.4:1, 16:9, 1:1; 3K 17:9, 2:1, 2.4:1, 16:9, 1:1; 2K 17:9, 2:1, 2.4:1, 16:9, 1:1 |
| Apple ProRes | Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096 x 2160) 120P; proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P |
Construction and Physical:
| Construction | Aluminum Alloy |
| Dimensions | 149.63 millimeters x 115.5 millimeters x 108 millimeters / 5.9 inches x 4.5 inches x 4.3 inches, L x W x H, largest fixed dimensions |
| Weight | 4.03 pounds / 1.83 kilograms, without body cap and CFexpress card |
Power and Environment:
| Battery Type | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries |
| DC Power Input | 11 to 17 V via 6 Pin DC IN |
| Operating Temperature | 0 degrees C to 40 degrees C (32 degrees F to 104 degrees F) |
| Storage Temperature | minus 20 degrees C to 50 degrees C (minus 4 degrees F to 122 degrees F) |
| Storage Relative Humidity | 0% to 85% noncondensing |
Global Vision and Color:
| RED Global Vision | Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios; Phantom Track recording mode to capture multiple LED instances as dedicated clips |
| Color Management | Image Processing Pipeline 2 (IPP2); supports 33 x 33 x 33 3D LUTs; supports import and adjustment of CDLs |
Audio:
| Integrated Audio | Dual channel digital mono microphones, uncompressed, 24 bit 48 kHz |
| Audio Input | Integrated dual channel mic, line, and +48V input via 5 Pin 00B Audio Port, uncompressed, 24 bit 48 kHz |
| Headphone Output | 3.5 mm stereo headphone port |
IP Connectivity:
| RED Connect | Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110 |
| Wireless | Dual band Wi-Fi at 2.4 GHz or 5 GHz for wireless camera control, live preview, and direct Camera to Cloud workflow via Frame.io or Amazon S3 |
| Wired Control | USB-C or Gigabit Ethernet with a compatible USB-C to Ethernet adapter for remote camera control, live MJPEG preview, and remote media offload |
| Wired Camera to Cloud | USB-C or Ethernet with a compatible USB-C to Ethernet adapter for remote camera control, live preview, direct Camera to Cloud workflow, and high speed remote media offload |
Monitoring:
| Top Accessory Port | Proprietary port for monitoring and control |
| Monitor Outputs | Integrated dual 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes |
| 12G-SDI | Up to 4096 x 2160 4:2:2 for 60p |
| 6G-SDI | Up to 4096 x 2160 4:2:2 for 30p, 25p, and 24p |
| 3G-SDI | Up to 2048 x 1080 4:2:2 for 60p |
| 1.5G-SDI | Up to 2048 x 1080 4:2:2 for 30p, 25p, and 24p |
| Monitor Output Metadata and Audio | SMPTE Timecode, HANC Metadata, 24 bit 48 kHz Audio |
| Monitor Options | DSMC3 RED Touch 7.0 inch LCD; RED Compact EVF with DSMC3 Adapter A; wireless 1080p live preview via 2.4 GHz or 5 GHz Wi-Fi for framing; integrated 2.4 inch LCD for camera control with no preview video |
Additional I/O:
| Genlock | Tri-Level Genlock Input via 9 Pin EXT |
| Timecode | LTC Timecode Input via 9 Pin EXT |
| Control | RS232 CTRL using RCP2 via 9 Pin EXT |
RED Control and RED Control Pro:
| Camera Control | Access full camera controls and live preview from iOS or Android devices |
| RED Control Pro | Operate one or multiple cameras over an IP connection, synchronize settings, manage media files locally or upload directly to Frame.io, and develop custom looks with advanced CDL and LUT controls |
| Multiple Camera Workflows | Supports centralized control for camera arrays, multicamera shoots, and live events |
| App Availability | RED Control is available from the Apple App Store and Google Play Store; RED Control Pro is available via the Apple App Store only and requires additional purchase |
| Connection | RED Control works wirelessly or wired via USB-C |
Starting at $1,687.50/mo
Estimated over 24 months with Affirm, subject to eligibility and approval.
Flexible payment options available
Interest-free installments and monthly financing may be available through Shop Pay on eligible purchases.
Starting at $10,125.00
No interest if paid in full by the promotional terms. Minimum monthly payments required and subject to credit approval.
Shipping Policy
Orders of $25 or more qualify for free standard shipping on eligible items.
Most in-stock orders placed before 3PM EST Monday–Friday ship the same business day. View Shipping Policy
Free Local Pickup
Please call for store stock availability. Requests made before 2:30 PM EST can be available for next-day pickup. Learn more
Tab: Frequently Asked Questions
How do I return an item?
How do I return an item?
Returns are incredibly simple. Please log into your account, find your item you wish to return and follow the prompts to make a return. If you do not have an account, click here to find your order and make a return.
Will I receive a full refund when I return an item?
Will I receive a full refund when I return an item?
You will receive a full refund when you return an item in its original manufacturer’s packaging, undamaged and unmarked. If the item you are returning is priced at less than $35, you will be charged a 15% restocking fee. Please note you will not be refunded any shipping charges.
How many days do I have to make a return?
How many days do I have to make a return?
You have 30 days to make a return. During the holiday season, from November 1 to December 31, we extend the return window to 60 days.
My item was damaged in transit. How do I place a return?
My item was damaged in transit. How do I place a return?
If your order has been noticeably damaged in transit, we strongly recommend that you refuse delivery and notify us immediately. Claims for missing items or items damaged in transit must be made within 48 hours of delivery. If there is carrier damage, please contact support@focuscamera.com with your order number and a description of the damage.
There’s an issue with my order, what should I do?
There’s an issue with my order, what should I do?
Oh no! Please contact our customer service team so we can resolve the issue immediately. You can call us on 1.800.221.0828, email us at support@focuscamera.com, or send us a message here.
Can I exchange an item?
Can I exchange an item?
We do not currently offer exchanges. Please return the item you purchased within 30 days and order what you’d like instead.
If I ordered a kit, do I have to return all the items?
If I ordered a kit, do I have to return all the items?
If you ordered a kit, you must return all components and accessories to receive a full refund.
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
I ordered a product that included a free item. I’d like to return it, do I need to return the free item as well?
If you ordered a product that included a free item, you must include the free item with your return. If not, your return will not be accepted and you will not receive a full refund.
Do you offer repairs?
Do you offer repairs?
We currently only offer camera repairs at our Brooklyn store. The item must be dropped off and collected in person as we do not accept shipped items for repair. For more information, please call our Brooklyn store on 1.718.431.7900.
What is your return policy?
What is your return policy?
Most items can be returned within 30 days for a full refund. Click here to read our full return policy.
