- Sony FR7 Cinema Line Full-Frame Interchangeable PTZ Robotic Camera
- FE PZ 28-135mm f/4 G OSS Lens (SELP28135G)
- Lens Rear Cap
- E-Mount
Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G Lens
- 10.3 MP back-illuminated Exmor R image sensor
- BIONZ XR processor
- Full-frame interchangeable lens with PTZ
- High Sensitivity up to ISO 409,6006
- 15+ stop dynamic range
- Fast Hybrid AF with 627 phase-detection AF points
- Real time Eye-AF
- In-camera Slow and Quick motion
- Remote-controlled pan/tilt/zoom mechanism
- Up to 100 camera presets
ILME-FR7 is the world’s first camera to combine lens interchangeability, a full-frame image sensor, and pan/tilt/zoom (PTZ) functionality. The camera features a back-illuminated Exmor R image sensor with 10.3 effective MP and a BIONZ XR processor for superb image quality. Compatibility with Sony’s extensive E-mount lens lineup works with the remote pan/tilt/zoom control to break through location and space limitations for unprecedented creative potential. It also offers the cinematic look and operability that have made Sony digital cinema cameras leaders in the field, plus versatile connectivity and efficient multi-camera workflow support.
Remotely Controlled Pan/Tilt/Zoom Mechanism
With its integrated remotely controllable pan/tilt mechanism, ILME-FR7 can be mounted on a tripod, on a ceiling, or in other locations that provide limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. Pan and tilt speed can be continuously varied from 0.02 degrees/sec to 60 degrees/sec, supporting a wide range of precise camera movements. The pan angle range is from -170 to +170-degree, and the tilt angle range is from -30 to +195-degree when used in an upright orientation, or from -210 to +15-degree inverted. FR7 is also compatible with Sony’s RM-IP500 remote controller for a multi-camera production, further expanding creative potential. A single RM-IP5005 unit can remotely control up to 100 FR7 cameras (10 groups of 10 cameras).
Compatible with 70 E-Mount Lenses
The ILME-FR7 features Sony’s E-mount and can be used with all E-mount lenses, including the superlative G Master series with stunning resolution and world-class bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control. Power zoom models can be controlled remotely and provide unique framing flexibility.
Web App for Control by Tablet or PC Via Web Browser
With a new dedicated web application built in, pan, tilt, zoom, focus, record, playback, and all camera settings can be controlled from a tablet or computer web browser. This provides easy, versatile remote control for situations where the camera is mounted on a ceiling or other hard-to-access location. The FR7 be used with Sony’s high-performance RM-IP500 remote controller providing precise joystick-controlled pan, tilt, and zoom operation. Speed adjustment knobs allow pan, tilt, zoom, focus, and speed adjustment to match the subject and application. Zoom can be controlled either via the joystick or a seesaw lever, to match operator needs.
High Sensitivity Up To ISO 409,600
In order to take full advantage of the imager’s high sensitivity, the FR7 has a Base Sensitivity setting that allows ISO to be expanded up to 409600 when shooting in low light. In Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions, making it possible to minimize noise while maintaining a consistent look. Furthermore, a wide 15+ stops dynamic range prevents blown highlights and blocked shadows.
In-Camera Slow and Quick Motion
The ILME-FR7 allows internal slow-motion capture at QFHD resolution and a high 120 fps frame rate. Smooth 5x slow motion13 affords extensive creative possibilities. 120 fps footage can be recorded at the camera’s highest quality XAVC-I 4:2:2 10-bit Class 300. Full HD can be recorded at 240 fps allowing 10x slow motion (24p recording).
Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G Lens
General
| Mass |
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| Dimensions (W x H x D) |
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| Power requirements |
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| Power consumption |
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| Operating temperature |
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| Storage temperature |
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| Ceiling mount | Yes (with Ceiling Bracket option) |
| Tally lamp | Left(x1)/Right(x1), Red/Green |
| Recording format (Video) |
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| [XAVC Long] | |
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| Recording format (Audio) |
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| Recording frame rate |
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| Recording/playback time |
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| XAVC-I DCI4K/QFHD 50p | |
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| XAVC-I DCI4K/QFHD 29.97p | |
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| XAVC-I DCI4K/QFHD 25p | |
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| XAVC-I DCI4K 24p | |
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| XAVC-I DCI4K/QFHD 23.98p | |
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| XAVC-I HD 59.94p | |
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| XAVC-I HD 50p | |
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| XAVC-I HD 29.97p | |
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| XAVC-I HD 25p | |
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| XAVC-I HD 23.98p | |
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| [XAVC Long] | |
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| XAVC-L QFHD 59.94p/50p | |
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| XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p | |
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| XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p | |
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| Recording format (Proxy Audio) | : XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| Recording format (Proxy Video)XAVC Proxy |
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Camera Section
| Imaging device (Type) | 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor |
| Number of pixels (total) | Approx. 12.9 megapixels |
| Number of pixels (effective) | Approx. 10.3 megapixels |
| Built-in Optical Filters | Clear, linear variable ND(1/4ND to 1/128ND) |
| ISO Sensitivity | ISO 800/12800 (Cine EI mode, D55 Light source) |
| Focus |
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| Output format |
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Pan-Tilt Section
| Pan/Tilt angle | Pan: -170 degree to 170 degree |
| Tilt | -30 degree to 195 degree |
| Pan/tilt speed | Pan: 0.02 degree to 60 degree |
| Tilt | 0.02 deg. to 60 degree |
| Quietness | NC35 or less |
| Preset position | 100 |
Input / Output
| Audio input |
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| SDI output |
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| HDMI output | Type-A connector(x1) |
| Genlock input | BNC (x1), 1.0 Vp-p, 75 Ω |
| Optical output |
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| DC input | DC jack (x1) |
| Network | RJ-45 (LAN) (x1), 1000BASE-T |
| Remote control |
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| IR remote control | Yes |
| TC Input/TC output | BNC (x1), TC IN only |
Network/IP Streaming
| Protocols |
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| IP stream |
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| Maximum frame rate |
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| Bitrate control mode | CBR/VBR |
| Range of bitrate setting | 512 Kbps~80 Mbps |
Web App
| Supported operation systems |
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| Supported web browsers | |
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